Gallic-mythology-study.

Taking into account the fact that the Gallic deities clearly marked the language of our ancestors, I studied the language in depth to bring out the attributes of each of the gods, goddesses and mythical heroes. About 700 deities and titles are studied in this section. Thanks to this work, I will be able to trace Gallic mythology and update it. Then comes the writing of a final work that can be distributed to all of us. It was a collection of texts not written at the time and to respect certain uses, the finished book will mainly include Gallic style graphics. It is a whole system of drawing which served as writing at the beginning of the Gallic area. Then a time will come when we will have to write the third book, that of the future. (If several interpretations collide, they are noted together, we still have to find the link. The stories were very colorful at the time). There were about thirty main gods and goddesses who correspond to the unfolding of the calendar. The whole system rotates with the position of the stars, the planets, the moon rider and the conductor, the charioteer, the sun chariot (chariot of time). It was a philosophical religion, that of the light of the stars which covered our world. This is why our ancestors did not build completely covered places of worship, they kept the deified light as well. At the beginning.... It was a long, long time ago. At the beginning of the history of humanity, this informal potential of the nature of the being which moves in essences obliged to the evolution of life. First you could say, a seed fell from the starry sky and sank deep into the early mud, it was Lias-fail. A tree was born which must have become world a little later. Then from this tree was born a spirit which spread and gave birth to all species of life on earth. All the living carried a part of the light within them. They carry the same principles today. The children of the grand-beech's grandchildren opened their eyes wide to take advantage of the manna that nourished everyone, and the hominid forgot he was coming, strangely because and finally, it is because he created himself afterwards, that man, too spoiled a creature, began to devour the world he now underestimated. The original-light spirit has always existed and with his ungrateful children he decided to do something better, yes, much better. It was necessary to educate them, to give them respect, to assign them a place at his side. The tree did not speak the language of men, so instead of trying to convince them, it showed them the hundred paths, only one of which led to the divine spirit. Human life spreading, but in the pangs and turpitudes inflicted on them by physical life. Few came to the luminous spirit, very few. These few forged the forest of the thoughts of the gods. It is their story that I am going to try to tell you-through-this-study. Alixion Alixion In the Gallic imagination, there were things that had settled outside of the physical world long before it existed. There was a myth we were talking about around the fire, that of Alixion. Long before the gods and men on earth, in a forgotten world, there was a city or an island from which travelers had come. It was said that in Alixion stood knowledge and peace, the power to do whatever one dreams of, that there, people would never die, never, and that they always kept the same body. It was not known when the Alixion had existed, it seemed that it had always been there. It was said by telling in great detail its wonders that there was no birth and no death there, that the city had always existed, like its inhabitants and that from time to time, an emissary came to the known world to bring there knowledge and change. Like a god from another universe where we did not know misfortune. From this city, we simply know that there is a way to go there, a single and unique way that few people still knew where it was. Everyone dreamed of going there. NB: there are indeed in the Gallic language the traces of a city, of a place where at least of a wonderful reference, which does not exist in the physical world or Gallic psychic but in another part considered as making part of the memory or beyond this one. Another universe or an etheric space? Something outside of time is difficult to explain without having more details. This is not the Alesia of the Terran world although the city must have borrowed its name from the Alixion. Abaginus. Lugus descended from the heavens through the mountains of the goddess Pyrenees, leaning over the edge of a raging torrent, he could see how the water inwas clear. This is where ABaginos was born, also called Baginus, the transparent. This was happening in the territory of the Bigerriones. He was a genius of strength. The latter worshiped the strong light, its waters gave them the liveliness of the peasants, a real magic potion. Their eyes were crystal clear, just like their skin, with a famous sparkle in the middle. This magical and intoxicating source made them advance in all weathers on the hard Pyrenean slopes. They were "the ones who move a lot". They constantly boasted of being the most enduring and ran through the cliffs to find out who would get to the top, said to be the sharpest, fastest. This is where the Baginus stone of certainty was, a quartz that was called "Abagi", transparency. We know that the genie planted a particular tree which gave fruit of liveliness and other medicinal uses, the mountain beech, also called "Fagus" the top. We also know that he protected Gallia on several miraculous occasions. You know ... Gallia, the one the Greeks called Gaia. Nb: The term happens to be in the midst of heated discussions regarding so-called Indo-European origins. Supported by people who came from the east. A biblical tribe that is seriously starting to run "on the bean" at me to speak politely. I call them "the tribe of the sons of the zebra". I can tell you with precision that "Bagus" the beech "is also" Fagus ". Where does a word well known to the peasants come from:" Pagus ", the country. It designates the transparency of a place where from a circle and not his entourage as in others. Nb2: this rapprochement between the beech and the country (1st kingdom) makes me wonder if, as the oak is that of the Druids (2nd kingdom), there are two other trees that define the Albios (3rd kingdom) and the andernad, ash and willow are the two other most important trees. ????? Abandinos The funerals were a source of pain, one called in these moments a god of the lower passions, Abandinos. The one who consumes pain and dead flesh. For the Gauls, the body is born from its land, and when it is too tired or too injured, they must give back what the land has given them. Thus, the god of inner burns was calming. The soul then began its journey through the limbo of time to reincarnate on the same earth, where it had left its last body. Abandinos was the god of the brown lands, a gatekeeper from the other world. When it was urns that received the ashy remains, it was still the heat of Abandinos that made the greasy clay leather. What comes from the earth belongs to him, will always come back to him. The soul, for its part, constantly returns to re-live in the land of men. Burying a body, an urn, in sacred ground was considered an offering, a noble act. Abelio. Abelio was a god of the world of Albios. One day, he came down to earth to unite with pyrenn, the mountain nymph. Many people heard the loud rumblings emanating from one of the fertile valleys, lights splashed across the sky, glowing clamors set the cloudy sky on fire for long periods of time. In the early morning, a child was born from the Union of the mountains and the rain, his name was Millaris, he was a shepherd, the first. That night, the hills shook far, stretching further north, and we will remember it for a long time. When people needed to provoke love, they sang long litanies at the foot of Abelio's cantalon. Thus, some couples stayed together all their life and even after. The virile force of Abelio's song swelled the heart of the hills, and made the rivers of life fly away. Abnoba Abnoba and his daughters live in the most remote places. In the intoxicating scents, under the damp stones, surrounded around the trunks of giant trees or still along rivers bordered by inextricable ferns. There, in the very heart of primary nature, where humans are not allowed to go, lies an invisible palace that houses this queen of the secrets of savage nudity. Fairies have always existed, from the birth of the world they already had fun in the pools, hidden from the corruption of men. The latter feared the Abnobae, the druids had warned them: "never go deep in the forests, because there are the fairies of the original garden, these secrets are forbidden to you by the gods, if you venture there, you will never come back to your houses! They will make you graze there 'grass and you roll in nettles! You'll end up with that red ass for decades! " And so nobody ever approached these sacred places, well almost nobody because the magic sometimes attracts reckless peoplewho must abhor their destinies. "Abnoba was a huntress, her eternal youth was transmitted to her daughters", so we remembered the 1st age, a time in the vigils, we spoke of the place where the world was created, deep in the great forest . A time when harmony reigned in the vegetable, animal and mineral kingdoms, a peace well kept by the Abnobae. Until one day, someone dared to go and disturb them. A peasant wanted to seize the domain of the fairies, but being too afraid to oppose them directly, he had the stupid idea of setting fire to the whole forest. Abnoba was what she was, she was reborn wherever she had been, it is hardly the most barren rocks that can stand in her way. Thus, the peasant who had dreamed himself master of the land of the gods, soon found himself invaded from all sides by herbs and animals which returned in greater numbers. He soon had to take refuge on one of the barren rocks and build a castle there. But the water ran out because it was no longer raining there. The clouds moved away from the escarpment, each time the god of the winds held them back. The fortress was soon to be abandoned, the peasant had just understood that one could not fight against nature itself. You could hardly participate in it at your own personal level. Abosine. There was a man called Abosïne, he was educated by the Druids when he was still a child. Later, as a teenager, he used bad magic. Instead of communing with the universe of night stars, he dared to look the sun in the face. It was forbidden because there were reborn infernal passions, it was said. He was dazzled and forgot his teachings. When the sun drowned his mind, it was his heart that it ultimately warmed far too much. From there Abosïne became boastful, aggressive, he respected no one who did not obey him willingly or by force. The gods were outraged and sent a creature named Orgetorix to put an end to this human infamy. The troublemaker was screaming loudly that he was stronger than all the others, and one day he encountered the creature by the river. He wanted to look the sun in the face to draw inspiration from his strength, but something prevented him from doing so. Mindless, he lowered his head to the reflections of the river but a green shadow covered the surface of the water. It was the Orgetorix, a half-fish, half-plant creature. The madman wanted to prove himself even stronger than the gods, and hit the water of the yellow river several times. The sun goes out in his soul, it was a sacrilege. Abosïne had lost himself and had thereby lost all his strength in front of his own strength, that of the hammer which was called "ordos". He was instantly transformed into a water lily and could not move. Rooted in the depths of the living spirit. He was long remembered as the "water cat", the villain who respects nothing. The evil he had done had to be cured, and since then this plant served to lull the senses. Nb: "Ordos" is the hammer of Tanaris, the Orgetorix is the creature which defines the limits of perdition. Aceïo. With the Druids, everything contains a divine definition, the trees, the rivers, the stones, the wind ... There was a god of the beauty of the mineral world called Aceïo, well known in all Gaul. Whole mountains were deified, a tribe, the Nantuates particularly honored, it was the deity that had to be invoked to acquire certain supplies. The cornerstone that cuts, the stone hammers, the smooth marble. This made work easier for many trades. Aceïo was even the god of whetstones. Its merchants sold piles of useful rocks. He was the thought god of rocks and sharp peaks. The entwined veins sometimes offered the marvelous dreams, the understanding of what the divinity of the physical world of creation is, of its entangled and colored beauties. The iris of the human eye has something of Aceïo, something mineral too. Nb: see Ageïon. Acesonios The gods interceded in everything, at every need, at every questioning, for healings. Thus was born Acesonios, the god of wonderful dreams. He was called upon to get to sleep quickly, in order to be able to rest at best. He was a deity of nobility and of good mental and physical shape. Access a state of goodwill, that is, something calming, a stable mind. Thus Acesonios chased the nightmarish dusii, he allowed good rests. Herbs used for antidepressants in particular belonged to him. He was a healing god, Acesonios means: the arrangement of dreams. Accoros. Some things are not so easy to guess, the problems of everyday life are legion. We concentratedit, we turned the thoughts in all directions but sometimes, the black stone of the difficulty was made too high and too black especially to be overcome. It was in these moments that Accoros, the old man of the mountain, was invoked. He was a clever, intelligent god, full of experience, very quick-witted. He made the link between the sky and the men, lived in the high and healthy cities in the mountains, those which were closer to the sky. When one who sought the divine inspiration of Accoros needed it, he was asked to look towards the place where he resided, tens of kilometers away sometimes, on the snow-capped peak, and to offer him a prayer. It sounded like an invocation of the cold, determined spirit, freed from the tangles of lower passion from the lower world. Accoros was the god of divine correctness, the one who enlightened the minds of men, the one who divined everything. A god of spiritual appeasement too, but closer to the heavens. He was a god of omens. Perhaps the word in French comes from old memories that have come down to us. Augure-Accoros ... Adacrios: Dwarf deity of the bawls. Adamos. The long way. I don't know when it started I was young when I left, why exactly did I go? .... I still don't know. Something was guiding me, something that was strange to me. So I was at the start of a quest and didn't know it. A quest that lasted a thousand years. I walked for a long time, came up against the worlds I was visiting, the trip had many surprises in store for me, some were good at the beginning, ..... until I arrived in the world of the damned, the kingdom burning anderos, for I had been far too far out of the light of the world. It was a difficult road, a pitiless harassment, everywhere the dusios put me to the test, everywhere, at every step, suffering! The suffering of the body, the suffering of the soul, an unbearable suffering. The hellish creatures were looking for me and I had to hide, leave no tracks behind to survive, danger was everywhere. When I slept I slept like a dead man and horrible filthy beasts leaped wildly in my face to wake me up, I feared for my eyes as the walls around me held me in blindness. When I was awake I lived like an undead ..... but was I still alive? I do not know what force allowed me to advance sometimes, because despite all this, I advanced, without hope, and I thus traversed places and whole devastated countries ... at the bottom of the worst abysses I had to fight to go up peaks which brought me back to abysses. Everywhere I was blocked the road, I had to bypass all obstacles, behind only one of them were always hiding several others .... terrible ordeal. I didn't even know who I had become, who I had been, I didn't even know where I had arrived and where I had been before ..... if I had been there .... this was a long road, and during all these centuries, I learned only one thing ... we got used to where we stop to think, but anyway we have to go to the end of the road ... and I 've been there. And then one day I saw the light. First of all, I could no longer run, but I was heading with a confident step towards some world that was still unknown to me. It was cold, a stinging breeze blew through me to the bone. I only knew then that I was out of the anderos, calm reigned around. What I saw in the middle of the light then puzzled me, a gigantic being was sleeping, sitting in the middle of a clearing covered with emeralds. He was huge, his head reached the clouds! What did I say? The clouds were her hair. He was a god, sure. The days passed and I looked at the god, at night he had stars on his head, by day he barely moved, he was heavy and robust. I don't know how much time I spent looking at him like this, maybe months. Then, little by little, he opened his eyes and the sky turned green. He had hundreds of eyes, thousands. They were everywhere around me and above me. I tried to look him in the face but it was impossible, while he was looking at me everywhere at the same time. A huge crack was heard, the god spoke and He said this: welcome Adamos, you're back home ... white deer. From our trials comes salvation, The journey in the anderos pushes us towards divine creativity. The dance of the seasons brings us to renewal and improvement. You still have a lot to do. I felt then that kind of branches were growing on my head, like the adivinity of life that stood before me. Adiantos. There ishe was a demigod called Adiantos, he was a god of light who amused himself a lot by astonishing motionless people. At first he was a simple human, but one day Lugus gave him a ring of exceptional powers. That of shining in all circumstances, and of imitating the things of passion by giving them even more strength. This ring had a name: the Adiantunnes. The one that contains the magic of zeal. He had become a great leader, very famous, simply by bamboozling people. No one knew that his power lay in the ring, from time to time he was seen to blow on the ring while rubbing it so that its sparkle caught the eyes around. Music rose in their minds, carrying them at a steady pace that ordered various jobs to be done. This sudden agitation also made them envious, betrayed by their pride they then put themselves at the service of Adiantos. Nb: in primo-language, "Adi": the interior thought, "Ana": the genre, Atu: the recipient chief. "The thought-using" or "thought-grabbing kind of leader." Adido. Our ancestors the Gauls were in their time the best craftsmen in Europe. Adido presented the beautiful spectacle of things well done, professionally speaking he was a genius of woodwork. In Gaul, stone was not worked much to create art objects, it was wood, all its veined and colored forms that served as a support. These objects attracted attention to them. He was a genius of the world below, that of passions, the will to be well provided with the benefits of Adido was normalized. These furnishings were carved with animal shapes, there was an Augustus passion for fine work. The place where Adido resided was well supplied with solid wood, during the winters, we worked all this in a jovial mood. Nb: an interesting arts and crafts divinity. Adsmerios. The raven god often accompanied the diviners, his magical dimension made him the worst enemy of the dark dusia. Adsmerios is a god of reflection, an ancient friend of Lugus. He is an intensive dreamer who sees what others do not see, like all black birds, he warns humans when dangers appear in the shade. He is a faithful friend who always comes back to those he considers his own. His inferior affiliation make him a good servant, he is far-sighted and protective. It is said to enlighten lazy minds, its animal, instinctive, spiritual affiliation, there is no doubt, it is the embodiment of reflection, the one who brings tranquility. A dusii hunter. Adsmerios was an important symbol of the alliance of men and mother nature, it was the reporter of the world of ancestors. NB: the Catho have done everything to make it a symbol of misfortune because it is a messenger with the other world. The obscurantists have always feared it. There is once again a proven shamanic dimension, Adsmerios is an advisor. Adsulata. Adsulata was a magician, a priestess. His power was passionate, but of those sweet passions that make leaders, nobility of soul among others. She listened to kings and their people. As a female divinity, she was responsible for posterity, ensuring that the currents never go out, it is she who provided them when a tribal weakness appeared. She was a dawn and dawn prophetess. A river was dedicated to her, the knowledge of the cult of the waters, adsulata was the representative of the druidesses, divine seers who made her course. She was a warm woman, one who brought the food of the gods: knowledge and science. Knowing the lower world of the Aidubno, they interceded with the gods to appease certain problems within the tribe. Teenagers: God of wild vitalities and hectic countryside. Aegasis. There are places that are unlike any other, places where the gods remember our memories. On the Pyrenean foothills, Aegasis, son of Tanaris and a human princess, had taken up residence. There remains a town called Agassac in our time. Aegasis took his name and reputation from the demonstration. He was the one who kept the magic of lightning in the human world. "Gaiso", the mad spear, belonged to Tanaris, his offspring possessed the secrets. Tanaris' spears were a demonstration of his will, Aegasis reserved the first. On one of the high hills, this demigod called the shards of his father to surround the sacred domain of his queen. In these moments of mythical anthology, the whole population could see thunderstorms forming around, tens of kilometers, sometimes, this place was called: the center of thunderstorms, the palace of Aegasis. The dazzling shards that appeareverywhere on the horizon offered an extraordinary natural spectacle, of those which remain imprinted in the memory of a lifetime. This place was the domain of the sacred lance. NB: it is indeed the spectacle of thunderstorms which give its name to Aegasis, there again, it is the forces of nature which serve as support for the myth. Another thing, "Ae", at the end of the name, notes membership in a group. At the beginning of the word, he notes the exacerbated creativity of the principle, the flashes in terms of it. Aenos: god of Ana's will (of luminous waters and of the physical world), present and nocturnal time. Aereda. In a closed valley the war songs were heard, it is there that the rites of passage were made, through serious steep mountain trials, Aereda was honored. We found an altar which was used for his worship, it was about a goddess of the sky. It is in a well protected basin, in the middle of a Pyrenean valley that the creativity of Areda was consecrated by whole groups. The color red was his mark and indeed, in this place which gathered his disciples, the sky sometimes takes a deep red hue, in the evening, when the sun goes down. There, on high promontories, are the feruginous veins which gave the precious metal, the incandescent hearths retreated the slag, it was a sacred domain, the forged weapons were in the same way sacred. Swords were synonymous with freedom and destiny, great spirituality and truth. This particular place where future warriors were educated was a learning cauldron. To each warrior a sword, a destiny, the freedom to serve no one in particular, the Equites took their destiny in hand there. And Aereda was there to show them the way. It was absolutely not a goddess of the underworld among the Gallic ones, it was the divinity of the magic weapons, of the best quality there is. Aericula. Obviously there were times when the gods of the underworld got sweeter, Aericula was one of them. Spring was advancing with its damp sweetness, freeing sleeping nature. The little birds singing cheerful and playful tunes. It was the season of love, Aericula enchanted the spirits of libertine prayers. The grazing soon took its full extent, males and females called for spring magic. These noble ardors, expressing the desire to live and to love, enchanted the forests with ritornellos night and day. From the depths of the valleys, the deer sang its animal creativity, the slab lasted a long time, directing the females to where he was standing. The humans themselves were not spared, rather voluntarily calling for the loves of the year. Nb: she is indeed a goddess of love songs and pamaisons. Its name means: "grouping around the rules of gentleness". The divinity of hidden lovers or apparently personal loves. Aerona. It still exists this river, under the name "Aron". Aerona was the goddess of freedom, that is to say, the place filled with a wild and untamed nature. This was because the deity had placed his mark on the highest level of the waters, during repeated flooding. This was an uninhabitable place for the Gauls, if someone settled there, Aerona slowly overflowed to chase away the intruder, impossible to cultivate there, it was the domain of moorhens and wild beauty. The border of his domain was well marked, the prominent hills bordered it, it was also said there, that the ancestors awaited, a paradise for those who had returned to their original state. Nb: always the creative forces of nature. Aétucolis. The god of oaths made people keep their promises. The chiefs of tribes especially appealed to him during real ceremonies, people alone or in groups committed to serve these until death without any faults and even after. Aetucolis was invoked during exchange contracts where everyone undertook to go through with their word. The word given was a matter of pride, an honor, the translation of a noble mentality. This behavior greatly astonished the foreigners who visited the Gauls, the Gauls used to keep the word spoken before the altar of the gods, for them who saw things only through a temporal power, it was incomprehensible. It never flew off with the strongest and most extreme trends, it was a question of stability within groups and everyone knew it. Aetucolis made promise and swear, if the contracting parties did not honor their commitment, the dusii of perversion would throw themselves on the whole tribe. People did not commit to other people, they promised to honor the word of the gods, Aetucolis was the god of the sacred word, the one that we respect against all odds. Aesus. Aesus was a man born under the sign of the fish. A man who loved to watch the starry sky of the celestial oceans. At that time, forests covered the Gallic territories and many people lived in clearings. Aesus was at odds, he didn't get along with the chief of his village because he was too free-spirited. One day, he decided to leave his tribe to go and found his own clearing. The journey lasted 33 years and he cleared the paths of his soul as well as those of the sacred forest. One day he came to a clearing in the center of which grew a gigantic tree that reached up to the stars. He thought that this was the best place to build his house because a living spring flowed not far away and as he was a lumberjack and a carpenter, he undertook to cut down the tree to use the wood from its branches. He worked a long time and the ax blows resonated for years in the forest. It was when the giant fell that the man realized that he had cut down the tree of eternal life because on its branches a huge bull lived, as well as three cranes. He only had to saw the branches and the trunk because the damage was done, the bull gave him a good future. For many years, Aesus sawed and prepared the pieces of wood that enabled him to build a very large house. People came from everywhere to live with him, the tribe grew as much as the house allowed, that is to say indefinitely because the tree from which the wood came was constantly growing and the wood was never lacking ... Aganntobo. There were divinities all over Gaul, all of them had their roles. The Organntobo was an ancient deity belonging to a territory. It was like a spirit of the past that had to be respected, that of the ancestors. These gods of earthly possession did justice to those of their descendants who asked for it. They were the deities of the family installation. We called them "those who freeze the best choices", and apparently they were only invited to the holding of territories and properties, a sort of god of justice of inheritances and new territories. Today we would call it "the notarial and colonizing gods". Nb: it seems that they are paternal divinities whose finality is the establishment on a new earth, or on a land inherited from the old ones. Agedios. When the human grew up he didn't find many other beings he could compare himself to. The children surpassed their parents, and they could not understand these changes. We thought of a spell, families told each other that it was a creature in the woods that had taken up residence in the trunk of a hundred-year-old tree. The thing had come from before, in his memory he kept track of all those who had met him. As we approached the place in question, a voice called out to the visitor, asking him what he was going to bring him again. People were all fleeing swiftly, almost all. Most of them were afraid of what they didn't know. And the thing looked absolutely like nothing known. And then once, an Allobroge, a strange people these Allobroges, came to the middle of the small clearing that the tree had formed thanks to its hombre. And he set about taking a nap in this place so full of tranquility, he did not know the tales that one liked to be given in this place. Without fear or worry, he lay down on the carpet of dry leaves. His name was "Cauaros". He gradually dozed off, the sound of the leaves piercing his thoughts when suddenly, a powerful voice invaded the air. It was like an old man's voice, but much deeper than the vocal cords could have produced. It looked like the vibration was coming from everywhere at once. "What do you bring me?" Cauaros jumped and instinctively replied quickly: "Nothing at all, it's mine!" - "What do you bring me?", The voice insisted. - "what you can not have!", the stranger replied bluntly. Then he realized he had just spoken to a tree. A branch cracked softly in the top. - "I need something else, what will you bring me?" Increases the mass of the woods. - "What I have, I keep it, who is you, then, a tree that surpasses everything? I have never heard of your magical charms in my tribe." Retorted the little man. - "So you are an Allobroge! I have already met your brothers and sister in the past. And they did not want to bring me anything either. Where do these tribes come from that no one seems to know and who does not seem to know? know that themselves? ". - "We are the sons of courage, and nothing can be shared with this old tree." "So what do you do?it to always need more than is possible to give, "thought Cauaros inwardly. - "I heard you." thundered the tree. - "what is this miracle?" The human wondered. - "I am Agedios, the most daring of trees, the richest and the most colorful of all. Know that since the most obscure times, I remember everything that does not belong to the logic of this world . To survive my roots need differences. " Indifference is killing me. Will you know, you the stranger, understand me and give me back ?. The human then realized that the huge voice emanated from a trumpet-shaped hole right in the middle of the centuries-old trunk. A second light crackle of a branch reached Cauaros' ears. A twig fell lightly on the humus of the faded leaves. Then, incidentally, she got up on sort of legs, there were 3 pairs in all, two prominent bud-shaped eyes staring at the stranger. Ageion. The Aganntobo fathers gave their limits to men, the god Ageion kept the limits of the sky. In the city that we call Agen today, worship was made to the guardian of the sky, the Pyrenean foothills on the horizon showed the place where the road to heaven was located, from the Albios. The god was a clairvoyant and gave his vision over enormous distances. There, at the end of the end of the world of men was the border with the world of the gods, the light which surrounded the mountains was warm to the heart and good to the soul. It was Ageion who showed the ways of health and those of future descendants, in short, futuristic paths. The Gdonnios were beings limited by their very earthly humanity, Ageion knew them but he did not know on the other hand any limited in spirit. He was also called "Agann", where "Ageïon the point, the one who aims well. Nb: 100%, Ageïon was the god of views and the guardian of limits with the sky, a god from above. It seems that the sacred mountain of the gods was in this corner there. And maybe his sacred sanctuary was the circus of Gavarnie. Doubtless this god was called "the needle", in the sense of "the target". The arrows of the churches, all the pyramids around the planet, are what the menhirs were, those stone mountains of the sky: copies of the sanctuary of the mountain always, it is old. The place where the link between the world of men and that of the gods meet. -10,000 years old. If you go there, you will understand what Heavenly Waters worship is and where it comes from. Purity of spirit. And the fish of Agann, the will that in life to rise by following the paths of the water. The glow of its scales, to reflect the thought of the sky. Ageïon, Agann, the silver reflection, that of the moon, all this is linked to the colors of this fish and to the celestial waters. Rainbow trout. Aghos. Aghos the Gallic that the Celts had named Aengus, was a god of the sky, the one who precipitated hail, hence the expression: "the sky will fall on your head". This son of Teutates judged people by the expression of their faces, he saw from afar the snakes surrounding hearts. He was the god of purity, the one who rushed with the greatest vigor to restore the truths, a fair judgment. He crossed the air, willingly rushing over the snakes of deception. Aghos fought like a brave man, his trigger was the fastest and his strength vigorous. Aghos also means: "the ruler", its name also pronounces "Akhos", the falcon. Seeing the bird in the sky was a good omen, He watched over the land of men, always ready to act, always quick to break into troubles, the shock of the falcon never missed its target. Aghos had a bow and it was one of the equites in the stars. Agigainious: God marking the beginning and advancement of the year. Agrona. There are goddesses who are easily remembered by the scratches they inflicted on us. Wild beauties know how to defend themselves, Agrona was one of them. Its dark blue eyes attracted many warriors. The lady with the sharp claws fiercely guarded her treasures. She was also a goddess directly born from nature, belonging to the original world. "Follow the meandering streams and you will find the kingdom of Agrona, its favors belong only to the bravest." So talk about where she lived. There was also a question of medicine. Going up the stream to its source, you had to walk in the stream itself, impossible to do otherwise. Arriving at the gates of his palace, the delicacy showed itself everywhere, only here, the coveted berries were protected by the woman with the hurtful character. The bushes exposed their thorny problems, Agrona was the deity of the pupils, she showed her bait to the greedy ones, but thIt was paying dearly for the simpletons who pounced on them. It was because of its prickly tusks that it was later made a warrior deity. The peaks harassed the clumsy, certainly leading them to bad memories later. With Agrona, delicacy was required where the injury was promised. It is also said that she never relaxed her hold on the unwary who coveted her, enclosing her lovers in dangerous antics. NB: this stream still exists in the Lot, if someone could go and replant some wild blackthorn trees, I would be grateful to him. Ahebelste. The magician was known to give her access to the other world, she calmed madness in particular by allowing a greater perception of reality and perpetual ways. Ahebelste was one of the goddesses who protected the inheritances. Matriarchy was well established in Gallic civilization, men were proud to have daughters who would perpetuate their traditional inheritances, a female child was considered a gift from the gods and from this goddess in particular. It allowed longevity, fertility, the continuation and transmission of uses. She was a healing divinity, her magic worked in cycles, the smells of certain flowers had soothing virtues. These same flowers also offered a whole range of treatments, body with mint, broom was used for the humanity of the soul, but to access the spirit world, it was henbane. NB: a principle of feminine magic, it was a guarantee of family inheritances. The matriarchy had finished being eliminated by the Romans. Aïduos. Here is one that will have sown doubt everywhere. Aïduos is a religious and only. The Greeks called him Ades god of the underworld, the Celts called him Aed god of slaughter. He was a totally passionate divinity, his divine counterpart of the Albios was called Donn, where Donnât, Odin among the Celts, on earth he was embodied by the presence of a black bull. The world of passions is not necessarily a bad part of creation, but if Donn embodied divine and reflective memory, Aïduos himself embodied the memory of passions, blind faith in reflection. So it had good sides and bad sides, especially because passionate memory often misleads the bare truth. It was therefore also and perhaps above all a god of oblivion, of withdrawal into oneself. A god of the dark, good and bad at the same time, it is he who maintains the reductive notion of good and evil. When the Gauls sacrificed the bull, they sacrificed oblivion, the corridas are the heritage of this belief. Aïmenda. We called her "the little grandmother", she was a goddess of gardens and fields especially. When the beautiful season arrived, in spring, Aïmenda began to sing, her nickname was: "the little pony", because of the growth rates. It has been forgotten today but the work was punctuated by songs among the Gauls, hence the nickname of ponette for Aïmenda, the rhythm of the hooves was the source. We often came to work at the foot of the cantalons. We often heard the rhythms of Aïmenda in the city centers which from expansion to expansion needed the force of singing. She was the one who made things happen, she was attributed a power over the weather, also the sound of the drums modeled on that of the anvils, so the heart of the little grandmother was beating, in rhythm, measured by economy of force. Aïmenda was able to take the work very far. Nb: it is not the first time that I notice this relation of musical rhythm paired with the noise of the hooves of ponies or horses which advance. I remember riders who sang on the Brittany side, using the rhythm of the clogs to support their songs. Alamahé. There are still many toponyms and names of rivers that have been preserved in local memories. Alamahé represented a group of Gallic mothers. Its name evokes tranquility and cleanliness. The Gallic mothers all gathered at the edges of these shallow banks to consult each other of course, but also to wash themselves, their clothes and their bodies. Alamahé is the group of lavender divinities, these so-called purity rivers were made sacred, no one had the right to go there to disturb those who gathered there. It was like a place of council for women. It seems that some recognizable outfits were only actually worn by these women. Like a custom garment with a quite remarkable style. A bit like the Bigoudènes in Vendée. Alamahé's venerated streams are scattered throughout Western Europe. The Gauls had invented soap before the others and Alamahé, the mother of cleanliness, knew its secrets. Alambrima. The mountains havent the reputation of being the abode of the gods. Alambrima had a very special one, it was called: the Mount of Grunts. She was a master, but a giant, strange mother with a stone character. The place where she stood, on high, hard gray cliffs, was often covered with thick burns, the peasants did not dare to approach. She was a good guardian, as in many sacred places, men were prohibited from entering. It was said that whoever dared to exceed the limits of the divine abode risked getting lost and first receiving a warning because the mountain was shaking with a growl, the angry giant could send huge boulders to get rid of the unwelcome. This giant Alambrima embodied the anger of women, it was the giantess who growls, then who sends heavy objects to command her respect. Nb: "brima" seems to designate a tremor and a noise. See "frima" in French. Alantedoba. The Atlantedoba valley is located on the eastern slope of the Alps, it is a lost valley. The dark lands where no one can live in peace is an old myth. It was said that there, of all the adventurers who had been there, few had returned. In this palace of Atlantedoba it is mostly dark, good seeds do not grow there, it is also called the world of wandering souls, a place forbidden by the druids where only a few animals survive. Alentedoba was the divinity of widowhoods, lost time and thoughts. Yet it is a place where a certain natural beauty reigned, but it is the end of the road for those who have been there and never returned. A goddess of sad and embarrassing characters. Those who would like to go know it well: there, stress and madness awaits you, it is one of the doors that leads to the Anderos. Alardos. The Equites had several missions and several gods, Alardos was that of the conquerors. His great desire to travel came from the lark goddess whose wings he wore on his helmet. He was the lieutenant of the cavaliers who were destined to extend the Gallic kingdoms as far as possible. Alardos led his travels in large groups of knights, those who were directly under royal orders. He traced the roads, gave the direction to be followed, engaged directly in the battles. Only the strongest had the right to rise to the ranks of Equites, but there were many, Alardos' troops stretched for miles around and could fly even further if necessary. His name became that of a military rank, that of the lieutenants of the cavalry. He was an educated man who could do his own justice. It was considered "the will of the king". Alaterviae There were many businesses in the Gallic era, the sapling tribes had the reputation of being rich, very rich… and united by the gods. In many places, very widespread in all these territories, there were taverns, where we went to discuss .... and "have a drink" ... or two. This is where we honored the Alaterviae, the goddesses of drunkenness. Bars and barrels overflowing with intoxicating liquid splitting certain personalities, Some men were getting strange, stains were appearing on their clothes. Drinking and partying was a rite of passage, the groups almost formed brotherhoods dedicated to the three Alaterviae, they were moments of pleasure where we crossed the line, the deities took the spirits on unsuspected paths. Nb: indeed there were special places to get drunk and party in community, there it is clearly a question of drinks and pleasures. Alaunios. Alaunios was the god of fossils and sea shells, son of Ana, his territories are full of these little wonders of nature. He defined the undulation of the sands, the layers of ancient lands, a god of alluvium too. It is an aquatic divinity, of the spiritual world. Its expanses often approach canals and streams, the washed rock, the cleanliness of the shells, it evoked well-defined shapes and lines. It had something to do with autumn and the high tides. He was also a good and nurturing god. At that time, seashells were used to make necklaces, it was considered a beautiful ornament, a wealth. A kind of god of fishermen and schools of fish. Albarino In southern Europe, fruit crops are not exactly the same as further north. There the fruits are juicier, more numerous and sweeter. Albarinos was the god of good fruit harvests, a white grape variety still bears his name, because of its color and taste. It is a deity of energy, superb and generous coarse grains. It'sui who has one of the secrets of full health. Its representatives often have chubby cheeks, demonstrating the benefits of its terroirs. This plump guy drinks grape juice, he expresses a certain ease of life, the generosity of the earth. Nb: there is an old name "Alvar" if I remember correctly, the healthy one. Albius. Borvos the hot mud god of creation had passed into the middle world by transforming into Moritasgus. The badger god is aging, like all those who inhabited the earth, when he became calmer, his sensuality disturbed him at the end of the night, he had to go from now on to the world above. The sun began to rise, the dawn lit up the world, it was the badger god who was transformed into the one who henceforth called "Albios", carnal desire had turned into empathy. Albius saw himself every morning, his understanding of earthly things made him forgive past mistakes. It was said that its cliffs of light were the most comprehensive, that they supported the sky. Men named the highest stars in the sky after him, Albius, the Enlightened. A place in the mountain of the gods was vowed to him, it was the Albudones, the luminous center of understanding and empathy. On earth, the place was called "Alboduron", the center of the stone circle, Stonehenge, among other more continental circles. The place where dawn rises. You can also called Albius: the philosopher. Nb: Albius was indeed the luminous god of understanding. There again, indo-theory confused it with the word: "alive". The French word which corresponds to it is "l'Aube", of course. "Duron" does not designate a door, it designates an open center. Aldmesses. The Gallic peoples inhabited a land that the gods had given them. With a thousand flavors, a thousand faces, there were of course a thousand tasty dishes and their preparations. Aldmesses was that of meats and meats smoked and cooked with herbs, at a time when the necessary preservation methods were the subject of much attention. The cured meats, smoked meats where bathed in herbage potions allowed high-level cuisine. Because Aldmesses was a cooking god. His dishes free from any corruption had made him the untamed god of freedom, that is to say the one who resisted for a long time the rot that corrupted all flesh. It was called burning also because of the furnaces which dried and cooked the food, keeping it in a holy state. It had something to do with the preparation of coal, smoldering mounds. The spices also raised the taste of these smokes, at that time it was the food that was considered to be the most stable, the intensive care that was given to him was recognized as belonging to certain houses, already at the time, there more than two thousand years ago, the Gauls were recognized for their cooking skills. It hasn't changed that much either. Nb: I confirm a relationship with the kitchen in the study. Alisanõs. The Gauls had had a road network for hundreds of years, long before the invasions began. The god Alisanõs ensured that these roads were maintained, he was a god of rocks and gravel. These roads were covered with stones in the same way as the bottom of rivers, offering a sanctified league where one could come and go quietly. They were also places protected from bandit attacks, militarily and religiously, magic played a role. The famous city of Alésia stood at a crossroads of Gallic ways, on its territory one found the stone necessary for their creation and their maintenance. This god had to do with the sun, chains, healthy forces and certain medicinal plants that only grow in stony places. These paths were very old. The courtyards of the palaces, the squares were covered with stones, he was a civilizing god who allowed the lightness of movement Alla-babiae Mattres: ceremony and group of bathing women. Bathing sisters, relationship with plants. Allobrox. The Allobroges are not foreigners, they are one of the oldest Gallic tribes. The ragottiers said that they were real savages, dirty, strolling naked in the mountains and inhabitants of small wooden huts perched chugging along on the rocks. Strange tribes who didn't mix with the others. The reality is different. Allobrox was the god of the mountains, you have to know the mountain people to know who was the one they compared themselves to. The Allobroges were trading peoples, their know-how and the quality of their agricultural products was recognized throughout Europe. It was a somewhat separate civilization, for indeed, life in thiss places are very special. It stands out on the character of men. It is often said that humanity looks like its landscapes. They were tough warriors, over-trained, resistant to all the vicissitudes of the winter weather. And they weren't afraid of anything, didn't hesitate to show their bravery and muscle by going into battle naked. They served as mercenaries too, a professional military aspect that was part of their cult. The greatest armies of antiquity were very suspicious of these men of the peaks. Allobrox was the god of all these tribes, in all their characters. If we nicknamed them "the foreigners", it is not because they came from elsewhere, it is because they lived in quasi-autarky, only rarely mingling with the other Gallic ones. It is also undoubtedly true that these "tough guys" (leather, not leather) systematically hunted those who did not belong to their clans from the hills and high mountains. NB: the Gallic civilization of the Alps is necessarily different from that of the plains and the coasts but it is a great culture all the same. Some in Greece admire the Spartans, among the Gauls, the Allobrox gesates had the same reputation and they maintained a real civilization, with language, mathematics, know-how ... etc. The Gesates were soldiers who wielded the javelin very precisely. Alosiokos. And so there were stony roads, but this kind of engineering required other types of organization. To calculate the directions, the depths, the width of the tracks. Alosiokos was the god of "bridges and causeways". At the crossings of these roads, we still often find the cantalons which were used to deposit the offerings, the "madera". These pillars were also used as terminals, on one of their side one of the four directions is rounded, as if that indicated a way. These motorable paths were consecrated by the druids of Alosiokos. It was a guarantee of safety of good planning and of conscience. These are also the ways that were used by pilgrims, the god had the reputation of going straight and far to the bottom of things. It was a good deity that the one who took you to the end of the road. Alus. There were cooks and recipes, but there were also methods of preserving salted, smoked, and earthen jars. These famous jars were still made in the last century, during the Gallic period they were larger. Alus was the god of food preservation in stone, I hear in hard and baked clay. Garlic was used as a preservative condiment, moreover the god Alus gave his name to the plant, or the opposite. There again, it was a divinity of righteousness and stability, the pâtés piled up in the palaces of the nobles. Often bird pâtés, succulent dishes that the island of Alus protected. Nb: Alus means "will of stone", it means conservation in lard because the study shows a strong relationship with the cuisine, garlic and birds. There were cooks and recipes, but there were also methods of preserving salted, smoked, and earthen jars. These famous jars were still made in the last century, during the Gallic period they were larger. Alus was the god of food preservation in stone, I hear in hard and baked clay. Garlic was used as a preservative condiment, moreover the god Alus gave his name to the plant, or the opposite. There again, it was a divinity of righteousness and stability, the pâtés piled up in the palaces of the nobles. Often bird pâtés, succulent dishes that the island of Alus protected. Nb: Alus means "will of stone", it means conservation in lard because the study shows a strong relationship with the cuisine, garlic and birds. Amaeton. All the Gallic gods represent professional, philosophical or even religious corporations. Amaeton was the goddess of farms and pastures. It represented the nourishing sweets of nature and in particular dairy products and therefore cheese in particular. We used to say that every good cheese looked like where it was produced, that's still what we say today. Its name is the emanation of the feelings it procured: virility, gluttony, the love of a place where the herds graze peacefully, all the moral of a know-how. There was also the milk which served as an energy drink, the best of Amaeton's work. Nb: so I guess there was a Cheese Druid, that's funny. Amalia. We kept a first name "Amélie" which comes from this goddess of wisdom. Amalia was born old, daughter of Lugus and Edunia (Etunia), she was very wise but not necessarily very patient. Tireless worker, kind and honeyed with all her sororities, AmalShe was nonetheless a great warrior, it was she who educated girls and we know that in our country, women know how to defend themselves. The worship of Amalia was full of praise, she was a dry goddess of character, rude and cruel to her enemies. She was possessive too. Amalia was emulated many times and she was very well known, a little old fighter that can be seen from afar. Note: according to some, babies who are born with wrinkled skin get very very old. Ambisagros. The Druids also had gods, who belonged only to their corporation. Ambisagros was that of the managers of the "enclosure", that is to say of the estates. A very solid woolen garment made it possible to discern who was the one who led the populations to always win in the face of everyday adversity. He was one of the divinities of the cult of water and fish who walk the same path together. A god of consecrated strength, leaders and organizers of sacred life. It is this god who was responsible for managing the tribe and its surrounding lands. Ammacae. The Ammacae were groups of old women, known for their kindness, they covered passers-by and occupants in tribal centers with wide eyes. We can still see them today in some villages, all sitting on a bench discussing things that are happening and going back. These buttery-soft ancestors are full of patience and known for their resistance to the test of time. We saw them especially on big market days, it is there that they commented the most on the population gathered for this occasion. The old women possessed the torc, a symbol of the mastery of the scholars of the time. Their roles were beneficial for the tribes, because indeed, gossip is a way of getting messages across to all houses, a way of keeping contact between all, of strengthening a group. Amratu: the immortal friend, tribal god of stability Ana. At the beginning of the world there was not much different, everything was flat, colorless and nameless. Gallia wept on this open plain and from her tears Ana was born. The dampness of the first sighs brightened in all directions. The entire planet was soon covered with what now looked like tears of joy. Ana looked at the world with compassion and the colors kissed, then she touched the ground and from nothingness sprang the shapes, she tried to count them happily because some looked alike and from there we started to understand something different. This is how all living creatures on earth were born, as well as everything that was not yet alive. It is this famous goddess who gave her name to everything that existed, good or bad. She was also called: "the great mother goddess of all things in the world of light", the goddess of genres who created all differences and alliances. Nb: Ana is a primordial goddess, one of the oldest in our mythological beliefs. She is indeed the goddess of genres, the etymological proof is systematic appears in almost every word. Anaea Clivana. Ana's daughters are diverse, they look alike or not. The Anaea Clivana are the divinities ... of girlfriends. They are Ana's daughters and therefore they are female mistresses represented during Antiquity as different twins, they send omens through noise. Vegetables from the same plant are said to be alike and taste the same and yet there are always hidden differences between them. A bit like the phases of the moon, they think above all about having fun, showing their skill, sometimes we have seen them with a stone face on bad days. This certain kinship which unmistakably unites them is above all that of femininity, because the Anaea Clivana were the changing faces of women in general and in particular. It was also said that they had the ears of roosters, and that they listened to them with astonished air. Annalos: Guardian or servant of the world below. Also says of the goodwill of souls. Ancamna. Ancamna the cunning was a daughter of the Nemetons sky. She was the goddess of warlike tactics, her sharp gaze encompassed a situation and in a quick instant she organized the ideas that led to victory, intelligent goddess if ever there was one, she was also a deity of experience. In the center of the nemetons were praised the heroes who had heard the whispers of Ancamna and conquered in clever postures. She supported without faults those who prayed to her, a bird signaled her presence on the scene. Discreet, listening to the greatest, she was also a prophetess who was never wrong. The being of Acamna was embodied as a little warbler, a light and intelligent animal which quickly judges a situation.Nb: to compare with Amalia, they are probably the same two. Ancasta. Women were associated with water, water with paths and roads of destiny, time. Ancasta was a ferryman who waited for travelers at the water's edge. And not just any, this antediluvian deity transported pilgrims from the mainland on the secret paths of Stonehenge. She usually resided on the White Island, the White Island. There was a sorority of women guardians of ancient traditions. Ancasta is said to be a goddess of braids, meshes and the passage of time. That she sang her litanies softly in the ears of the druidesses. Her hair was white like the flowers of reeds, white like the snow of the winter solstice. Possessing all the keys to the passages through the winter plains, she was perhaps an ice goddess. Anchors: God of appearances and migrations between the physical and spiritual worlds. Andeïs. Andeïs is a very misterious goddess who comes to us from the bottom of the ages, it would be she who would be at the base of the birth of the tribes of Dana (Ana). He was a uniquely religious deity whose worship demanded blind faith and total devotion. Native, his house was in a valley in Brittany. She is an underground goddess, the one who was worshiped in the covered aisles. She was therefore also a goddess of death and resurrection, again, the worship of water is presented as central. Andeïs never had any human moral limits, she was a goddess of very intensive passion. A deity of the fire of hearts, at Stonehenge we celebrated the winter solstice and the recommencement of luminous times, at Carnac and in the tumulus of Gavrinie we celebrated Andeïs the night before the summer solstice during torch processions. Chiefs from all over came to plant their stone of eternity, the one that embodied the consciousness and power of the clans. The spirit in these standing stones, the human allure of those who wait, would be awakened later by Andeïs, when the time was right. She was also the divine inspirer of arrangements and the maker of kings. The receptacle of faith of the past had to do with the Atlantic tides the waves and the bubbling waters (maelstrom?). Nb: it's the feminine side of Aïduos but not necessarily hellish either. It is the idea of divine will and for the form of whiteness of foam, quartz or marbled veins. Also called "Ande". Andliis. The god of volcanoes and fiery stones hid his treasury of precious gems away from prying eyes. He was a god of fiery beauties, of those who trigger uncontrollable passions, it seems he was a descendant of Lugus. She is a deity of achievement who displayed her shimmering splendours. The warriors worshiped him as well, for he was also the archetype of the flaming hero. We prayed to him inside the dolmens was an era. His animal was undoubtedly the crab, because it shelters the stones and Andliis was related to the ocean, the sands belonged to him. Healing virtues were granted to his stones, it was the one that triggered superhuman forces. Totally passionate, Andliis was a god of the lower world or many deep oceans. He caused the blindness of the mind by subjugating his world, all creative from birth in an eruption. Nb: it was a god of burning and reflective stones that's for sure. Other pronunciation: Andalos. Andossios. New gods. The ages passed with their changes of mentality. Thus appeared a dusi very different from the others, Andossios, the god of anarchies. It was pleasant to the eye, leads to words but cheating like no one. He came to own certain bodies, of those who needed them. He hated laws above all else and wanted, he said, to offer freedom to the world. What he never said was that the price of this freedom was immense, that of a single law: the law of the strongest. Andossios thus made himself known, and appreciated by those who needed it, or rather, by those who had the strength. Divic, divine generosity, passing by, heard about the creature and decided to go take a look. He asked someone who was wandering the careless look on their face: "Tell me, I miss everything because I give it to whoever wants it most often. I'm looking for a little freedom to give, would you know where to find her? " And the character, a cheerfully humming artist who I think was called Sagro, showed him a direction, telling him that behind those rocks, further on, there would be the person in question tonight. The latter would help him. ______ The same evening, Divic went to the meeting. Behind the rocks were spread 20 wobbly cartses, all full of wheat. The horses harnessed to each of them were worn out with fatigue, and for some, much too old to be able to pull their bundles. A voice arose from inside the rocks: "Hello my friend, have I been told you need freedom?" - "Indeed, answered Divic, I want to give it back". "Well you see, you can take one of these carts, it will allow you to gain freedom. Look how full of wheat they are, it is beautiful, it is necessary. So I would give you a cart but if you give me back the price multiplied by 10. Are you okay? ”Argued the dusii. Divic asked him to think 3 days. _______ On the first day, he came to steal the first cart, releasing all the poor beasts that were hampered to the others as well. He felt that this was his own law. On the second day, he passed a patrol of the local king's equites. He showed them the remaining 19 carts and their indicat that they belonged to Andossus, the anarchist. They also had the right to take a cart each to acquire a little freedom. The soldiers seized it full of shattering laughter. On the third day, Divic came back to see the dusii. This one was not happy but the fact is that it is difficult to attack generosity, it could backfire. Thus, Divic spoke to him delicately: "I thank you my friend, because thanks to you, I found plenty of freedom to give" and also taught him: "you were right, it is a pure delight to break the laws of anarchy, soldiers were happy to each acquire a little freedom for free! " So I gave you back what you wanted to take from me. But I'm afraid you don't have any freedom left. "Freedom, freedom darling..when you hold us ..." Divic said to him again, humming cheerfully ... Then, the god of the peasants resumed his way. Besides, I think I remember that it was from this time that the horses started to laugh when they thought about this story. Andrustiae Mattres: apparently ceremonies of the beauty of the world, towards dawn, ancestral wisdom. Anesia Minehae. Children also had a right to their divinities, against diseases at a terrible time for that, against nightmares, to protect themselves during the day. The anesia minehae are a group of latters, or more exactly fairies. We gave the little ones, called "meïon", the cute ones, protective amulets. To appease, to give consciousness, to strengthen ... a sacred amulet of the minehae. They were nymphs too, quite old apparently. These little gems were highly regarded by children who were deemed too young and too fragile to have a human soul. Because young people would die a lot at that time. Minehae were meant to represent the part of soul strength that was missing. They were friends, fairies of gentleness, careful, those who bring an identity. Nb: it must have been amulets representing the fairies themselves, possibly made of wood. Anexiae. Humanity learned to think, it remembered the words, their meaning. On the way to the year, on the first day of winter, the trees had lost their leaves, the grasses were frozen in a deadly appearance. In these moments the human did not understand any more and people came to be mad. It is on the side of the road, in the morning of cold moods that a goddess named Anexiae appeared to heal sick souls. Seeing one of those travelers with lost eyes, she transformed into a hellebore, the rose of winter. When the latter approached, Anexiae whispered in his ear: "Eat me, eat me and you will raise your head. Eat me and you will see further", the sweet perfume penetrated the sick spirit, the man stood up. lowered and swallowed part of the plant. The curvature imposed by his past burden straightened up. He began to vomit his madness in the middle of the road. A few minutes passed and he finally stood up, straight this time. "But what is this miracle?" He cried a little loudly. Those who walked not far heard him, saw that he had just changed and approached to inquire. The scent then came to their ears: "eat me, eat me and you will raise your head, eat me and you will see further!". And all began to vomit their burdens, they were also healed. Anexiae, the hellebore was recognized for the harshness of its care. She was destroying part of things to strengthen the rest. She was called, the goddess of hygiene, the five petals that solidify. Anexiae was also summoned afterwards for all sorts of things that needed to be solidified. She was the goddess of solidity. Nb: it's ok, "Anexiaé" indeed designates the solidity given to something, physical or moral, going through a test where a travail. Anextio Marus. Everyone was looking for the right way, the right way of thinking and being. Men also had their anextio, their protection. Anextio marus was a name given to a state of thought, to plenitude more exactly. To keep their inspiration and their serenity, we used a plant, it was to be the ulmar for men. The plants are all connected to the magical protection, the ulmary is that of the poets, songs and streams. It was she who entrusted souls to the night, the one who preserved the names to their bodies. The richness of inspiration prevails over that of memory at night, when the stars dance in the sky of Mori. The nemetons knew the ulmary and the veratre well. Thus, Anextio Marus, had passed to the divinity, he was also a god, that of purification. Nb: like all "anex" themes, it is about protection of the soul related to plants and fairies (see Anesia and anexiae). If "minehae" designates the world of children, "Marus" designates that of adults. It seems that there is a history of fumigation with plants, incense type or scented oil in lamps, a different scent for children, women and men. Andartae. He was a warrior who had spent her life working on her fighting skills, she called herself Bodicéa, descendant of Aoife the great. She was born into a British tribe, on the big island at the end of the world. Her family was of a noble but poor lineage and Bodicéa had to learn to defend herself early on. On her 15th birthday, she went hunting because it was a hobby that honored the liveliness of people who dedicated their lives to war. As she followed a shallow stream following the tracks left by a hare, Morgana's fog covered the entire area imperceptibly. The little warrior got lost and had to take refuge in the hollow of a tree to spend the night. There she had a dream inspired by the fairies that she would never forget: in the smoky volutes and blackened by the flames of a hard confrontation, she heard peaks and swords clashing brutally, the shields split, scattering a thousand splinters of wood in all directions. Tall warrior women mingled and jostled each other ardently, cries tearing the incandescent night apart. The fact that no man took part in the fight surprised the British girl. Through the fracture that had allowed her to enter the trunk, the skinny little one saw a tall woman heading for her refuge. She was dressed in a doublet and a large red cloak, in her hands a large spear fluttered easily from side to side, as if it weighed no more than a feather. The apparition crouched down to look her directly in the eyes. Her face was hard, as if cut with a billhook, her muscular body really contrasted with that of the women she rubbed shoulders with in the village. But when she spoke, Bodicea recognized her immediately. It was like the howling of angry winds, the track cut through whatever it touched nearby. Behind the character, the furious sounds of the fight continued even more. -Andartae ...., she whispered in a respectful breath. It was indeed the goddess of bears who stood before her, the one to whom every Gallic fighter owed her strength and agility. His future fate too. Even the strongest men dared not challenge a follower of divine death. These women were said to have the strength of a bear, they were faster than a hare and their many years of training systematically gave them the advantage over seasoned soldiers. We never knew where the young villager had disappeared, it was only several years later that she came back among her family. She had changed a lot, grown a lot. In her hand was frozen a long spear that she never set down. A large, heavy, multicolored mantle covered her shoulders. These two objects, we knew them well in Gallic culture, they were two symbols that only the disciples of Andartae the terrible displayed. We hardly dared to speak in front of these women, they were always designated as warlords and it is said that the goddess protected them wherever they went ... It is also said that they all became sorceresses practicing auguries and that most of the people who wanted to use magic against them, died suddenly and disappeared forever. Andouna. Among the Gauls there is no hellish place where supposedly the damned burn that does not exist, a hell populated by evil creatures and all the hoopla. It doesn't even matter in a matriarchal society. Our ancestors were much more realistic and pragmatic. The decay in them took on the brackish, muddy appearance and foul smells of the Andouna.. The cult of the waters had taken many facets, the pure and healthy waters were those of the stars, the stinking waters of the corrupt Andouna were those of sickly ponds and dirty waters, rivers carrying their share of waste. This was the infamous place where disrespectful people descended: sewage. There was no hell of fire but a river of water where rots were decomposing. There was a real concern for physical and moral cleanliness among the Gauls. Nb: it is undoubtedly the legend of the Greek Stix. The cult of the waters being much older among the Gauls, so is their mythology. Anoniredi. It is well known that young people spend their adolescence experimenting. The anoniredi were the deities of impatience, redness of character ... and stupidity of certain times. They were called "the headless chickens" on certain occasions, not necessarily in a mocking way. These goddesses had a very strong propensity to release wandering moods on rather vast grounds, it was the moment of the games. It was considered all the same as a negative wind and a waste of time that the frivolous moments. Young people sometimes amused themselves cruelly, as in horse races. Blood would sometimes flow and chickens were sacrificed to ward off fate. Despite everything, the Anoniredi also had their good sides, such as that reserved for the use of certain plants alleviating muscle pain, such as a species of aspirin. Surely they had also been sports deities. Anvallos. Anvallos where the god of the oxen had its importance in the central markets. He was the god of ancient maquinions, cow traders and especially castrated bulls that were used a lot in the work of the fields. Divinity of the little poets, the distressed character of the rather heavy oxen also earned him the reputation of trampling on the road because his crews constantly raised a large cloud of dust. It was also this god who defined the descendants "without son", that is to say those which would never reproduce. It had to do with the velar, the sovereigns, the wealth and the spectacle that was offered at the big cattle sales. Apa: see Epos, it is the ancient god who covers with light. Aramos. Aramos the bard could one say, it was a divinity of the Gard, a very particular river. Aramos was embodied in the limestone rocks but above all in a particular fish in the place, he was a god of eagerness, places of love and reproduction. It was the name of a free man, an educated one who ascended to the heavens, it seems that it was the divinity of love poems. He was invested with great power by the gods of heaven and became immortal. This ancient bard made hearts overflow as much as the Gard could get carried away in its bed of gravel. It is said of him that he was punished by the gods and that the poems he dedicated to his beloved became sad and sorrows when she died carried away by the too heavy river. Nb, a melodrama in love does not surprise me in this region. Arardos. Also says: Tranche-montagne. This god had the strength of a bear, he was in fact a demigod. When he was very young he learned to work in the fields and he was always asked to master the plow. He was called the great plowman, and he had a place in the stars. He had been raised cantalons, the songs told the story of a great plowman son of a god and a mortal, a being who to please his sweetheart undertook to pass his plow through the high uninhabitable mountains of the Pyrenees. Arardos with the force of bears dug deep furrows in the stone and it is these hollows that formed the Pyrenean valleys. Jewels where henceforth life grew luxuriant everywhere. The tribe of the Convenes did him great honors, it was thanks to him that the fertile valleys had appeared, so he was a bit like the father of the tribe. One of them has kept her memory in Haute Garonne. Nb: the plow, or rather the peak of the Gallic plow was called "Arado", the one which erodes, another French word coming from the Gallic. Six Arbor It happened at the beginning of time, when the human was created and his universe at the same time. The arbor goddess first created the top and the bottom and gave them a name. Then she created the left and the right then she named them. Again she defines what is in front and what is behind and she named them. Thus was born the world of humans but they behaved like bullies so she separated body and mind. It was at this time that the kingdom of light and the kingdom of heaven were born. Then the goddess appealed to a cartwright god who climbed the ends of the tree of the human world, because at each creation a branch had growndried on big birch. The wheelwright working well, we obtained a wheel which is that of the world. It was with this wheel that we can turn the spiritual wheel. It represented the eight frontiers of man. The bards kept it in mind when they created, the military exposed it to the borders they were defending. It is said that this wheel keeps us from hot springs of passion, anger and insolence. It is also said that if it were destroyed, the world of men would have no limits and they would return to the savagery of their origins, but anyway, the god of the wheelwrights did a fabulous job and the wheel cannot be destroyed. . When the universe of women was created, it is said that the goddess only took six parts out of it instead of eight, this because in her, the mind and the body are alike without therefore falling into the bestiality. Nb: so that especially you remember well, these are the eight laws of the human spirit of time in movement. They are the two wheels of the universe, male and female. Arcanos. Arcanos was one of the three guardians of eternity, his reeds growing shovel on the banks of the river of the time they framed. Arcanos' magic was tied to the flaming and silvery seeds that crowned him. There were two rows of reeds that grew every year measuring its time, and therefore there were two rows of silver hoopoes that crowned the Eternal Goddess. Arcanos was the keeper of memories of the Gallic past. A very good warrior who knew how to measure things on earth and in the sky. In the next world, he was a protective griffin of the great eternal goddess. It was also said that it was a bit sporty because it grew outside the furrows. Arcanos knew all the secrets of the known world and all the secrets of the forgotten worlds. Nb: Arcanos where Arganos, god of memories and epic adventures. The god who has his head covered with silver reflections. Arcecios. Arcecios as xacanõs was the son of Arcanos. He had inherited the silvery color and the crest from it. He still lives there, hidden in the reeds on the banks of the river of eternal time. It has been said of him that he was the king of scoffers, that he hid himself like this to watch one prank or another, then began to explode into a thunderous laugh in this usually quiet place. He was the god of make-ups and theatrical comedies. A god from above because he was very comfortable there, he was the largest swamp bird in creation and he had a reputation as a giant frog crush. Its ample flight gave it an air of nobility in the palace of the gods. This noisy and impetuous animal was appreciated everywhere, it was one of the sacred animals because it was full of a very great spirituality, never taking itself seriously, its serenity was sometimes replaced by great scarlet laughter which put everyone in sweat, and which often extinguished the differences between humans. He was a very very great god who often turned into a druid and a bard in turn. Arda. Arda was the deity of the wild boar herds, very territorial she was in charge of the defense of the sacred borders. She was a mother of steep, hard-to-reach places. She is also the archetype of the woman who stands up naked against the aggressors. She is a fairly well-known magician in the Ardennes, she embodies this kind of wilderness and therefore she was one of the deities of the primordial forest. It was confused a bit with Andrasta, Andartae because they represent the same thing. The smells of sap and pine belong to him because he is a divinity of "ambiance", of the craggy forest moods. Nb: To be compared with Edunia and Daouina, a kind of wild fairy like the abnobae. Native to the forests of the Ardennes. It would be nice to check if the French word "harde" actually comes from the Gallic. Different from Erda unless it is the deity of wild animals, the beasts Arianrodea. Arianrodea the luminous prophetess with the noble wheel was a goddess of the Arvernas. It displayed the wheel of Arbor painted red at their borders, a way of showing newcomers that they were entering another world, that of Arverne magic, very special. She represented free men and the travelers knew her well. We know that it has a relationship with the great auroch which begins and ends the life of all men. She knew the magic of torcs and above all she was embodied in groups of horsewomen always praying in combat, the one that the Greeks called later: the Amazons. Nb: it seems that there is a link with the breadcrumb trail and the passage of time. Arimanios. Arimanios was the god of strolling, poetic stories and free time. It is inconsistency and unconsciousness that characterized him,god of rest he was nevertheless acclaimed by harassed minds. His mediocre poems were those of the apprentice bards, because if Arimanios was a divinity, it meant that he had an important utility among the tribes. Little was he appreciated in the royal courts where his presence at the banquets helped to pass the time pleasantly without worrying about what would happen the next day, it is indeed recklessness and pleasure the two actions that characterize him best. . Nb: to be compared with Aramos. Arixo Arixo was a Gallic king, he loved hunting, wheat and beer. He used to always use himself first to satisfy the lineage of his ancestors. First come, first served might have been his motto, Arixo wanted everything the world could offer him. The birds that raided the fields for seeds are supposed to belong to him, because this king also used to leave the first in the morning to collect his tithe before the others. He found it hard to be content and endlessly coveted other people's booty. Arixo was the king of penguins but also the one who took pleasure in battles to run far in front of others in order again to help himself first. Nb: Arixo represents the idea of the "chef's share". Arpeninos. God of the mountain and the crowning of the peaks, it seems that Arpeninos was a native god of the Pyrenees. His kingdom was that of the clouds which cling to the summits. He was a deity of the present and of the new. Servants were sent to make offerings on his mountains so that he would hear some old people with happiness and satisfaction. It seems that it is the vulture who embodies it on the land of men, because of its white collar which resembles the cloudy scorches surrounding the perimeter of the Pyrenean Basque heights. Nb: apparently it would be the god of vultures, kings of the mountain. Arnalia. Arnalia was one of the many deities who lived in the sacred places. A goddess of grace, wisdom and the fullness of the hills whose breath was expressed inside the squares and fountains. she was a nymph known in Ariège, an ancestor as they called it. This spirit of the steep hills is found with another goddess of the mountains Arvernes. Like all these, Arnalia was embodied in a whole tribal territory, it was the great enchantress of the place, the protectress and the divine ancestor to whom one had to pledge allegiance to enter the tribe. Nb: here we begin to understand how these great tribal goddesses worked. Once again there is the trace of matriarchy. They all represented specific places of life, that is "the Gallic mothers". Arnemetia. Arnemetia was the high priestess of the nemetons dedicated to the long ôdes combatants. These extremely long texts described in role songs the adventures of the heroes of the past. These ash nemetons came from a very old tradition, the bards took up the worms to go and make them hear the people on the village square. Sacred glades were places where heaven and souls were glorified. Arnemetia was the deity of the ninth nemeton in present-day South Wales. It was a factory of desire where the arts were used to incense a warrior or an army of men or gods. These extremely long ôdes wanted to be complete, that is to say all the facts and gestures of the most famous heroes. We have kept some in memory with the mabinogions and the stories of divine battles among the Welsh, in France too, this know-how has come down to us with the story of the life of Arthur the lion. The ôdes of arnemetia were rivers that carried great moods with them. Entertainment but also a mythical story about a personality who really existed. Arsilunnus. The military leaders also had their specific gods, Arsilunnus was that of large groups. To Ana's good winds the omens would have it that the armies protected by the god would always be enlarged by many members. He was a divinity of the perenniality of the troops and their posterity. Arsilunnus was their foster god, he offered beautiful and easy fights. He was an old man of comfort addressed to him by commanders, it was he who brought ordinary men under the mantle of obedient and well-trained warriors. The god of brothers in arms. Nb: that's it, a god who gathers troops. Arsacis: divine lord who leads the battle. Flag bearer. Artilia. Artilia, the Big Dipper that we know inscribed in the stars has existed for a long time, this constellation is the trace of the past history of men. Artilia was the mother goddess Dipper, who takes care of the children of the tribe on her own. It is encThere is a trace of matriarchy, in fact, bears are animals that live rather in solitary free for males, while females take care of cubs in society on the other hand. Andartae was the deity of warrior women, strong as a bear. Artae is a community of nurturing women, inhabitants of their territory since time immemorial. It is the territory and the ark of women in many Gallic tribes. Artios, also known as Artos, is the archetypal god-king of the male bear fraternities. It is from this divinity that comes the story of King Arthur, the Artorix, it is very old. It seems that belonging to this brotherhood of male bears notes a desire for freedom with respect to the rest of the tribe dedicated to matriarchy anyway. Women owned the land, men were free to come and go without worrying about managing it. These "Artionis" were adventurers. Arvagastae Mattres: spring liberating mothers. Procession. Aryah. Many kinds of trees grew, as many as tribes. There was a goddess of the beginnings who decided to protect the trees from elsewhere, we called her Aryah or Arnalia in Gold Coast. She came down from the sacred mountain, it happened with the Areverni, the Arvernes. Aryah exacerbated hearts and healed wounds. It generated roads made up of green, moreover its stone of certainty is the green slate, Aria, which we find among the Arvernes in petals. These were these precious slats which were used on certain shields, in particular those of the Arvernes, they obtained a superb coloring. This so-called purity stone covered the paths with its gravel where Aryah passed. The famous sacred mountain which looked very exactly like an alder is there. It is said that all the trees of the earth covered themselves with its slate petals and that is what formed the first leaves. They protected the minds of humans. Our ancestors certainly wore it in their hairstyles. This green matter was used as pigment Among the Aedui, it is there that the goddess had taken the name of Arnalia. Nb: the name of the green goddess was Aryah, also known as Aryanna, Arianne. I might have looked in all directions, the myth seems correct to me. It is very old. Asurio People worked a lot, not a moment's break was given to those who wanted to spend the winters warm and well fed. Everyone wanted freedom because the chores were numerous. A god named Asurio was therefore asked to release the grip of the bondages necessary for the prosperity of the whole community. Asurio was a deity of efficiency, his will of Auroch, his metal tools made it possible to lighten the workloads. He was therefore a god of freedoms for all those around him, the one who made men free, and it was not nothing at the time. These free men were often descendants of old families, where those who could acquire land and tools. It was also educated, torchbearers, druids, rulers and other equites who were free to come and go. Asurio was the one who was asked for impetuous strength and swiftness of action. That was the freedom of Asurio, that of emptying himself from distressing forces. Astoylunnus. This was a deity of righteousness, who was preparing many people. These became initiates, invested with a decision-making role. He represented the "wind of happiness" because he prepared the wealth of the tribes. These people incorporated a sort of council of wise men where each decision was considered. It has become a priestly rank, that of those who think about the societal system and the large troops. Kinds of tribal fathers who kept things going. There was a desire to help create a good atmosphere, a good atmosphere, easy discussions. Nb: Here again there is a desire for clan plenitude which emerges from the study. Atarennus: prior affiliated with the foster father, therefore Teutates. Atepomaros. It was the name of a feast and of the divinity of the day when the omens and therefore the stars were invoked. That day the tribes who worked together would come together and pray together. It was a day of speeches by chiefs, and the sharing of harvests and other riches. It was what we called "the day of the great answer", that is to say the moment when we know what we have won or lost. Kings and Druids were to lead the way, educate people and feed them. It was a kind of "great oral" where it seemed that everyone had the right to speak and ask for advice and protection. Nb: apparently that's it, this root "ate", "the best", designates an answer or a result. This translates to "the best leader of adultes that cover (protect and nourish). Atesmertius. If Atesmerios was the god of organized places, Atesmertius had a more localized role for him, more embodied in a distinct, more human character. The latter was the true organizing god, the healer too, the worker, the navigator who directs himself. Atesmertius was what we called: an ancestor, that is to say one of the gods of primordial nature who gave birth to the Gauls. We know of Atesmertius that he was a god of agility, greatness and things well done. Tireless worker, traveler from the depths of time, it was he who said where everything should be. A sort of architect while Atesmerios was defined in one result, architecture. Atesmerios. Gallic society was organized as well as the education of people, it went as far as the specialized arrangement inside houses. The Gauls were a very pragmatic people, Atesmerius was the god of the good behavior of houses, villages and towns. There was a lot of trade, goods went through the coasts, through the plains and the mountains, deposits and accounts were needed. This god took care of all this with fervor, accuracy and inspiration. A manufacturer, a nurturing organizer. A divinity known as "of the big smile", a purveyor of goods and renewals of goods. The agitation which reigned at that time around Atesmerius also earned him the reputation of being serious, moreover his name became a sort of word defining well-organized places. Athubodua. Goddess of Gallic scribes, Athubodua is the one who inscribes names, numbers and symbols on the tablets of the sacred birch. These tablets were waxed and reflected a brownish-yellow glow. He is a deity of soils, funds and footprints. Its role is defined by the action of digging. The soldiers also honored it, the whole population needed it because it was they who recorded the victories and the profits. Silent divinity of those who worked in peace by printing their features supported in wax, it was said that she was a goddess of the canals too, because they took the necessary water to the places where it was needed. Nb: the birch was one of the sacred trees. The study shows a certain propensity to define holes, deep lines in waxed wood. Ationgonis: god of many paternal lines. Attinis: God of many reeds and very many descendants. Aufanieae. It was confused with the Greek sheaths and it is a mistake. Aufanieae was the goddess of seeds collected from sacred trees, beech, ash and others. She was called the goddess without eggs, the sterile, this because her harvests were not necessarily intended to give new trees and offspring. It is a divinity of the interior of the seeds, the pulp and the almonds which were used to make drinks, food, pharmaceutical product or even dyes. His harvests are necessary, it is often children who would go to collect the precious goods. She was also called the stone goddess because of the crushers, the breastless goddess because she had no offspring, the unique goddess also because she was not family. Shallows and slopes were known to be inhabited by Aufanieae, because this is where the most seeds are often found. Auteno citicos: God of the many streets in the cities, each place has its own god. Avarea. Deity of the alder groves, Avaréa was the one who made the companions grow, that is to say the sticks. These pieces of wood were of great importance to the Gauls, Alder is a wood that grows very straight, in quantity in humid areas. It was an important trade, this Alder wood is one of the most homogeneous, the most solid, it was said to be the wood of truth, the one that neither cheats nor betrays. We made sculptures of it too, and the firewood we got from the alder groves was the best of all, the most calorific. Avaréa was therefore the feminine genius of the quality of companions, we made gifts with his sticks. His tree is one of the most generous there is, it is also a sacred tree. Some pieces of tooling and crockery were made from alder. It is said that the Gauls did not work very much with glass and it is correct because the pieces of Avarea were more than enough to replace its use, some creations could last over time for hundreds of years if they were maintained. Nb: Gallic society was a peasant society, this is what made its happiness and the richness of its land and its culture, Folklore was a necessary emanation for the sustainability of this kind of ancient society. Aventia. Here is one of the most troubled deitiesantes because the Greek historians deliberately soiled the Gallic cult. We know today with certainty that these distressing writings are only gossip. Except these there is the story of a giant mannequin built in yellow willow (impossible) filled with people who were sacrificed: a huge lie from the direct competitors of the druids. Druidic ceremonies were forbidden to foreigners during Antiquity, for a question of secrecy and magic. Those who described "wikers man" .... never saw him with their own eyes. Aventia was a river nymph, one of those special rivers where the yellow willow grows, known as the braid willow. He was a divinity of inspiration, of the force of time, of the water which makes the famous branches of this tree grow. These branches were overused by the Gauls and they were sold in quantity, they were used to make trellises, fish barrels, baskets, bird scarecrows, they were used for almost everything. This is what made it a tree of inspiration and creativity, of awen, the axis, as the druids say today. Aventia was the godmother of the yellow (or green, it depends) willow markets. This term is passed in the peaceful religion of the Druids, Christians without knowing it also commonly use it, for the Druidizers it is awen. This goddess of inspiration offered a beautiful mastery of the braiding of woody woods and therefore more spiritually speaking: poems that are braided and entangled. It is the idea of enchantment through the arts. In my opinion, this is where the legend of the giant dummy started. Indeed, poems are weaving of meaning, we know that the Druids learned thousands of these verses. And what do we find in these networks in general: the names of heroes and mythical kings, people who have marked history. There was a desire to keep and protect Gallic history and culture through these unwritten verses, to learn them by heart, to repeat them over and over again, it was a way of keeping the memory of the tribes alive. And Aventia was the inspiration, or rather, the one who made the willow tree grow, the story. NB: it is completely impossible to build a giant sacrificial willow dummy to braid, it is a very woody wood, very solid, but which sags and twists at the slightest pressure. So this story of "wikers Man" is a pure invention out of the jealous minds of the curious who were not entitled to his secrets. I notice that the druids of England often refer us to this big stupidity by continuing to stygmatize the Gallic druids with these lies. Laughs best who laughs last. The Awen of Druidic Wisdom takes its name from the Braiding Willow Rivers. It is an image relating to Druidic poetry. The people who smear it have never been real druids, just hawkers of stupid obscurantism. The wikers Man never had any physical existence because it is impossible to build in yellow willow, this giant character is that of the spirit of all the ancestors, the one that contains all the thought of the Gauls. It was not about a real sacrifice, it was about braiding a giant being with the inspiration of Aventia, containing all the memory of the Gallic kingdoms. The Gallic language is a language built thanks to this trellis. Nb2: if you try your hand at basket weaving by the river with yellow willows (see medicinal plants) for example, you will realize that indeed these are times when your inspiration will be the most productive of memories. Nb3: this work was carried out in groups. Foreigners were not admitted so as not to mix their words with the sacred language, it is not a story of racism. It's very old, these Awen workers continued to sing later at the foot of the cantalons. The origin of the word does not come from Sanskrit, as far as I know, the rivers of awen never existed in India but there may have been exchanges 10,000 years ago already because this tree has been used for tens of thousands of years in Western Europe. To attach stone tools among other things. Averanus: God of the emancipation of young people. Avicantos. Here is the real name of the wikersman: Avicantos. He was a god of Awen and of vital inspiration, of divine but passionate breath in his songs. We called him the great ancestor, implying the great god who contains the ancestors, their names. Avicantos was also nicknamed: the old bent, because of the willow wood which bent easily when resisting. It was really this god who embodied the old age of men and their past history. There it was eminently a patriarchal cult. It was the breeder, the one who inspires the young of the tribe, a god of ancestral knowledge. Nb: 100%, it is indeed the willow god, that of the canons of songs, poems and trellises. Ausecos. Genius of stone and clairvoyance, he was nicknamed: the god with big ears, the one who hears the gods and the ancestors. "The one who remembers" too, a kind of god of the druids who knew the past and the future. We found a stone representative of this genius of eternities. Clearly he has a fusional relationship, the primordial nature is represented on his sculpture. A deity of shamanism and communion with the forests, Ausecus was also called: Vosegus, with a somewhat different role depending on the place. Nb: I cannot give this secret in public but ... look for the plant with the big ears and you will have the secret of clairvoyance. Aximos. There was a whole family of Aquitaine gods there, the Axati (reconstructed) had a definite relationship with the Garonne and the Gironde, they were divinities of borders and journeys of which we know a mother: oxouna (uxouna). Aximos the titan was the father, had the reputation of being very tall, very strong and very intelligent, raised. Ascola was a nymph of the river whose current we know has always been very strong, she was a divinity of care, the one who removed dust from the eye as well as the mud from the Garonne banks. There was also Axoniebus, the god of swimmers and sailors, the one who gave strength and endurance to withstand the current. Uxouna was a goddess of river and sea sailors. There was a whole family of giants there, affiliated with the cult of Aquitaine waters. Bacurdus. The god of biters was also well known, at the beginning it is said that he was born at the foot of a large beech and when he was hungry, he took a big stick of the same wood to knock down the honeycombs that were were there. What was to happen ensued, Bacurdus was stung by these insects, which left him with some traces. Later he used his curved stick to do some charcoal tattoos, it hurt him too. It is said that his animal on earth was a goat with curved and sharp horns, which did not prevent him from being stung by horseflies. Then, having thought about it, he used his bent stick to move the mules forward by pricking their hocks. He was also god of mountain shoemakers and even later, his heavy curved stick was used to strike coins, he had become a deity of craftsmen. There was a myth which said that his curved club made the hearts of miners in love beat faster, he was a god of punches repeatedly stung inside the mountain of passions. Nb: Bacurdus or Bakurdos. Badabe. Badabe the blond head has been preserved in Vosges memories until today. It was said of him that he put to sleep bad moods thanks to his perfume, he was a god of dreamers, of those who look at their image and their thoughts alone. He was a unique god, living only in his own world, that of the wet fields. Often present along the ditches, it should not be disturbed. Badabe the graceful pensive has a bad temper, it seems that those who asked him to eat have all been sick, this because it is a guard of the meadows that he protects, he should not come and help himself in his meadows. This blond head was undoubtedly the guardian god of the herds of cattle. We know that despite its scent, cows never eat it because they know it very well. Nb: medicinal plant only for its sleepy scent, the rest of the plant is poison. It is the yellow daffodil, the narcissus of the Greeks. Its floral corolla only looks one way, often that of its reflection in the water. Another force of nature, it is the plant of people who dream of standing. Badia and Derco: Badia was blonde, beautiful and graceful flower of the saplings while Derco was nicknamed -the red eye-, the eager and the loving setting sun. Bagina. Bagina, the daughter of Baginatis was of good birth, they and her many sisters were beech nymphs. They inspired Badabe for a whole day and his indolence suddenly disappeared, it happened one morning when he was thirsty and hungry, a bowl full of a limpid potion was waiting in front of the door of the Baginatae palace, the mothers of the great beech. It was therefore the beverage and almost immediately began to run in all directions. The cows watching him go by let out a few howls of laughter. Usually so calm, Badabe had tasted the magic of divine fruit. Bagina was amused a lot by the farce she had just played at the lazy guardian and the herd was delighted to see the boy running around his members, driving in the stakes, at one point he began to whistle a playful air. that we had never heard from him. In the evening, he collapsed at the edge of his stream and fell asleep like a mass. The next day he was calm again andthoughtfully, he asked his reflection if something had really happened or if he had been dreaming while standing. Bagina left a bowl of his mixture every now and then at the foot of his tree, there was always time to wake someone up in the morning in the bogs of Iluro. Nb: Bagina is a deity of the beech groves, the seeds of the beech which we used to make an irritating drink. We have traces of a population known as the "baginae" who were considered to be angry and rebellious. This drink has the same effect as coffee. Baginatis. At the very beginning in the primordial world, there was a lot of creativity, it all sprouted in all directions. One of the sons of the master Baginae moved away from his native land in a sudden gust of wind. He found himself alone in the territory of the Abnobae and soon, the wild fairies deployed the brambles that should have suffocated the little beech. But it was not because Morgana hid it so well that the brambles got lost along the way. Watered early in the morning, the child grew so fast that just a few days later he was a head taller than all the other green creatures. Of good birth and protected by Morgana, Baginatis made every effort to impose himself on his new land. The brambles were flowing back outside the borders of the new sovereign of the place, only the king's subjects remained in the court. The ground was now flattened, the falling leaves were full of the riches of the divine. It was there that the new vassals settled, in the shelter. The birds began to sing the praises of this new palace, fluttering in its sky, from branch to branch, from room to room. Baginatis later sent many of his sons to conquer the surrounding wild lands, and a giant beech grove grew in all directions, wherever the land welcomed him, the lost child who was protected by Morgana, established his kingdoms. Baïase. There were physical differences of course, and there was a god for every grandiose thing. Baïase was that of the musculature. The Gauls were sportsmen, among the Pyrenean tribes one practiced sports of strength such as the throwing of hammer, ax, trunk. Habits have always had their place and Baïase had become a part of manners. It was also called "the green wood", the nervous one. The muscular god was also embodied in combat sticks. The lines of wood, like those of the calendar, had become an example of physical form and spiritual formalities. He was a god and as such, his musculature was one of the most imposing, of those which mark the spirits. It was "the one who holds the lines, the drawing, the impact of a memory. Nb: in primo-language it is the god of the absolute form, the will allied to the strain. Passed in French under the form "balaise", it is the case to say. Baicorixos. There were kings who bequeathed their domains to their descendants. This was the case with Baïcorixos, the one who kept the body of the ancestors. He was a good fighter in the country of bees, over there, on the hillside, were the woven beehives which contained all the fortune of the country, that was the gold of Baicorixos, honey flowed freely. He used to shout loudly so that we could hear from all sides of the mountain, he dressed in red and had blue eyes with intense reflections. His golden staff had the reputation of being a magician and the carnixes announced his passage when he moved. His oppida was vast and high, no one would have thought of coming to take it from him, especially since he was defended by the bees. Baïcorix possessed the same body as his ancestors, the same astonishing strength that he bequeathed to all his descendants, down to us. He was a passionate slayer who knew the secrets of the lily, a staunch defender who supported his vassals on all occasions. Nb: Baïcorix reflects the strength and the bequest of the ancestors, he was a king of filiations. The study reflects a number of references to the symbols that later became those of French kings. With beech too, which is decidedly synonymous with a royal tree. Baïaserta. Baïaserta was a carrier divinity like Baïase or Baxeï, but not of the same kind. Traditions and customs set the pace for village life. There were the rich and the poor, to those there Baïaserta took a pot, an obol. In French popular culture there has remained a trace of this custom, we call it: the share of the poor. It was a tradition never to eat all of your meal in order to be able to give something, a piece of bread to the poor you knew. We called it "little head" because it was a small part that we brought around. It was a pot reserved for that, to give something, this part of generosity was attributed to Bélenos certainly because it was a bien beautiful thing. Nb: we did not give change at that time, it was food. According to the study it is about wood, maybe a donation of firewood (it was done) or a bowl of wood. A divinity who gives strength. She had been nicknamed "Barsa the insolente", she was a divinity of water and more clearly of waterfalls. Barsa sang loudly every time it rained a little too much, this cheerful sassy took with her all those who had the bad idea of associating too closely with her. The passionate nymph who played with big arms was often a pleasure to see as long as she did not get into a black anger, when she sprinkled the impudent coming to court her. With her character a little inflated, she dared to cut everyone off and shouted her repeated sentences a hundred times so that we heard her. Fortunately, Barsa also had her good times and her brilliantly performed dances enchanted passing badots, these walkers remembered for a long time the nymph who strongly marked the spirits by play and by envy. It is also said that she knew how to make war but without restraint, we preferred to keep her in front of the lines so that she could express her few noisy turbulances to the enemies who came in front ... without taking those she was supposed to protect . It is also said that she sang rockers to children without stopping for hours. Banuas: A pork-killing deity, sacrificial for the foundations of prosperous villages. Bassoledo Litanis. It was a way of calling Bélenos, an honorary title. "Bassoledo litanis" means: the word of small wild pansies, which normally referred to the repetitive beauties of wild flowers. All plants are considered to be part of the pharmacopoeia of Bélenos. This beauty title is the one inspired by hundreds of small daily stems that are adorned with flowers. These are wild plants, those of the moors and wasteland. They were nicknamed "the little suns of thought", a very personal feeling to everyone. Nb: "litanis" defines a visual repetition associated with a thought. Baxei. All had their god, the one who helped them in everyday life. Baxei was the bearer god, the one who gives the strength to endure everything, especially the weight of hard work. We called him "the big beefy, the signature of his name is found throughout Gaul, as far as Belgica where he was named" Basso ", the god of baskets. To people who asked where Baxei lived, we answered that he was still traveling. It was he who gave his name to the Basque peoples, it had come like that, in fact the Basques at that time were already used to transhumance and transported themselves, they and their belongings. everyday life, in the healthy heights where the sheep grazed in summer, then in winters they went back down to the plains where the temperature was better. These bearer peoples followed the ways of their main god. It was said that Baxei was recognizable among all the people. gods because it was he who carried the Pyrenees on his back Some earthquakes were soon attributed to him as the disproportionate strength of the bearer god was recognized. Nb: he was a god of movements and roads, there is indeed a relationship with the very wise of baskets, necklaces of portages and bodily quality. To be compared to the god Baïase, the two relate very clearly with games of force, terribly active and earthquakes I would say. The word "brassiere" in French comes from the Gallic "baxo" which also designates a basket. Bedaïos. At that time of antiquity, agricultural work was carried out according to methods a thousand times proven for millennia. To sow the seeds, the peasants threw handfuls of wheat on the ground and then they watered the ground copiously when it was not raining. Bedaïos was a truly ancient god, that of the pietineurs who were responsible for driving future crops into the ground, he was attributed the color of light mud and that of wheat. This work was done with the soles of the feet, entire hectares were worked by skating in the mud. He was an Augustus god who was to bring back valuable harvests later in the year. By a play on words, Bedaïos was later associated with the fathers of large families, then with the warriors who brought back their booty after having constrained their enemies. Nb: one of the oldest Gallic gods of agriculture. Belado. In the great swamp of creation the first spring was advancing, raising living beings from the torpor of winter death. It was the moment when Belado was wandering around, giving a few words to each plant, to each reborn animal.The tree of rebirth, the white willow with its light leaves animated by new activity. The creatures looked around in order to find their future spouses, the small wind of tenderness caressed the rounded shapes. Belado was the god of first loves, the one who made bodies tremble with uncontrollable envy and stammer even the strongest fellows. Thus, in the ponds usually so calm, the surface of the water began to undulate with a hot and wild quiver. It was a special moment when you opened your eyes to something else, a moment when physical attraction took precedence over everything else. The little spring wind, that of trembling first loves. Nb: all the themes in "B" where almost have a bodily affiliation. Belatu-cadros. The Gauls were renowned for their combativeness, Belatu-cadros was undoubtedly a title of Tanaris. It means: "the muscular demonstration". The male part of each is exhibited according to the moments in different tendencies, the strong men showed their capacities to resist and to force in various works and battles, in the exercise of the sport. The muscles pushed to the paraxism of their capacities trembled during gigantic efforts. The honors went to the one who would have shown all his physical power over adversity. In general, these men there became tribal chiefs, the intellectual part of the various offices going to the druids. Belatu-cadros was also a military title, that of the strongest. Nb: it is about pure force. Beïsirisse. Beïsirisse was a god of physical growth, one who promises health, the strength of the uncorrupted Auroch. Offerings were made to him so that the children would develop well. It was a support so he was part of the world above, the Albios. He gave vivacity and will, his wishes and prayers gave impetuosity to everyday life. Beïsirisse pointed to someone with his finger, choosing him as a future member of the tribe. Giving it its future strength to grow, He was surely invoked to facilitate the growth of the entire tribe and its crops. Belenos. Cambotin. At the beginning of spring, for the feast of Bélénos, something stuck its head out of the earth, between the roots of the god tree. Very quickly, two wings sprouted on its sides. It was Cambotin, the serpent. This one flew towards the peaks while clinging to the trunk of the tree. As he climbed, other wings grew on his back, each had 7 feathers and on these feathers were drawn seven eyes. The snake grew until it became a giant and wrapped itself around the tree. When he got to the right height, he sprouted several heads and so he transformed into a male hydra. He thus remained perched for a long time on the branches, hiding to chase the damos from the sky but Belénos convinced him and he transformed himself into marble stone so that he could not move any more and wrapped him around his stick forever. He's still up there today, we can see him on starry nights. Nb: Bélénos is what one calls a "matrix", or matrix, that is to say a maker of life. The god of blooming, that is why he is often represented with a sunny smile, but it is not the sun of the sky, it is the inner sun. Belgos The Belgian people that we know today have Gallic ancestors, the tribes whose mothers were called "Belgae mattres" and the main god: "Belgos". They were noble fighters, they traveled a lot in groups and settled variously in western Europe, England, southern France, northeastern Italy. They were called: the tribe of small trees because their homeland did not have a climate conducive to the growth of very large trees. The winters were harsh among the Belgians at the time, they covered themselves with light brown leather clothes and it was thanks to that that we recognized them. We call Belgium today: the flat country, at the time it was the country of the flat stone. They had a reputation for being lucky because they were rich in skin and well dressed. It was a land of ice where nothing moved in winters, the rest of the year it rained and they said it was the time of the weeping little sky, the one we hear whining. Nb: there is a story of ancient bagpipes or leather bags that make a whining noise. Beladonius. Beladonius was a god of Provence, that of warlike virility. He was a god of war who was embodied either in a holm oak or in a wild juniper. The god of spines showed his protruding muscles and did not hesitate to provoke manly clashes. Abrupteness was a game for him, it was hurtful and tough. The camaraderie between the men who interelder was also a manly act instilled by the ancestor Beladonius. Nb: nothing to do with belladonna which is a plant without thorns. Belissama. Literally: "the great beauty of samos." (Spiritual). Marcos had lost the brother who gave him his legs and he was no longer able to move forward physically. Lug made a goddess appear before him in the sixth month of the year, it was Belissama, the virgin of thorns. He admired this young woman who had just appeared with astonishment and delight because she was as beautiful as the heat of the sun. A bewitching perfume surrounded him, a smell of broom. Marcos closed his eyes to hoot the curls and felt himself transported with ease above the ground. Wings had sprouted from his back. "This way Marcos, I show you the way of the air, but leave your body behind you because it will not pass through my thorns", sang the deified beauty. Marcos flew away riding the light wind, and arrived at the top of Belissama hill, there he could see the future of what he cultivated. it was he who was later called "the rider of the wind", the projecting spirit. He had become the flying seed that he would plant in the lands of the spirit. Bemilugus. Lugus was the great Gallic god, that of the light of the creation of the world. He was credited with a lot of power and magic. He had said he was a mirror called Bemilugus, the mirror of souls. It was a natural mirror made of the purest waters that ever was. He was frozen in a stone, inside a cave. It is said that this mirror full of magic could be viewed by the druids, it attracted the light and gave it back. Those reflected in it were invested with Lugus' intelligence. It is also this one which was used for the ceremonies of the understanding, that is to say the pacts with the heavens, like a contract concluded. It was this mirror surrounded by pigments that was used for reincarnations because Lugus was the one who embodied the forces of previous lives, those of the ancestors. It was with this mirror that one could ask for the help of Lugus when he was in the other world. Nb: the study of the theme speaks of a special source in a cave and of a shimmering. Another trace of the famous sacred mountain. Berenos. It is said that Brennus had sententious words, he was given his name because of that, Berenos, nicknamed "red head", had been the god of direct sentences. He was called "the one-eyed" because he had lost an eye in combat, he was a military deity. His huge body imposed it, and it was he who had been chosen to take note and take the side of the one he defended wherever he condemned. He was the god of military justice, after the fighting, he decided what would be the fate of the vanquished, always overwhelming and expeditious in his decisions. He decided for all what was conquered, distributed the booty to men. Berenos had his stronghold at the top of a hill, he did his justice in a clearing. Bergimos. In winters people who usually traveled gathered to help each other. They responded in this to the appeal of the prosperous Bergimos. His favorite places were high hills on which the time upart an oppida where a Fortin had been built. It is also from these eminences that we watched the movements on the horizon and that we lit the rally fires for the peasants in the event of an attack. Also there were public speeches where great speakers and other cards would talk for hours. Bergimos was the so-called "little brothers" god, that is to say the one who protected the weakest populations on these hills. Bergonia. Whenever a place was renowned for its peculiarities, a god where a goddess was born, son or daughter of Lugus in the world of light. Bergonia was the goddess of the Amos, that is to say of the gentiles. They were so called because they did not eat meat, they were the divine inhabitants of the mountain passes of Bergonia the master. These small and large inhabitants lived on these nourishing coasts because they were all animals represented by the gods above. In these remote places, the only food valid for them were buds, hence the name of Bergonia, the budding one. At the time, these mountainous buds with medicinal properties were considered delicacies by men too. Nb: Bergonia was the nourishing divinity of the spring buds, Bergusia when she embodied the will to move forward, to grow. These are the Bergusae masters. The word "berçeuse" in French undoubtedly comes from the Gallic. It is the food of the good guys. Whenever a place was famous for its peculiarities, a god where a goddess was born, son or daughter of Lugus in the world of light. Bergonia was the goddessdes d'Amos, that is to say the good guys. They were so called because they did not eat meat, they were the divine inhabitants of the mountain passes of Bergonia the master. These small and large inhabitants lived on these nourishing coasts because they were all animals represented by the gods above. In these remote places, the only food valid for them were buds, hence the name of Bergonia, the budding one. At the time, these mountainous buds with medicinal properties were considered delicacies by men too. Nb: Bergonia was the nourishing divinity of the spring buds, Bergusia when she embodied the will to move forward, to grow. These are the Bergusae masters. The word "berçeuse" in French undoubtedly comes from the Gallic. It is the food of the good guys. Bericyntia. We found a bronze statuette representing an unknown god who holds a single shield at arm's length. This solitary shield is also found on certain currencies. This god with the shield named Bericyntia is undoubtedly Teutates, the protector of the tribe. It was a very solid shield, circled in bronze. It was also the shield of the ancestors' messengers, that is to say a very, very old object. It was famous and the most famous tribal chiefs were worn on it. He represented: the dome of the stars and the head of the gods of albios. Because indeed, the Gallic sky was supposed to protect them. The stone and wood pillars were a bit of the same kind of ideological model, that is, the heights were reserved for the deities and their tribal chief messengers. Nb: it is a question of hair in the study, I suppose it is about the foliage of spiritual trees, the shield of the sky being the dome of the stars and therefore under the influence of the tree. Bibrax Bibrax was the city god that we still know today. He was called the beaver god because he had erected a gigantic dam around the same city. A large city surrounded by stone walls and sharp wooden piles. At the top of this mountain, the sharp branches had been intertwined in such a way that it was impossible to enter. Hiding all its inhabitants from view. He was a unique god, that is to say that he only existed in Bibracte. The pointed walls had to be seriously impressive for it to be made into a home island (beavers), the inhabitants camouflaged themselves there and there was magic in Bibracte. We traded in these large stakes, some as big and tall as trees. Boaicorix. The Gauls were brawlers, and if they knew how to fight, they also knew how to defend themselves. Boaïcorix was a mythical hero of Gallic mythology. It was a creature of wood who defended the besieged groups. Raucous character who expressed himself with the greatest vivacity, his animal was the deer which as we know likes brawls and overly fermented berries, this famous deer god who loved slightly alcoholic fruits, did absolutely anything in those moments there. Not only could it be heard a lot, but in addition the hard and pointed horns served as spikes to clear the visitors of the night. Boaïcorix gave its name to the four-wheeled carts which were used for the defense of the army and in addition brought a lot of comfort when traveling. He was a deified creature, hero who defended men and goods. A rowdy madman who was greatly appreciated as a champion. His resistance and his speed, his friendliness, one makes erect in good place in the memories of battle of the Gallic mythology. Nb: A deer has a bit of a special character, so don't disturb them at night, especially when they have consumed fermented berries. Not to be confused with Baïcorixos, the rendering of the study is different. Boccus. And we celebrated among the Gauls, we indulged in large groups. There was a god for anything that had a deep feeling. Boccus was a god of joy very well known throughout Gaul. He had been assigned the drinking vessels, the bee nectar and the mugwort which served to improve the taste of the wine, also of the ale, the malt. He was therefore above all a god of the pleasures of life, a god who spoke a lot in the military camps and who reconciled the quarrels of long ago between Gauls because their strength of character did not often admit forgiveness. Boccus was there to lighten the mood. Nb: the primo-language refers to a translation like "the bodily will", that is to say that of today's Epicureans, Boccus also called Baicorix is not originally from Greece where he was named Bacchus with somewhat attributes different. It is not certain that it is a god, rather a mythical king. He marked the Gallic language a lot so I guess qu it is at least 3000 years old. Bodoua. In the lands of Berry, territory of the Bituriges, there was a very special goddess. She lived in a tree that you call "Birch" very close to its old name: "Bétulla". The goddess Bodoua when she incarnated on the earth of men did so in the form of a crow. An animal that has a habit of warning everyone with its screeches when something strange is approaching. She was also called: "the goddess of the guardians", the budenicos, those who warn. A certain ritual allowed the stone of the crow to appear, by heating the bark of the tree, a shiny bitumen, a black and sharp obsidian. His warriors guarded Biturige territory with their screeching cries. The foreigners thought they were crazy and preferred to turn back. These tribes built their houses in this birch wood because it was also the home of the deity. His stone of certainty that we find over there is an obsidian, it is the stone of guard. This goddess protected the center of the forest where were well established these very large master trees that we called "kings". It must be in these surroundings that all the Druids of Gaul gathered, at the foot of these immense trees, where one must find a certain number of menhirs and dolmens. Nb: it is undoubtedly one of the founding myths of the Biturige Cube people. Their name means: the guardians kings of the woods, of the forest, because of the sharpness of the obsidian and not "kings of the world" as some claim. Bitumen is still a word of Gallic origin. Bolussos. Humans generally hate snakes, since the dawn of time when a common ancestor was bitten by a viper. He survived but the memory of the burning wound survived in all of his descendants. Bolussos was the viper god, he scared everyone except those who were worthy of becoming leaders. He was a good god among the Gauls because he hunted rats, instantly discouraging anyone who did not have the talent to lead tribes with courage. On the statue of Bélenos, we see that he is friends with snakes, Bolussos also offered some rare medicines. This viper god is the one to never anger, he loved respect and only bites reckless people. One day when Bélénos was walking on the land of men, he encountered the divine tree with a thousand colors. The doctor god often walked in the countryside in order to study new plants, this one seemed to him prodigious. So he decided to go up there to acquire more and more knowledge. Because it was the tree of knowing that was standing there before him. Bélénos transformed into an ivy serpent named "Bolusseron". A plant with a thousand pupils that allowed you to explore every corner of the world. He had kept his ram's horns. The snake began to climb up from the base of the tree, gripping the gigantic trunk with all its might. He climbed as high as he could, but at the bend of a branch, his strength abandoned him. The trunk under him had lost its vigor, Bélénos had learned as much as it had been possible for him to do it but arrived at the end of his earthly possibilities, luck abandoned him, this blockage annoyed him to the highest point. His thirst for learning and for gaining even more power betrays him. With a final dash, he threw himself into the air, hoping to reach other higher branches, he wanted to become even taller than Kernunos. But the sun blinded him and he missed the hook. This is how the doctor god fell back to earth, wanting to go too far into the heavens. His fall was rapid and part of himself sank underground, in the Anderos, the realm of fiery passions. From that time, the part of Bélenos that fell was called "Bolussos" the black serpent, black and brown. The latter wandered between the middle world and that of the "Anderos", he had kept his form of an ivy-snake, purely earthly this time. Condemned to crawl in the midst of decay, he had become bald, mean, old, and blind, still had his ram horns. It is since then that the doctor was called: the corrupter. The one who had gone too far. The climbing snake is still the symbol for luminous medicine today, while the crawling snake represents corruption. NB: it is indeed climbing ivy that has medicinal properties, not creeping ivy. Bolvinus Weddings had existed for a long time, they were moments of ceremonies and exchanges. We know that all the great decisions of life were the subject of approval by the Druids, and it seems that weddings also required their assent. Bolvinus was the god of men to be married off. It is he who was invoked in certain tribes to tropen "shoe at his feet". The future groom would visit the place where he lived, near a lake or by the sea. Then he presented his grievances to him, all this was a family affair, friendly but there were dowries from time to time. bring to prevent the needs of the future family. For folklore, it seems that the groom took with him a leather bag full of roots, which is why he was nicknamed "the root hunter", the digger was at that time a fund sweeper and Bolvinus help him find what he was looking for. Nb: apparently that's it. There is a family history with looking for nourishing roots in the earth. Perhaps it was a question of marrying a land and a woman at the same time (matriarchy). Boriennus And Boriana. Boriennus for men and Boriana for women were divinities of identity, that is to say gods who proceeded to the passage to adulthood and especially to the status of "great", that is to say Mariables . These two divine ones seem to formalize the status of single people of childbearing age. We still know today festivals such as "catherinettes", which are there to underline the fact that adult women are free. Boriennus was therefore the god of celibate men, nicknamed "standing horn", there was a special garment to distinguish them by the population (folklore), a short hooded coat of red color. For the women of Boriana we can assume that it was a floral wreath. Nb: it looks like this but I lack elements to be sure. Their names mean: "the young heads", translating "the young first". Bormana. Bormana was a goddess of ferruginous waters, that is to say waters that allowed healing of certain diseases, healing waters. The sources had been known for millennia, the Gauls used them for everything because they were most often unstained places. These waters were very successful at that time when the druids shone for everyone's health. They have the reputation of being carbonated for some, ferruginous, a little sulfur, limpid and soft on the palate. This kind of remedy was attributed to Bormana. It gave back energy, got carried away in leather bags. They softened female skin, helped lift the head and regain a little pride. Some of Bormana's springs came straight from the depths of the earth and came out into the open air in their hot water form. Nb: 100%, Bormana was the deity of the healing waters. The same goes for Bormo and Bormanos. Borvos. The sources of the Nièvre offer a beautiful panorama, these in the surroundings that are the gates of Borvos, the god of the hot springs. Among the Boi, the peoples are allied with mother earth. Borvos, who emerges from the damp and warm soil had a mania for pottery, it was he who taught the Boi the art of shaping clay into solid fired objects. We do not know when it started but we find in the Boii territories a particular stone, even in the places where they imigrated. A wooden stone. It comes out of the earth indifferently, recognizable by its bark-shaped envelope and its branching endings. When you hit it, it emits a noise and sparks, the inside of these pebbles is brown, which looks like wood. It is the stone of solid peoples, that of liveliness. Moreover, it is called "stone of brilliance", thus rendering the character of its tribes. This stone of certainty is called "Boïa". Also called the hot stone. Nb: Borvos is also called "Bolvinus". It has to do with hot medicinal mud, wood, cutting due to the sharpness of flint. I still found allucinating connections with Sanskrit words, "Gaûh" would be "Boú", where "Gwïuos". So some people confuse "the living" with "the mud". As one could confuse salt and pepper, it is nonsense. Boudiga. There were big cities, the houses weren't stacked on top of each other like they do now. Among the Gauls, most of the time the houses were surrounded by a closed courtyard which accommodated animals and provisions of wood, hay in addition to all that improved the ordinary. Boudiga was the goddess of construction. These Gallic houses used liquid mud, wood, stone and thatch. This goddess who was one of the "Boudunnehiae masters", used the mixed mud to build walls. A material easy to produce and reconstitute. The mud walls are very solid, the virtuous founder of the ancient cities had the reputation of protecting people, building passages, allowing organization and wealth. Nb: the theme is clear, it is about foundation, cities, protective mud of the light brown color. From nourritis and sweetness of life too. Brasennos. The label, the image, which is given to the French of our time which consists in identifying them with their beret and their baguette does not date from yesterday. Brasennos was the god of bakers. It involved mixing the flour with hot water and letting the dough lie dormant for a while. It was a real custom and an honored know-how. Aromatic plants were mixed with it, then, once the mixture was swollen, it was put in ovens, hence the passage of the word brasier in French. The breweries take their name from the same vein. It is about a mixture which apparently was carried out by Brasennos known as "the old man". These breads were left to heat in the sun so that they swell well. It was an important link in Gallic society (which already wore the beret at that time). Nb: so there was a bread druid. Brãuo and Corobadios. The Crusher and the Yellow Dwarfs. In the land of the wind were a people of little men, these dwarves who were called Corobadios were the first of this ancient line known as the small grains. Their smallness had made that the wind could carry them far while on foot they could not travel. They were flying one above the other without ever being able to firmly establish themselves. In the land of huge stones, a race of giant was born. Those on the other hand weighed far too heavy to be able to be transported on other grounds than that of the invisible mountains. Gigantic as they are, these had a big flaw, in the impossibility of seeing where they were walking, their movement could make a lot of noise but only noise ... the sounds of mountainous giants brightened up in the deserts, and inevitably end up getting lost. One of them, who was called Brãuos, the Crusher decided to conquer the Land of the Winds. "These little beings are nothing despite their multitude, my strength will keep them in line. It is they who will be my slaves and will transport me" he said to himself one day. So he left the invisible mountains and with a loud noise, approached the border of the yellow dwarves. We could see him coming from afar, moreover, Brãuos did not frighten anyone. Everything just kindled the curiosity of the grains of sand. He, on the other hand, was surprised not to see anyone at the beginning, he wondered where had gone the famous peoples of which he had been praised the capacity to transport themselves everywhere facetiously. So ... slowly, he moved awkwardly because of his overweight, he began to cross the border. It was then that he understood his mistake. No sooner had he set foot in this country than an intense clamor reminded him of reality. "But he's designed it" heard the rascal, unable to distinguish where the voice was coming from. "By all the gods, what is this magic?" The bawler wondered. -where you hide you bands of dwarves! -but it is designed there! Retorted the clamor. "He's stupid where he's blind," said one of them. -Who are you aphid, what is your name? You must obey your new master! -Don't know, replied the dwarf. I am Corobadios. -You must obey me! Where's your boss? He must obey me! Where are all your brothers, they must obey me! You have to carry me in the air, I want to fly! -but it is designed there! All the dwarves took to heart. "My boss, it's Corobadios" heard the giant weakly. -Ha, there are at least two of you! Call all your brothers and give me their names for each one! - Well say so my friends, here is one who does not understand anything or well then, he does it on purpose. It must be a gigantic liar or just a little dreamer! Countless laughter flew through echoing everywhere. -I am the greatest of all creatures, you will suffer my wrath to the last if you do not obey my great person! The giant stepped forward firmly and finally put the first weight in the land of the winds. He suddenly realized that he had just lost a foot. There was nothing under him that could support him. No one knows how long the fall lasted, the time not being the same depending on the region. When the monstrous and hairy reached the level of the ground where it sank, he saw the hills, then the mountains and the dwarf castles. "It's not a believable thing," he cried with a loud howl that raised up millions of microscopic yellow things. Then the giant disappeared in the yellowing multitude which then covered him ... A new hill had appeared in the land of the wind. A small hill. Of the bawling giant, there were no memories left in the land of the Corobadios. Nb: "brãuo" is a Gallic word which has survived to this day in the form of "braillo" in patois, "le brailleur" in French. Briciae Mattres. The briciae masters were well known throughout Gallic Europe,it was the mother-hen goddesses .... The Opolos, the country maple, served as a refuge for these little animals at night when predators were on the prowl. We applied a short ladder to the trunk and the hens climbed the tree to spend the night, then we removed the ladder. Bresa gave its name to a Gallic species that everyone knows well. Its very red crest resembles that found in these ancient henhouses. Its name designates the maple nest, its knot and its night watchful eye. She was a goddess of colors, of which maple offers a pretty panel. These colors from which we were inspired to dye clothes. Many families raising chickens took their name from this feathered and colorful deity. Nb: it's a story of maple and red ridges. It is surely the Opolos, maple in Gallic which gave their name to today's hens. Bresa the hen goddess is still known in the farms of Bresse. It is nice my maple, you should dig deeper. Britanae Mattres. In some places certain names of cities like Brétigny and others come from the Britanae deities. These masters had the activity of judging mortals, that is to say the living. The brazen judgment was flawless and without any recourse. These mothers were grateful because it was they who brought souls to the next world. The land domains of the Britanae were all to obey their law. She had the right of life and death over mortals, mistress of the passage to the other side, she dispensed justice in the physical world, like soul weighers, she bridged the afterlife. Nb: mother-judges who enforced the terrestrial law, on their lands (matriarchy). Britovios. Ovios was a god of the dead and Britovios was his right hand. Women ruled the land of which they were the guarantors, for men the system was different. The Ovios army corps were professional units, and the justice that surrendered was internal to these groups. Britovios was what they called "the last judge". We know the stories of the executions of men by arrows that historians have reported to us. These very powerful wooden bows were the product of Ovios. The poison of the isf is very rarely forgiven, thus military justice was carried out, according to the decision of Britovios. Nb: the judgment of the death penalty executed by soldiers for soldiers since it is the women who tried in civil cases. Certainly inflicted on traitors. Brictae Mattres. The master Brictae were the magical deities of the earth. A memory of the great antediluvian mother goddess. It is the religion of women and their secrets. The land belonged to the latter because it represented fertility, birth and death. They were the mistresses of destinies. The magic of the earth is assimilated to calls to the creatures it contains, to the energies it releases. It is said that the Brictae had the power to do good and bad, over everything that is life on the middle world, humans. We made them wishes, we thanked them for their gracious gifts. They were the guardians of the tribal land, and therefore their magical powers would only have the tribes that had inhabited there for millennia. NB: the matriarchy of the druidic cult, that of the mother goddess, was replaced by the patriarchy of the Christian cult. This is one of the reasons why women are equated with evil among Christians. Their noble power is that of the earth, from below, with these idiots it is systematically infernal. Messianism does not admit matriarchy, it is because of this that it dirties women, for a question of purely physical possession. Brixantos. The land and fertility belonged to the women, but the domain above belonged to the men. Brixantos was the god of watchtowers and highlands that served as watch posts. He was nicknamed: "the one who stands," who is above the earth. He was a guardian god of women's territory. Its towers and forts were on high hills. NB: the briga were fortified guard at the borders. Bruatos. Bruatos the Brute guarded the bridges through which society traded, these places of passage sacred because they were part of the worship of the waters, were strategically important. Trade passed through there, the peasants and their cattle, the people who traveled through all of Gaul. We made wishes and we gave our gratitude to this rock god. He was a brute, no one would have dared to pass by without asking his permission. His judgment enlightened people: you could go or not, he was a military god too. With a character bubbling as were those waters on which he dwelt, hewas also the only one who could stay there. Nb: can also be guardian of the mills ??? The French word "brute" comes from this temperamental god. Buciu. Bucius was a sacred animal on the human world, he resided in some special places. Mountain rather than inhabitant of the coasts, the goat god loved the great outdoors. He was a healing god who loved to eat thorns, his plants were found on the hills covered with heather which as we know are full of medicinal plants. With its horns, it rubbed the inflorescences in order to obtain a particularly attractive smell. He perfumed himself in this way to obtain the favors of a princess he had coveted for a long time. She was beautiful and could be seen from afar above the other mountain flowers, she was the thistle fairy, whose magic we know is powerful. Perfumed from head to toe, he was able to get close enough to the woman who only recognized him at the last moment. Bucius used to kiss the flowers but this one fought back and when the kiss fell the goat-god pricked his lips. The thistle woman dried up and kept her secrets. Bucius never knew the magic of blue thistles. Bees, hornets and wasps have been protecting the blue flower of the mountains since that date. And only Bélénos knows its miraculous scents. Nb: as far as I know the blue thistle is the queen of flowers, an elf? Bucius was a sacred animal on the human world, he resided in some special places. A mountain rather than a coastal resident, the goat god loved the great outdoors. He was a healing god who loved to eat thorns, his plants were found on the hills covered with heather which as we know are full of medicinal plants. With its horns, it rubbed the inflorescences in order to obtain a particularly attractive smell. He perfumed himself in this way to obtain the favors of a princess he had coveted for a long time. She was beautiful and could be seen from afar above the other mountain flowers, she was the thistle fairy, whose magic we know is powerful. Perfumed from head to toe, he was able to get close enough to the woman who only recognized him at the last moment. Bucius used to kiss the flowers but this one fought back and when the kiss fell the goat-god pricked his lips. The thistle woman dried up and kept her secrets. Bucius never knew the magic of blue thistles. Bees, hornets and wasps have been protecting the blue flower of the mountains since that date. And only Bélénos knows its miraculous scents. Nb: as far as I know the blue thistle is the queen of flowers, an elf? Budenicos. The ponds are microcosms, the druids protected them. It was said to be the kingdom of Budenicos, the frog prince. He was very rich and offered his favors to those who visited him. He had appeared in the spring, came from the depths of the pond, and his throne stood on a water lily. He was blond, handsome and made the tired people dream who had just rested at his house. The slumbering silence of the waters hid one of the passages to the other world. He gave prosperity to his course, and there was always something to eat at his house. He was known to have an inexhaustible treasure, green gold, duckweed, succulent, which gave strength to travelers. Bagios. Bugius was one of the titans of the first moments of the world. He fought for a long time against opposing forces. Crushing his enemies in the shadows, he never ceased to impose himself by swirling his club around him. He was called "the crusher", the one who imposes himself. His tree was beech. The slayer of savage assaults establishes a great kingdom in the middle of the forest, a place cleansed of all impurity. Nb: see also "Baginatis". Bussumaros. Bussumaros, known as "the big kiss", was one of those characters who punctuated the life of the populations. During the light period Lugus was pushing his wheel, it was a way of showing his will. Palm after palm, finger after finger, the wheel of the luminous world was turning, advancing into summer. It was the hour of ordinations and the customary speech. Bussumaros wore an ornate ring. In the luminous world, Bussumaros ordered those who were to speak and assume the functions of leader and lyricists. It was the hour of the big shoot, when some rose above the others. The hour of the great bards. It was an institutional procedure, the hour when the god spoke a lot to the crowd, the hour when the grandeur of summer was embraced. NB: it had to happen for the solstice. There is indeed a story of the wheel, the axis of the world and the ring in the study. There may also be a marriage story with a ring ??? Buxenos. In the south of Gaul, at the time of the Saliens, we saw the emergence of a river geniusclear. It was about Buxenos, the harpooning god. In this place the water was too shallow to fish there other than with a harpoon. He was a genius of the hyacinths, also called "golden ear", because he lived in total silence in order to surprise his prey. In this place without laws, that is to say without reeds, the fish hid themselves by talking about the stones, there were many there. The people who lived there for centuries had learned a lot from Buxenos and handled the wooden stake with speed. This lance had a curved part to be able to lift the fish out of the water. Nb: it was a profession at the time. Cabietos. Trees are the eternal houses of the spirit of man, certain gods lodge there on earth. This is the case of the birch where a god of chiefs had made his nest in a deep hollow. It was a green woodpecker or a sharp woodpecker that represented Cabietos on earth. In the cacique's house were heard the sounds of wooden drums .. TAP .. TAP .. TAP .. from time to time to punctuate the day and the ceremonies. In this house made of natural materials fed the all-time honored family who were chosen to lead the tribe. There, in the middle of the tree of the world, in this hole dug by the god, had always resided the divine spirit of the voice which commands everything else. The bird's headdress served as a helmet adornment for those who represented it. Nb: this notion of hole-house, in the world tree, comes up over and over again in the study. There appears a story of sounds and woods, of the voice of a chief and of divinity, of always, that is to say of preservation and of an eternity given to royal status. For this one, tree is birch, but elsewhere it can be another tree. This is the concept of a central, referent house. Cocos Cacos said the blush was a genius of blood, he lived in the houses with their inhabitants. Cacos entailed the hearth and the heat, a protective god. His mood warmed the craze, it made move the feet, the legs, of those who wanted to wake up. It was also called: "the greedy", the one who gives the envy. A somewhat noisy god who made the burning embers jump on cold mornings. A healing god too. Nb: red color, reflections, greed and food, this god gave strength to the morning, it can only be that of the fires warming the houses in the morning. Maybe a kitchen boy. Cagiris The Gauls owned large and small farms, it was a people of farmers that the goddesses of the land pampered. Cagiris was a farm goddess who enchanted animals. The sounds brightened up in the enclosure where all the animals were gathered. This good humor was brought to the place by Cagiris. He was a laughing deity, and loud trumpets it seems. The animals obeyed their breeders, the cackling of chickens and the laughter of the horses made these places magical places. Cagiris only acted in the enclosure, it was a territorial divinity, that of the farm. Nb: the theme is agricultural for sure, it is about command and laughter, farm noises, chickens and cranes too. A simian deity. A fairy of the farms, the plant called "gouet", the wild arum appears in the study. Caïlaros The gardeners did what they could to grow vegetables. A priori they consulted the omens to know when to plant, this with the help of a tub or a cauldron with holes. Caïlaros was the one we called "the friend with the big feet", a being who lived in the vegetable gardens and who walked barefoot, leaving traces in the mud. On land it was a narrow-necked bird, it ate garden pests. We found its traces on the wet banks and it was a sign of good or bad years. If the traces were deep it was a guarantee of good production. This god of fertility was invoked by lovers as well. Nb: it is linked to plants and fertility, strong traces and freedom. A swan or a barnacle. Caimine All human groups were representatives of a trio of masters. And all the animal or plant groups also had their divine mothers. There were highways, village paths and small, discreet paths that passed through the countryside. These were the territories of the Caïmineae, the deities ... of the little rabbits. These paths were known only to the nice, gentle friends who found there peace and the pleasure of living with impunity. It was there that the little friends met, that they exchanged their kindnesses, there that they had fun outside the problems of the villages. The spirit of the Caïmineae kept them from worry. In this sanctuary of small pebbles, small paths, the rabbitsThey ran in all directions, taking refuge under the hedges, cultivating gentleness, friendship and love. Nb: that's how it is, divine mothers for little rabbits. Caimino was undoubtedly the name of this peaceful and playful animal. I notice in passing that the themes beginning with "ca" are affiliated with households or places of everyday life. Caletos. Calet is the name given to shiny pebbles that collide, this is where the god of meshes Caletos comes from. He was also a military god, who was nicknamed "the rough", the deity who made chain mail. Caletos was a god of homogeneity, of resistance associated with stones and shiny metals. The heart of stone known by its reddish colors, had the reputation of being beautiful, its united groups could inflict immense damage to the enemy. Its ranks projected like a huge hammer, driving down the opposing ranks. He was very famous and those who joined his groups sought to become famous. The calosities of the hands of Caletos, was a dire omen to the belligerents opposite. It shone, the trellis of the troops offered a perfect wallpaper in the bloody plains. NB: it appears a relation with the rooster and the poppy in the study, it was indeed a god of the troops in battle orders. It is also a question of leather, as well as the lining of stones at the bottom of certain rivers. 100%. Camiorica. Camiorica was a Gallic queen who ruled the region of Soissons and whose beauty drove men crazy. She drew her myth from the waters of the Aisne, volatile if ever there was one. This swamp kingdom produced a beer that drove people crazy, there hops grew in abundance. It is said of this region of river sailors that it was born from the sea, the marshes were sacred places and renowned for their creativity. A country where you had to work a lot to live. Camiorica was the inspiration for the foundation of a city in this place, the cult of the waters had something to do with it. This firm and resolute reignant possessed the secret of an aquatic plant which gave ardor to work. Nb: complicated theme, it appears a relationship with an unknown aquatic plant, work, dexterity, river marine, daze, madness and the question of a warrior, a sport or a championship. Maybe a champion of rowers or barge pushers .. ??? Certain relationship with water. Camulos. The Kingdom of Camulos, a god of unattainable heights. It is in this country, perhaps that of the Segusiaves, that a special divine tree grew in peace, it was called "Melatia" the tree that heals wounds. It is also by there that the god in question was embodied in the mountains under the appearance of a chamois named "Camos". He was the king of agility and his mountain was said to be the land of dexterity. One day, a bear nicknamed "Artorix", clever enough but not for everything, decided to conquer the kingdom of Camulos. He walked for a long time on the steep slopes and ended up acquiring, by dint of pitfalls, the power on this mountain where he managed to run nonchalantly. He arrived at the foot of the tree and found that no hold would allow him to climb to the top of the mountain. The trunk was smooth, the stony bark slipped with each attempt, the coveted cones displayed their saving colors above him. He waited a long time at the foot of the giant but the thorns fell in the fall, the precious stones remained firmly anchored in the divine veins. He waited again but the extremely solid wood did not fall either. In the end, it was the chamois, who passed by there, banging hard with his fingernails, which brought down the fruits of health. This small stone was that of dexterity so coveted. The bear in question then became so agile of mind that he was given the nickname of comaterecos, the one with the agile mind. Nb: "camiorica", "camuloriga", "camulorix" and "Camulos" are of the same family which designates with the root "Camo" dexterity. The stone is found in the stony veins of the high Alps, orange or brown, a brown quartz. The bear has always been the main character in Gallic tales. It can vary and transform into other species. Canabetiu There is in the stars a young dog who has always danced to the rhythm of the perpetual world. His name was Canabetiu, the god of young dancers, His yard was a round house like the wheel of time. It is said that he began to dance to the sounds of Lugus' magic reed flute, and so he followed him everywhere, gesticulating in his stone circle. This god we call the young dog was very lively, almost a fool who barks and dances perpetually. Nb: it is about shining circle, dance, messenger and whistle. It seems that Canabetiu was the young dog known for his constellation. It is also a question of a circle of light, therefore of Lugus. Cancanonae Mattres: ceremony bringing together the young red warriors. Night ceremony known as the establishment of a group. (This reference to color must have a relation to a large household. Cannatos. The marshes are places of creativity of the worship of the waters, the reeds measure the creative cycle of a year. Cannatos was the divinity of the cycles that begin again, he was affiliated with the crafts of Lugus. He was a singing god who pulled mud from beautiful serial pottery. The songs could be heard everywhere which punctuated the work. These reeds from which the god took his name, all resembled each other, like an infinite creation which followed one another on the banks of the sacred rivers. It was one of the male deities of water and the primordial mud who offered beautiful crafts in relation. Nb: there are not many doubts, Lugus and the wheel of eternal time also appears in the study, it appears a constant restarting. The reed was undoubtedly the unit of measurement of the rim. Caneto: God of the friends of the circle, of those who practice the same worship and the same songs. Duckling. Also called "the barge of the stars", Canetonenssis was built in ripened reeds, it was said that she sailed on the great river where the ocean of time, that it is its small silvery flying seeds which rose to the sky to form the brilliant stars. The Milky Way is the trace left by the ship in the universe. By the song of the reed which sets the rhythm of the times, it is the ship of the stars which brings the novelties. NB: the druids knew that the planets floated in the universe as on a large body of water. From Caneto: the big reed and nenssis: the boat. The Gallic words: Nauson, nãuias, and Noe are related to the Greek naiads. The shiny seeds of the reed clearly have something to do with star clusters I have come across them several times. It is about a wild cat too ??? Cantismertae. The masters were responsible for everyone's fate, at the end of the summer people gathered to honor them. It was the time of the Cantismertae, a group of mothers who decided what should be kept from the crops or not. These provider mothers were honored with songs and gifts on a sacred height. They were known in all Gauls. The people formed a circle to magnify the advancing life in lyric poems and hymns to grace from the Cantismertae. This is how they chose what should be kept or eaten, by learning the sacred song. It was the apprenticeship of an annualized divine law. NB: the circles of time still appear, there is certainly a deep connection with the circles of megalithic stones which were born at the same time as "modern" agriculture. Cantopatis; God says of the feast of the old days, annual. Sacred Circle Ceremony, chants and prayers to change the cycle. Nocturnal? Cantrusteïhae. Very close to nature, our Gauls lived with it, in it. The cantrusteïhae were a very special group of masters, the bee belt had been imitated as the sign of those who purify a marvelous product. This belt was compared to the bark of trees in which divine insects congregated. It was the celebration of the generations to come, of the perpetuation of the message of the ancestors. Because the bees from the primordial forest, the emerald, were divine animals, representatives of the ancestors who had founded the Gallic tribes and their divine laws. Nb: it is really a question of cycle and generations, of keeping knowledge and warmth. There is talk of a crucible, cauldron and purification in the study. Of compatriots and burial, that is to say of the memory of those who passed. A celebration of the ancestor tree. Caraditonos. Carrying arms was a profession, Caraditonos was the god of war chariots. These carts had become the emblem of those who traveled the world in search of fortune. He was a god of Gallic mercenaries. It is on the chariot of the time of Caraditonos that were also buried the people who belonged to this body of work. We called him "the heart of champions", they were real professionals who once entered the circle never left it again. There was honor among these soldiers, an education in combat and righteousness, moral rules decreed by the god of mercenaries. They were paid by the goblet method, because that's where they got their share. It was an element of the armies united by friendship and reward. Nb: affiliated with the deer of creation, it was the god of war chariots, with specific laws to this fraternity. The mercenarism appears. Carantona. Carantona was the deity of the blanket markets, that is to say the one who oversaw the purveyors of clothes, clogs, sandals, belts and certainly berets, hats. These craftsmen gathered in specific places of sale protected by Carantona. People sometimes left for weeks or months in carts to take their produce to their destination. It was a real recognized know-how that was compared with the poetry of the bards, places of piling up of busy shelves and shimmering colors and cheerfulness. There were dressed the noble heroes who came to buy new crafts, purified by the goddess. Nb: the theme is quite clear, it is the fairy of the related clothing and craft markets. I note in passing that the masters "braciacae" were the mothers of the makers of bracaes, the pants are a Gallic invention. Carlina. Fairy of food and full carts. At the time we moved around in carts, and these cars were also used to transport precious goods. There were bandits on the back roads of course and Carlina was in charge of protecting everyone. They must have been somewhat special travel carts, closed and covered. Nb: unless it concerns carts full of travelers, this is the divinity of closed carts, the armored van of the time which was to be guarded by the men who dedicated themselves to this cult. All trades had a related divinity among the Gauls. Carpento. Also says: carbanto. He was the god of war chariots, fast and massive two-wheeled chariots that could slalom between the ranks of the belligerents. Carpento was nicknamed: the hunter, there was a spiky trellis mounted on the craft which is compared with a jawbone. This machine was heavy enough to leave strong marks in the ground. Carpento's tanks maneuvered together around the citadels to expel the invaders. The drivers were well protected in their crates. NB: this machine must have been impressive engineering, it is this god who left his name to the frames of houses later. Quite a montage. Carpundia. The Gallic tribes were prosperous, and this came mainly from their agriculture. They used a harrow cart to clean the fields of their ripe shoots. Wheat, barley, various domesticated plants that gave seeds. Carpundia was the goddess who made work easier thanks to this machine. He was also granted the magic of haystacks considered as so much wealth. It was "the cleaner", the one who brings back a booty of food to be gathered. She had given her name to certain cities whose main activity was. Nb: quite correct, it was attributed the power to clean and shine. It is again a deity of rolling machines, in agriculture this time. Which leads me to think that these machines considered to be sent from the gods must have been sculpted with eyes or other personality patterns. Apparently she was invested with a very high spirituality (always the use of very Gallic pragmatism, which works wonderfully is divine). Carrus. The Druids are at the origin of a particular zodiac and of the Gallic constellations. Carrus means in French: small chariot. It is this constellation which named the cradles of the children of the time. The names of the cars, the coaches. It is a deity associated with the warmth of friendship, loyalty, love. Nb: who gave among other things the well-known name of English cars: cars. He is a divinity of rapprochement. Casfalanos. The oak served as an ideological landmark, its hardness, its resistance over time, its majesty had inspired the Gauls. Thus was born one of the gods of the oak, Casfalanos: the bronze prince. Casfalanos possessed the braids of the divine tree, his dark brown hair possessed the color. He was a god of satisfaction and full rivers. This curly-haired prince was as old as the world. Nb: also called "cassi-uellaunos", the prince with bronze hair. It is with this that we realize that human hair was compared to the branches of solid knowledge. A druid, the study reveals a manager. Catamantaloedis. When the Romans invaded the Gauls, they used treason more than courage. They succeeded in pitting the tribal chiefs against each other, promising them future peace and commercial fortune. Then they killed a third of the population and reduced the rest to slavery. It's the truth. Yet there were leaders to fiercely resist the manipulators from Rome. One of them was nicknamed Catamantaloedis, the magician king. VShe was a Sequan monarch who spoke passionately to his people, everyone listened to his diatribes with fervor. He gave his enemies a lot of trouble and thus entered Gallic history. This man was called "the one who possesses the hundred paths of passion", it was his magic. He gathered many tribes around him thanks to his words and they entered the arena with him. It was his Aedui neighbors who no doubt betrayed him, for fear of his power over people. Monotheism had made them felons vis-à-vis other tribes. Catamantaloedis thus remained forever in the memories as the king who propagated his fervors, a magician who well deserved to enter the Gallic mythology. Nb: all this seems probable. The primo language allows to find the deep meaning of the nickname of Catamantaloedis. It is very useful to know him. I quote, "Ca" or "Ka": the law of the place. "Ta": authorizing officer. "Ma": twinning, reconciliation. "An": from Ana, the kind. "Lo": designates something spiritual. "Édis": from the world of passions. "Mantalo": a grouping of tracks, "Cata": a meeting, a circle. "Manto": thought, spoken word. "Talos": fervor. So I translate: the one who brings together the fervors. This is the primo-language, the basic language that supports the Gallic language. This nickname of "Catamantaloedis" probably designates a Druid because it seems that the latter bore very colorful names. This explains why we do not have simple names that refer to the druids of the time. Caticatona. All groups of people had their god. Among the warriors there were also women, who formed distinct groups. The weapons of women were lighter than those of men, so there was a group of warrior women who had been nicknamed "the felines" of the goddess Caticatona. Their weapon was a kind of boomerang with three or four branches made of wood and bronze. This group behaved alone, that is to say that it had its own circle of thirty years, the famous circle made up of annual reeds. Nb: I don't know why we wanted to mix up the count of 100 Indo-Europeannist units, when the Gallic circle only has thirty years, a century. She is a feline goddess, the relationship with the cataya is clear. Which means it was a woman's weapon. It must have looked like a flower visible over quite large areas. Each group had a circle of activity. Caturix. Caturix is a title, not a god. It is the nickname given to the victorious chief, king of the battle. To preserve or acquire power over the clans, the leaders fought in mostly fatal duels. It was one of the laws in some tribes. Nb: apparently these duels were forbidden by the druids to be replaced by verbal jousting. This kind of duel existed until the Middle Ages. This name means in sub-language "the rule of the chiefs in particular". And in common language: "the battle chief". Céménelos. The Cévennes mountains take their name from Cévennes from this god. Cemenelos was the spirit of the mountains, his spine serves as a crest and herds of wild animals have chosen territory on these steep slopes. There, too, where the free tribes lived, Cemenelos took travelers through roads known only to them. The fertile valleys of the Cévennes have welcomed tribes from all times, the spirit of these places belonged to this god of the mountains who, they say, still sleeps, his back leaning against precipices covered with greenery. Nb: the god of all the Cévennes mountains, very famous for his special routes. He seems to have been a fantastic creature. Centondis. It was a title of nobility and primacy to be called Centondis, it means: the main welcome, we called certain gods like that, because of a rule of compassionate morality. This title was given to the province of Saintonge, a place that warmly welcomed traveling tribes from far away or seeking refuge. "Centondis" to the wisdom of the elder was attributed to Teutates surely, it is a title of reason, of welcome and of regrouping. It also means: the heated place, the reception house. Nb: I had already guessed elsewhere that the main house of Teutates was in this corner there. And it is very very old. Cicionos. In the spirit of the majestic oak tree was born an idea like no other. It was Cicionos, the stork god. He was a very laughing god who never took himself seriously. He was nicknamed "the rocking god", "the discreet step at all" or "the god with the big beak", that is to say the god who speaks loudly and even the "god with the big feet". His extreme laughter echoed everywhere, the colors and stork postures were used as a reference byeverything where we had to stand out with features of humor. He was also a great warrior of the Gallic mythological epic. Nb: there was an ape figure made up of stilts and a large coat with a red beak that appeared in certain folk festivals, it was still the trace of this Gallic god. Most of the time it's a stork but there is a heron in some places. Pronounce: kikionos or Cicinos. Cicoluis: Crushing God with a club, Tanaris title. Cimbrianos. God of logging camps and devastating floods. It seems he has been related to the bad seasons. He is the cutting and tearing god par excellence. A divinity of the edges and dams of tree trunks. He was a god of the waters, protector of oppida and forts. Nb: a unifier too, these lumberjack axes have a connection with the volunteering of ises. Cimbri. Cimiacino: the one who sings the first song of the year or the moment. Who sings the future? Cingeti. There were heroes and among them, there were some who always walked past the other warriors, leading the rest of the troop in their wake. They were nicknamed Cingeti, because of their helmets with two wings at each temple. It was called "the seat of the falcon", all the fights started with these men and women there. Their reputation was well established and the winged helmet promised a lot of adversity to those opposite. There was a general called Ségos who distinguished himself on many occasions. He always attacked first, forcing the admiration of his people. His javelin throws, Tanaris's thunderbolts, made the enemy tremble. Nb: it seems indeed that the winged helmet wearers passed in front of the others while dragging them. The term Cingeti also seems correct to designate the famous helmet. Circius. The winds are all different, forward, backward, bearing or falling, whirling, cold or hot .... Circius was a god of the downwinds, also called "the gray wind" because of his environment of dust and clouds. Circius was considered a staunch friend among river sailors, it was the wind that went straight. His great spiritual and unstoppable strength was associated with the desires of the deer and the big heavy birds like the heron which he lifted with ease. Note: the impetuous Circius was considered an ancient primordial god. It's older than Greek mythology. Cissonius. The presence of storks was a good omen and still is. It was a pledge of good humor and celebration because indeed they only settle in welcoming places. By leaving a solid nest there for time immemorial. Cissonius was a constellation, that of the great stork's nest. It was a nest made of solid braiding, that's where its reputation comes from. This nest in the stars made of willow branches was associated with river nymphs and their braids. It was the representation of a sacred nest which named many Gallic villages and towns. NB: it is this god who gave his name to a small Gallic convertible made of a braiding which covered it, putting its passengers in the shelter. Cissonius was a god of the shelter. This science of braiding is affiliated with Lugus. Clavariates. The Clavariates were the ancient devout kings, customary chiefs known for a long time as the "uatis", the Gallic vates, the chiefs in place before the advent of the druids. These Clavariates, were those who made the laws exist because their stone word was a guarantee. They are associated with the pillar stones ... the menhirs. The very ones who made the link with the stars, apparently they were nicknamed "the masters of the keys". Also nicknamed "the left-handers" because they were awkwardly carved, the Clavariates were recognized as powerful friends and former parents, ancestors. NB: these menhirs are at the center of the theme, surprise, the vates are older in history than the druids and their existence dates back several thousand years before. It is a question in the theme of fate and omen, of laws, of support and of solidity, of long and narrow stones as well as of the hazel tree. These are the ancient magician and devout kings, for me there is not much doubt. It is about the circles of stone and a ford with the stars, the worship of the waters. "Uatis" and "rixtu", are two titles which belonged to the same language family, the "uates" is the "devout king". This if the age of the menhirs is proven, it comes from an old European language of -7000 years. The stones had a civilizing aura, embodying an easy life. They are mainly magicians. Devotees to magic. Clota And Clutoïda. River guardian of the dead and purifier, Clota was an end-of-life deity. This very ancient river nymph had semen power.this and enrichment. Very hard on men, she was a nymph of the ominous omen. Guardian of the second heaven, of the other world, she kept the heroes in her eternal meadow, behind the great river which flows between the two plains of day and night. Nb: she is a goddess of purifying death and the memory of ancestors. Of what should remain or not in his kingdom. Clutoidia. Goddess of spiritual purity, Clutoïda was the receptacle of the memory of the valiant. It was she who listed the glorious deeds and gestures in the great meadow of the other world. The one who knew everything about the past kept the soul of the dead. Nb: memorial and civilizing deity. Nb2: day and night nymphs ??? The desire of the guardians of civilization appears. Cobeia. Nymph of victories and echoes of victory. Cobeïa was associated with the breaths of horses, the gueulards and the trunks of bestiality. She embodies the irrepressible and instinctive urge to fight aggressively. It is the idea of deep breath, of clamors which echo everywhere. He was a reasoning horn-calling deity. Nb: A nymph of bestiality, breath and reserve forces, entity of the world below. Cobledu Litavis. This nickname of Cobledu litavis was given to the destroyers. People, humans or gods who led by an inextinguishable desire for conquest led their world to its destruction because of a devouring ambition. Cobledu seems to have been a clever, planning and swift dusiio. A rough being, systematically bad that one nicknamed "the one who hides his will", the traitor who dries up the earth. It is also a very intoxicating poison. Nb: Cobledu litavis = Devouring ambition. I note that this "cob" theme is passionately destructive, it really represents the archetype of "big mouths". It is a linguistic theme from the East, therefore to be transformed or eliminated. Cocidios. God of mating moods. In the family of large sighted birds, Cocidios was the so-called ancestor of light and laughing reconciliations. This god with red words and a fiery mood, used to make crass jokes to awaken the desire to be together. He was a clever, passionate and determined man who constantly made his joking demonstrations in the nest, that is to say in the house. Nb: it seems that the words "rascal" and "shell" come from there. God of bursts of laughter, of sacred births. Pronounce "kokidios". Cocoluix. God bringer of good fortune, protector of newborns. He was a god of sponsorship, who came to bend over the divine cradles to deposit wealth, health and love. He also protected orphans. He was a divinity of exceptions, that is to say of great destinies. Nb: "kokoluix", translates "exceptionally easy birth". Maybe for the birth of divinities. We are talking about consumer goods. Cocosos. Said "Cocosos", it was a deity of births and eggs. With regard to considerations on the tree-universe, Gallic houses were considered as nests, especially sacred houses. Cocosos was a divinity of the nest and surely of many births. A god of the day and of the will to be born. Here again the red beak is an influential symbol, a good sign. Nb: still in the series of "coconut" themes. It's family, internal to the Gallic house, it is always a question of light, warmth, good humor and births. Existentialist subject. This name pronounced "kokosos", the shell, indicates the will to be born. Relationship with the Gallic rooster but also with all the large remarkable birds. Comedovae Mattres. The mothers of the tribes are often the same but they were called different everywhere. During antiquity the gods had many nicknames. The Comedovae were the masters of the offspring. The women decided everything and also the unions to which they gave their assent or not. This role of Comedovae was a guarantee for the families to keep their land and their filiations. They were the masters of family destinies. Those who commanded people to guard the edges of their territories, by reasoning of the divine. Nb: mistresses of life and family inheritances. Comonis derva: The leaning goddess was known to carry arms and wars. Hero maker. Comutos. God of trust, stability, and marriage. Apparently he was a green god of the primordial forest, and perhaps many wild cherry trees. Comutos was an initiate, a shrewd guarantor, his virility was established in the edges bordering the sacred woods. He was an overall guardian, the one who framed the spiritual forest. It was the symbol of the patricians, therefore of masculinity and definitive things. Nb: it corresponds to a bsolid bird that I identify as the cherry tree of the edges. Have the cherries been used for the comparison and then the modeling of the concept of comets in the sky? Condatis. There are dozens of places in Europe that are called "condat", it is a systematic reference to a tongue of land ending between two rivers. Condatis was the god of pale faces, a god who guarded the gate to the realm of the dead. These places where the earth ends were undoubtedly places of burial and ritual cremation and it seems that it was a place of burial of the warriors. It is like the meeting place of the deceased brothers in arms. These places belonging to Condatis are most often marshy places and the rituals of the waters had their place there. Nb: a place where the corpse was let go on a boat between two arms of rivers. "Condat" had the meaning of white, pale faces. There is a question of equality and respect in the theme. It's a ceremony anyway. Condaviensis: Title of the hunters of dusios, magic of the clover. They were responsible for repeating the magic psalms. Coriotiacos: God of experienced warriors, old fighters. Tanaris. Coronacos. Coronacos said the golden dwarf was a joke, this one wearing a large shiny leather coat to disappear at certain times. He was a craftsman of leather and solid clothes, the grease that was used to maintain his bags was also used to waterproof portable boats. He had a great reputation and people called him "the giant for fun because this very loyal dwarf was definitely doing a lot of service. NB: always the divinities of the trades. There it is that of maintaining the leathers, a very important profession at that time. A golden material which makes the maintenance, the solidity and the impermeability of the leather boats, it could only be animal fat. It would have been a little dwarf under a giant's mantle according to the theme. Cosiio: god of muscular warriors, crowned with hazel leaves (praise?). Cososus. Also called "Cosuus" and "cosuiis" depending on the place, Cososus was a somewhat particular war god. Beard mats are compared to the legs of the spirit in the Gallic imagination. Cososus was the god who struck with his legs. A runner soldiers with a fairly sophisticated combat technique. Cososus affirmed his will to fight by using his legs, and moreover they were associated with the hazel trees whose branches were used to make sticks. Nb: a leg boxer and undoubtedly a runner. The legs are compared to the braided roots, to a fighting technique in this specific case. Apparently he's a treasure hunter, maybe even a hazelnut tree. Its name designates "the added will". Cosumis. The venerable oak was respected and honored for the age of its braids. It was an ancient, the tree which embodied the age and the dress of the Gauls while other trees were honored for their colors, their textures or their fruits. Each time the sacred came into play. Cosumis was one of the oak gods, the one of half age. The young wore only one plait, the adults two plaits, and the wise old men three plaits. Cosumis was the deity of adults, that is to say the god of the two braids. It was said that at the edge of the trees one could see the weaving of their ages. "Double-mat" was solid as bronze, majestic as oak, calm in all his confidence, he was a pleasant god. So went the chariot of time built with divine wood. Nb: this story of the number of braids divided into three ages seems to me to stick to the reality of the past. Pigtails in the beard Cotis. The wild cat god was well known in all the Gallic tribes, it was the one known as "of the projection". The animal in question did not think much before acting ferociously, it was a god of the passions of the world below. Cotis was the god of the first, of those who came before the others, of fiery will. He was a fighting god but not only that because he also served the old people who were said to be advanced in age and in knowledge, there too, Cotis embodied a reference to those who passed by. Nb: the god of forward projections par excellence. Linguists are going to be happy because the theme was not at all clear until then. Coventina. Ogmios taught eloquence to men, Coventina educated children. She was the nymph of learning from an early age. His class was done in a hollow of the wood sometimes and at other times in a quiet cave. This was where the hair grew, a place of prosperity and friendliness. It seems that the symbol of Coventina was a twig ofe willow or ash, symbols of knowledge. She was a niskea, a Gallic nymph, all her wisdom was kept in a container she kept fiercely. NB: it is a bit like the image of Aquarius which brings its benefits to the world by watering it with its knowledge. It is a question of education, of righteousness, of principles inculcated in young people in a closed place. There is an owl head that appears in the study. Craros. Craros was a deity of impression, one who showed his fury. It was another of the gods of war, that of paintings and striking images. Craros paintings had a reputation for covering all bodies and vehicles and these designs were meant to scare everyone. He was a god of passions from below nicknamed "the hirsute", his wind filled with madness those who saw him. It was said of Craros that he should not be released because he could turn into a swirling storm. Nb: it is a divinity who provokes fears, anger and demonstrates a wait-and-see attitude through its colors and patterns. It is not an insect like the hornet or the gadfly. It is a brightly colored non-terrestrial creature. Crednae Mattres. In some cities, a front door was associated with beggars. It was the domain of Crednae Mattres, the mothers of the little ones. Those who were stooped, hunchbacked, sick were allowed to stay there to ask for help. It was the sorting gate, the place where we entered and left, a cruel place because that's where the unfortunate were spread out. Nb: mothers of the weak and begging. Cuculãtos. Of course some fell ill and from there the druids brought their care, thanks to Bélénos. However, there was someone else in the room when the Druid was officiating, it was Cuculãtos, the prince of the undergrowth. It was said that he was always present despite the fact that he was invisible, he was pictured as a hooded child who could not grow old, his muscles were as hard as oak wood. He was also said to be a fighter, that's why the sick invoke him, to heal faster. The Red Prince was a hero among the Gauls, but also a savage. We saw some patients jumping everywhere after his passage, as if people were seized with a funny animal vigor. Cuculãtos had made himself known throughout Gaul for his good offices, he often accompanied Bélenos in his travels. Nb: indeed, Cuculãtos is a divinity of healing but especially of physical animality, that is to say that he conditioned the remissions by accelerating the healings by a miracle, it seems that the red prince has something to do with a bark or a medicinal plant of the undergrowth very invigorating for the blood. Cunomaglos. All the important things could only come from the divine aspect of the world, the dogs had their share. Cunumaglos was the deity of the nobility of dogs. At the time these canines were still close to the gray wolf breeds. There were special breedings for these most loyal companions. Cunumaglos was the god of beauty of canines, he had a reputation for being understanding, intelligent as well as singing in long howls of the flute. He was a god of accompaniment, discreet, present and guardian. These Gallic dogs came from a breed carefully maintained by breeders for a long time. Nb: the theme deals with beauty, pleasant animals, the youthful character and physical ease. It is a question of digging and distant sounds, screams no doubt. Gallic dogs were close to the wolf. Cunumaglos: the nobility of dogs where also cunomagos: the dog market, breeding. Cuslanos. The god of the elbow trees was also that of the magic of the undergrowth. It was he who had given his name to another hero of English mythology this one. Cuslanos is none other than Cu-chulain. Cu-chulain was often compared to a dog because he hunted in the wastelands of life, places where nobody normally goes. Among the Gauls the myth was a little different, Cuslanos the elkwood god (hazel tree) was also a hunter of the undergrowth, he used the "caluno" a hunting spear made of hazelnut. He is also a god who moves in impregnable places. He was thin so he could squeeze in everywhere and was protected in gray-brown, bronze-colored armor. They said he had a rock hard character and was looking for something. Nb: we learn about it every day. There is not much doubt about the Cuslanos-Cuchulain identity. It is the story of a half-animal god who alone can penetrate the primordial wastelands. The sexual synthesis is quite clear, it must be the one that appears on the vase of Gundestrup. He is a deity of the tran aggression in the virtual impossibility of moving forward. A bit like the miracle of the transmission of life. Coslanos has the real virility value which is embodied in the hazelnut tree among the Gauls. Dahus. We do not know when he was born but we know where, in the early morning light and the grayness of the morning. He was called Dahus the Gray, a god of vagueness, impression and instinct. He came from the world of passions below. He was a king as much as an outlaw, a destroyer because he sometimes led to the precipice but his opposite, a benevolent maker of luck sometimes. His will was secret, indistinguishable, which made him a prince of the religious. When we didn't know what to do, we called him to enlighten the people inside. It was a shelter during incomprehensible situations that he caused himself. But now, Dahus was sometimes a false god too because nothing of him had tangible reality. He was the dark, the hidden, the chariot that does not go straight, the will that must remain secret when it comes to its goals, completely indirect. A good god and a bad god because that's what he stood for: good and evil. NB: it is also called Aïduos, the Greeks have made it Ades, it is a divinity of vagueness, blind passions which can also become destructive or benefactors also among the Gauls. It is a divinity of the slowness of progress. Damara. Every place had its nymph, Damara had a fertile land located on a hill. It was called the hill of grazers because it was invaded by herbivores of all kinds. This place was hidden from the world. There took refuge those who wanted to escape the malevolence of the known world. There was the wild glade of hidden passions that Mori was usually attributed to because that was where one of the paths to the next world lay. This land of Damara resisted all invasion attempts. Nb: a nymph, a fairy or a druidess. Damona. Onoava in the sky, was Sirona in the passionate world below. On earth, she was Damona, the doe, for in the middle world, the gods never incarnate in human form. When Lugus was born, a young orphan deer appeared on earth, Adamos, when Donnat was born in heaven, a young calf appeared on earth, also an orphan. And there were others of the animals that embodied the gods on earth. Moritasgus, Albius and Borvos among others. When the doe saw one of these divine children appear in the sacred glade, she could not help but give them maternal care. Thus grew all the gods of the earth, under the tender gaze of Damona, the feminine kindness. Nb: I confirm that Damona is indeed the earthly goddess of kindness and tenderness, the two nectars which nourish and make children grow happily. So it's not cowhide as the Sanskrit terminology suggests. It does not come from the Indo-European current. In Greek mythology, it is called Amalthea, a goat among them. It's all good for Damona. Daouina. Divinity of faith and fiery prayers. In our time it is men who lead messianic cults in special places, among the Gauls, there were priestesses for that. Daouina brought faith through his words, and as the river carries hearts in its movement, Daouina had this gift of leading people into the offering of themselves. It was the female deity who embodied the protection of the houses of faith, or more exactly places of religion. These flock were the Dana, a nobility name that Christians had transformed into "danes". Moving from a true and protective faith in the goddess, in the consideration of a practice of witchcraft whose concept we did not even know in the Gallic era. The people who came to seek protection in Daouina's house were generally poor and asylum seekers. Nb: there was a moment when the orientalists took away the concept of shame which did not exist with us. No one is perfect, it's human. This messianic religious horror apparently happened with this word: "davino", which includes the idea of hell hitherto unknown. The "Dana" have passed because of this Indo-European idea of the state of devotion to the house of the faith of Daouina, to that of danes by the monotheists. It is all the difficulty of this theme in "dao" which mixes the noble side of protective faith and the corrupting side of fiery faith. In this case, Daouina was one of the deities of the protective faith. Do not mix with "Davina" which is oriental and harmful. Dastoni: Emerging moon, lover's function. Concubine? Demionous: goddess of envy, wounded or naive spirits. Deomiorix: God king of hills and protective heights, of protected and warm homes. Behind Also called Derinos, he was a god of heavenly punishments and the wrath of the stars. He was the god of droughts assimilated to the divine justice of the oak tree. Behind the tumultuous had a military role, and he was worshiped as the deity of the ironworkers. Nicknamed "Eye of Steel", his agitated anger could be seen in the blazing embers. It was a red god and exemplary in his discussions with broken sticks, who served the sales of arms. Nb: god with a hard character, he had a role in the discussions. It was undoubtedly a divinity represented in the sparks which rise above the braziers. Its rivers were known to dry up and it is to this detail that it is constantly related. The drought, the embers, the oppressive sun. Strangely, he is a god of the world above, a kind of Ares. There is a parallel with the Darach, di-urios in Gallic which means bad man. Here in this case it is divine anger so they must be in the same group but not on the same divine-human-animal-passion floors Dervones. The spirits of the oak were numerous, there were those of the texture of the wood, the roughness of its bark, there were those of the seasons and the months but still, there were also the animals inhabiting the world. The world of men was compared to that of the spiritual tree, the animals who lived there in peace and in osmosis gave birth to myths which mingled wisdom, philosophy, and adventures too. The Dervons were considered to be magical tree-dwelling spirits. There were also Trusteeship named Dervonae who was part of this oak world. NB: the birds that lived in the tree had a beneficial aura, they were also Dervons, on the other hand the destructive insects had served as a basis for human myths where we demonstrated the weakness of behavior. These are mostly phantasmagoric tales that served as moralistic lessons. Deusonienssis. It is a title which was given to Gallic emperors but which dates back to well before the conquest. Deusonienssis is a metaphorical projection of an empowered mind, it denotes the strength and mastery of the wearer. It is a reignante title which has a relation with the skill necessary to the mastery of the ships as well. A title of captain of the time. In this case it was about people who had gone up the river like the salmon to settle with intelligence at the top of the Gallic state. The bow was the symbol for skill and the club for decision-making power. Deusonienssis also designates youth and health, efficiency. Nb: compared with Hercules, the Deusonienssis had inherited from Ogmios the lion skin, that is to say the demonstrative character. It's a nickname for a new but younger Ogmios. Among the Gauls, the symbolism of the arc belongs to one who is very skilful intellectually. Dexiva. It was called the bright south, probably a star. Dexiva embodied the magic of young women, dazzling and fast. She was a deity of the council, she gave her opinion and in that at least she was a nïskae of omens and spells. She belonged to the realm of light only. That of the creativity of the days. By metaphorical comparison, Dexiva was considered the right eye of the sky, careful, she gave the strength to see clearly. NB: also called "Dexia", it should not be confused with "Devona" which she belongs to the burning faith and the evil coming from the East. The Gallic cult was pragmatic, not that of the East. It seems that many stars were represented by female deities. Diara: young star of vivacity, a braison or a meteorite? Digenes. There were pious men and women who were nicknamed the Digenes, they were priors. Those there organized votive night festivals in which they welcomed the Gauls. These Gallic peoples were considered as descendants of the gods by the priests, the Digenes maintained beliefs and memories in a good spirit, bearer of luck. They were great quality believers, they had a reputation for being educated. They were also the ones who conducted the ceremonies like shepherds of yesteryear. It was they again who recited the prayers learned by heart and also who composed them. NB: the descent from the gods appears in the study, it is a question of ancient spirits who were honored by these priors. These were the people responsible for organizing worship. Dinomogetimaros. The Dinomogetimaros was a divine title, it was that of the great druid who oversaw all the Gallic druids. It was the one who protected, the big adult. He ordered the magic of the willow tree and se used its strands for that. Unique master of all nemetons, it was a title of nobility attributed to a great magician, the one who brought the light of dawn on the world, the moment he officiated. He made quick and direct decisions that everyone listened to carefully because he was the great protector. Note: the Dinomogetimaros was considered a wicker shelter, a person who stands up for others. We learn more about the personality of the Guatater. Dirona. In the sacred oak, the branches led to the stars and the constellations. At the end of one of them stood a bright and fiery star, in the constellation Pisces. They called her Dirona the tumultuous. She was part of the inner spirit of the divine tree, Dirona was full of taste and grace like her sister Dirona who she lived on the terrestrial oceans. Dirona was the brightest of the fish. Bright and almost violent, fiery, she was a goddess of passion. Nb: familiar with Sirona the reflection and Oïrona, it is a star, a light, interior. Diuina Also called Daouina, it was the word that declared the divinity of the day, the goddess of the day. Diuina was a title belonging to Ana's daughters. This day goddess was embodied through the daytime moon. She was the mother of the will. Nb: diuina means "feminine divinity", originally the words "diurne" in French and "day" in English. Highly spiritual belonging of the deity of the transparent waters, and their vital mana. It seems that maybe it was the mother of the god Esus from the study. Divanos. The one who causes the troubles, also says the igniter. Divanos had eyes shining with vengeance and that is what he embodied, the provocation of endless fires. An angry and treacherous arsonist. Nb: this "Divanos" theme, which also contains the diva-divona-divarios themes, comes from the Orient. It is the one who fought the Gauls there, assimilated to Goliath in the messianic culture which infested the druidic cult. Apparently it is "David" with them. He is a god of evil and totally obscurantist faith, of the "inflamed" and madmen of god. I keep the theme "Divanos" in Gallic mythology as that of endless vengeance, of those who need it to exercise their worship as a moralistic lesson of a mythological order. Divic. Lugus' hand. Among all those who were born over time, there was a man and many took him for half a being in the past. Most didn't care, there were some to harass him. The latter were very few in the end, the peasant was scary to see. It seemed that a curse followed him wherever he wandered and yet the character in question was kindhearted, too kindhearted one might say. The truth is that he was born at a time that was not his, in fact, he did not remember absolutely nothing of his past. His name was Divic, it was a nickname because no one had wanted to name him since his birth. Divic means "the hand that burns", the light that destroys the dusios. The person was poor, Divic was very scary. It was said of him that at every step he forgot his future. The only people to approach him with a smile were the unfortunate. They knew very well that on the days he was there, they wouldn't have a lot of work. In the evening they would feast more than was possible. For the others, the gossip was rife. "I saw Divic this morning, the world is going to turn upside down!" "Damn, even the fleas don't want this one. Next season will be good!" "The gang that raged on the shady roads had some problems, they say they stole a piece of bread from Divic! Not one got away." The princes did not dare to pronounce his name. "The cursed king arrived this morning. He cannot stay with us! What a pity, the soldiers do not dare to approach him. What a pity. They say that the trees are blooming behind him." The women who passed him fell in love with him to be able to approach him. "This man is very handsome. But what harshness, with him by our side. We would be quiet for a long time," they said. And so, the man in question forged his way in the midst of the myths that tirelessly germinated. "Leave him in peace, we don't want any problems!", We ended up saying. Someone asking the old Druid about him one day. The sage had already heard of the traveler. He said that the character in question had arrived in front of the door of the other world but that he did not dare to cross it entirely. It is from this moment that he carries a silver hand. The Druid also told that whoever gave Divic what he had in excess, was given the same things multiplied.ten ... but that whoever stole it, irreparably lost everything he had in a short time. A funny story indeed. Nb: I remind you that the "Dusios" are the ghosts of the past. "Divic", also called "Dïuic", means "the divine", in the sense of "generosity" in all senses of the word. Not "revenge". Divos: eternal and incalculable, apart from the physical light. The divine spirit world. Dominae Mattres. The Dominae Mattres were particular in the sense that they protected the tribes according to a custom known as "dark beauty". The spiritual manna in question promised the shelter of enthusiasts. It means that they are mothers of the underworld. During this type of ceremony, many fumaroles were used to isolate people from each other. It was in a way of protection, a clearing or a mound served as a refuge against the dusiio. In the midst of the smoke was a world preserved from tensions by the application of a special morality: that of divine acceptance, that is to say of spiritual submission to Matters. Nb: it seems that the dark beauty has been likened to a black sheep in the theme. It must represent blind obedience. It was a question of erecting a rampart against the passions of the month of Dumanios. It may have been agricultural ceremonies for burning. Donnat. In the sky was Donn and his constellation Taurus. The three cranes are also up there, well aligned. Donnat was a warrior to him, half the warriors to be exact. The human half dedicated to the dark, inner and spiritual aspect. Donnat wore a unique unarmed shield to protect himself, he embodied the memory of the guardians of the site. He was defending himself against his other half attacking him with a short sword. The magistrates who defended the tribe also honored him because his shield guarded the oppida. He was a noble and earthly demigod. Nb: it is one of the two twins, terrestrial these, always the history of humanity which fights with itself to advance. There is a qualifier of speed with Donnat the protector. The unique shield appears several times in Gallic mythology. Donn. AID Kernunos admired the universe of Nemetonia, Lug brightened the days of Etunia. And Adamos was transported with joy every time he took one of the paths of Ivis. But Donn didn't understand because in his own world, the second part of the crown of stars, nothing was moving. His earthly understudy, the Donnotarvos, the noble bull with metaphysical visions, then realized that a danger threatened his position as guardian of eternal ideas. In the sky, Kernunos changed these by changing positions, a star where a group of stars had inspired him some deep thoughts but another made him forget it, inspiring him another. For Lugos, it was Étunia who appeared to him in broad daylight, then from day to day changed her outfit, inspiring him a thousand different things, increasing, full, decreasing, her outfit always changed. And then soon, even his absences inspired him to other feelings, that's how his heart fills with the thousand colors of the rainbow I think. On earth the result was up to Adamos' escapades. Each time he took one of the paths of ivis, a new being was born, it was from him that all the living creatures endowed with a body on earth came. Soon there was a host of different beings who did not acquire in the gardens of Etunia, and soon they invaded all the cultures, devastating a part, they fed on them. Worse still, they started to fight among themselves, during the absences of the moon, the baddest ones ate others .... Dorminus. Dorminus was the Spring Child, the one who awakens to grow. He had been called "steel morale" because he was so enthusiastic. He had a reputation for restlessness because of the turmoil at the start of the seasons, the time when men and women left their homes to prepare for work in the fields, among other things. A star had been given to him that we called the spring star, it indicated the moment when it was necessary to prepare everything. It was said to be a healthy little fish. A face that wants to live and grow. Nb: the deculturating invaders had made it: the evil sleeper, while it was a superb seasonal awakening among the Gauls Dru coriae Mattres: ceremony of the great armies, goddess of the great number of combatants. Drungeos. We tell the story of a mythical beast in the evenings. That of the drungeos, more commonly known today: a dragon. We used to say that a huge ferocious beast, the size of an entire village, haunted the roads and roads.mpagnes during bad periods. The animal had hundreds of spiky needles on its back, its cries were heard for miles around. He was looking for food, devouring all the food that it was possible for him to swallow. It was also said that the drungeos obeyed only one master, on his word, he reformed, and began to advance on the enemies of his master ... NB: the "drungeos", dragon, is indeed a Gallic invention. It is in fact the mythological incarnation of combat battalions. The thorns of the drungeos are the spears of the elite soldiers, the shields were the scales of the beast. The Spartans had their strong elite warriors, the Gallic drungeos were formed of professional soldiers capable of advancing together in a predefined order. If the Romans had not betrayed by lies, they would have had to deal with numerous battalions, organized and undoubtedly would not have defeated the Gauls. The dragons' spearhead was extremely imposing and wide, this allowed them to slice through all the elements that supported the Roman shields. Making it penetrate into the existing interstices of the Roman tortoise, the spear received a movement from left to right, thus cutting inside the formations. Dubina. Also called Dibõna, she was one of the Banuas, the female magicians who are still called "baans" today. Dubïna pointe-noire bewitched the armor, she was a divinity of the Andouna, the black waters of corruption. The world below which the Orientals, who detect women, have replaced with the hell of male flames. Dubïna was a witch, who with her power of the dark depths, caused indecision. His magics of possession were warlike and harmful to the enemies of the clan. She was eminently a dark girl. Nb: it seems that the Druidic masculine Aidubno had its share of feminine shadows. We already knew that the power of women was made up of goodness and wickedness. Not to be confused with Devona the oriental who she uses the flames. Women were more religious than men in Gaul. Ducavavios. The bat god had marked Gallic thought, he had been assimilated to people who think in a gentle torpor. It was the one who added to the reflection in the dark world. He lived in caves and cellars and this is where people wanting to think deeply would go. We found these caves where the Gauls had placed inspiring figurines, they were the gods leaders of knowledge. Ducavavios received offerings to grant wishes, he had to show the inner path which led to the solution. The concentration was great in these places and they inspired many poems. Ducavavios was what was called a great ancestor of the primordial world. NB: there is a similarity between the owl and the bat, it is a god who possibly inhabited the old dolmens. Beware of Sanskrit which confuses, show and lead physically in the same root. There is still confusion. Not to be confused with "Cavavios", physical world. Dullovios. Dullovios was what today is called a wandering soul, a ghost. Called "the blind man" because he did not know where he was going, he could however have various bodies. He brought a double and burning spiritual force. A magician of the flames who disturbed the spirits. She was eminently a deity of death and of the ossuaries that one found in the streams of the isle which overflowed at times in roaring and blind downpours. Nb: everything that touches the theme "ovios", the if, has a connection with the powers of death. Dumias And Dumiatis. Dumias was a spiritual territory, a physical place connected to the times of the days of the end of the month of Dumanios. A place where shadow prevailed. Reference was made to the tumuli when this cult. This place, like Damara Hill, was reserved for the good guys, people who think peacefully and don't fight. It was the land of small days where everything calmed down, the kingdom of shadows and internal spirituality, of calm. It must have been a magical and sacred place where refugees who appeared from the physical world were welcomed. Nb: Dumiatis was a god derived from this belief, that of the king of the hombres. The word "dome" seems to come from the Gallic. Dumiatis: Final God of the morals of leaders, moralist. Dunatis. It was a title of nobility, Dunatis meant "the will of Donnat", that is to say the will of protection. It was given to places that offered their protection. Heights where oppidums had been built. It was a place where ceremonies dedicated to the will of women and masters took place, where the spiritual light was preserved.e of the mind. Places where the magistracies who managed the surrounding land had established themselves.These fortresses of women harbored the nobility of Gallic civilization. Nb: apparently it was an offering of free protection in the event of an attack, a place deemed civilized. I start to wonder if Donnat was not a woman ?? Dunisia. Some women dressed in black, they were still called black virgins not so long ago. Dunisia was an ancestor of these women closed in on themselves. They were the ones who led the magisteries, that is to say who were the virgin priestesses of the Gallic cult. They were locked up in the oppida and dealt only with spiritual matters. A sort of ancient retreat, they conversed with the gods, publicly promulgating the omens. Nb: this name means "the spiritual will of the ancestors", Dunisia was therefore only concerned with religion. It seems that there is an old man to withdraw from the physical world by giving up physical fortunes. Apparently it was she who directly decided what actions to take. Dunyio. The human being among the Gauls was considered as a divine part of creation, or rather as possessing a third of the divinity of the world. We called them "gdoniis" or even "deuogdonioi", they were men and gods. Inhabitants of the great celestial river whose current can be seen in the moving stars. They considered that this land was theirs, that they had received the magistracy of it and that they were all the children of the mother goddess. This spirituality was considered as a citadel, the one that kept the thought. They felt invested with a gift from the gods and ardently protected their culture, that was the Gdoniis, men invested with gods, those who possessed the physical earth. Nb: it seems that the sky is not considered as an ocean but as a river in the study. It is a question of "being" and existentiality. They truly viewed the gift of human thinking as a gift and a shelter from the bestial aspect of physical life. Dusiio. The Dusiio were elves at the base, they were nicknamed the "catchers". They were disembodied spirits, a sort of angry ghost. Considered as entirely autonomous entities, the Dusiio are projections of envy, of bestiality. They were the demons of irrepressible cravings, those who act physically, that is to say ghosts of the past of men who themselves possessed the higher spirit. They were spellcasters, sorcerers, a definite part in devouring fire magic. The Gauls received an education of personal mastery, they had to fight the Dusiio who returned their bodies to primary bestiality. They are the ghosts of temptation. Nb: also called "Dusilos", the will to get comfortable, that is to say to obey any law except animal. They were the demons of eminent possession. It may be that there was a day of celebration for the Dusiio, a day of great relaxation where, on the contrary, self-denial and temptation mingled. Dvoricos. The blood of kings. The chiefs were compared to the majestic trees, as an extension of their earthly divinity. Their blood then became that of the gods full of knowledge. The great oaks opposed their solidity through the centuries, it is there that Dvoricos, the god of temperaments, stood. Its essence covered the underside of the sacred barks with its reddish hue, not ascending in shadow, protected by its rough character. Dvoricos taught the druids the knowledge of the tree through his blood temperament. Light nymphs called Dervones helped him at every turn of his materials, where these girls showed their volatile colors of the same red as their father's blood, was a red jasper stone called "Devia", that who incenses the spirits with devotion. This jade eye was the stone of humor, that of magic hidden in all beings in the world. The stone of blood that carried away feelings. The knowledge that Dvoricos brought to men should not be divulged to everyone and a great secret reigned among the followers of this god. Nb: Dvoricos was also called "Dervoricos", the king of the devotions of the oak, the vigor and the solidity, the good health of the characters which assert themselves. It seems that he is nicknamed "the third king", having regard to the three worlds. Eberri. Each profession has its own god, Eberri was that of the great herds. He was a god of wealth and excess that was nicknamed "the bubbling spring" or "the bushy", the rich. Throughout Gaul a cattle market had been established and these horse-dealers of the time all wore a sort of red cap that looked like a beret. It was a distinctive colores which made it possible to bring together the merchants where other symbols represented other professions from elsewhere. Eberri was a hard worker with a passion for his profession who had his own holidays all year round. NB: the word "Béret" in French comes from the Gallic "Biro", which indicated the fact of wearing a thick blanket, see "Eburro". The red color of Basque berets comes from there, it's old. This same color seems to have been reserved for certain divine branches, it has been found in Cuculãtos. Éburnicae Mattres. The trees were worlds apart, invaded by the magic of the collective imagination. The Mattres Éburnicae were nymphs in this philosophy. The guardians of the tree as they were elsewhere the guardians of knowledge or territory. These trees, like the isle where the rowan tree were used to make various objects. The Éburnicae inhabited trees used primarily for magic, places where the small inhabitants were well protected and well fed. Nb: from "nicae" we can deduce that it is actually nïskae. "Eburo" does not designate the boar but the bushy aspect of certain plant and animal beings. They may be the mothers of the berries, that is to say the mothers of the planets and stars in the trees of cosmology. Edaïna. Edaïna was a deity of the noble grounds. Where the plants grew, that is to say where life was nurtured: the gardens of women. They were places reserved for the matriarchal aristocracy, kinds of sacred spaces where the black earth was recognized as cultivable, noble. A space that should not be defiled belonging to the gods. Nb: belonging to the gods but used by humans, a sort of divine inheritance. Also called Edana, the Dana tribe, well known mythology. You may have guessed what Christians did with it. In the study, these are terrestrial gardens. Edelatis. There were shamanic uses among the Druids, Edelatis was a god of inspired visions. His action silenced physical vision to provide another way of seeing. Some leaves were used for infusions that provoked the great and only the initiates of this god knew the uses. Edelatis was linked to certain places of worship where the sacred fires were kept and where the transcendent fumes were absorbed. Nb: not many other solutions, it is a question of double sight, grassy preparations and fumigations. The fire is very present in the theme. It may be a title belonging to another of the gods of magic. It is a question of the temporal will therefore possibly of KERNUNOS. There were shamanic uses among the Druids, Edelatis was a god of inspired visions. His action silenced physical vision to provide another way of seeing. Some leaves were used for infusions that caused trances and only the initiates of this god knew the uses. Edelatis was linked to certain places of worship where the sacred fires were kept and where the transcendent fumes were absorbed. Elhe. Elhe was a very famous goddess, it was said that she came back to live in the mountains in winters to cover it with the softness of her skin. Her own water element was snow, the silky appearance of female skin. She was born in the world above and the birds received the name of their wings from her, the goddess had given them the silkiness of their feathers too. Its plant was the great comfrey, it was recognized because of the softness to the touch of its leaves. She had a lake, for she was a lady of the lakes, those calm and peaceful expanses. Certain roads belonged to him which one called "the easy ways" so these were without pitfalls. She also gave her name to Alésia the sweet, the quiet city. Nb: I confirm that Elhe was the goddess of graceful and fine expanses, a deity of the skin. 100% Ellitivae Mattres. They were the mothers of grace and creation. The Ellitivae brought together all the considerations on the worship of the living world. They reigned over the plains and mountains full of grandeur and anima, embodied the purity of the living. All forms of beauty were deified, the Ellitivae were the singing mothers of the power of life. Nb: complicated theme but it seems that the wild herds, the beautiful mountains and the great plains are their competence. It is the worship of life that moves with grace and grandeur. Nothing to do with the goddess of the earth. Enicos: Chair pusher God. Winter-spiritual period. An inventor, poet charged with advancing time in the corner of the hearth. Epaimagos. Divinity of broodmares, Epaïmagos officiated in a profession dear to the Gauls. Horses, so useful, so human, carried within them the seals of civilization and the strength of the aanimals gathered. Epona was the maternal goddess of the horsemen, Epaïmagos was the genius who protected the precious quadrupeds. Horse breeders worshiped him because the breeding grounds in particular had to be protected. Prolific births, the quality of the breed, sales of horses, everything that concerned the horse had to be sacred because it was too useful. Nb: he is a god of the gathering of horses and therefore of broodmares and markets. Epedatectorix. Among the Gallic myths there is a founder of the thought of equity. On most of the Gallic coins was engraved a horse, most of the time with a man's head because the beast and the animal were inseparable, there was often a phantasmagorical shape attached to the image above the legendary rider called Epedatectorix. It was a question of showing and maintaining the myth of the eternal youth of the heroes, knights who roamed the world in siege of adventure. The founder of the Gallic chivalry of which we now know that they obeyed rules particular to their group such as that of possessing a very powerful physical form, full of grace. Nb: it is a title which was given to the main hero of Gallic mythology, a warrior who associated with his horse constantly had to win by establishing himself everywhere, which is why it was systematically engraved on the Gallic coins. A myth that must have resembled that of King Arthur. Epona. Marcos, thanks to his wings had become a demigod, he flew over the glade of the stormy Tanaris and the eighth month, landed in the middle of a white glade and lit by the sun. The noble bull had attributed this kingdom to a waiting unicorn, recognizable by its unique horn. With a blow of its horn, it dug a hole where the rider of the wind buried himself with fatigue, then he fell asleep for the night, a new tree was growing in the place it previously occupied. The next morning, The Horseman had taken the form of the centaur. The tree of youth promptly bore fruit, fruits that looked like large, smooth, shiny balls. Two of them fell to the ground, one at night and the other during the day. The first dug a deep hole and from this tunnel emerged a creature of the night, Moritasgus, the badger god who cultivated forgetfulness. When he saw his surroundings, he returned to his burrow as quickly as he could. The second fruit did not sink so much it was light as air, and it was the mud, lega, which covered it by itself. A plump little being covered with the spirit of his ancestors began to smile in the light of day. It was Boruos, the god of pottery and souvenirs. This later produced many pots, dishes and vases to accommodate the new fruits that would fall from the tree. Epona was the pure unicorn, mother responsible for births, learning and the smiling future, all the riders of the wind who followed the path of Marcos respectfully admired him. Moon. Erda. The depth of everything often depends on creativity or memory. To be able to appreciate the most distant elements, you have to know how to look at what is hidden behind them or to know how to take a step back. Erda was a deity of the sky and the water, that of the depths. The eagle inscribed in the stars was dedicated to him. This goddess of insight used to shock people to call them to order. The depth of his kingdom is matched only by that of the kingdom of the dead, of the most ancient memory in which they are inscribed. The black eagle represented her on earth, again the vision, the shocking understanding that one could not turn back came from her. She was the goddess of the depths of sea abysses, of precipices, she was also a goddess who transmitted life after death. On another level, she was probably also known as Morgana. Nb: of "Are": the surrounding vision, "eda": the secret of the spirit. It is often associated with the Ordos: the hammer which expresses a shock, certainly a goddess inspiring vision, where which brings in the deep world, it is surely also one of the three which govern the kingdom of the dead, that of the black Eagle. Also called: Aereda. A goddess of the depth of gaze, she is a deity of truth. Erditse The myth of Erditse comes from a creature extinct today, it was surely the lion of the Pyrenees mountains. It is said that the sharp peaks of this mountain range are in fact the teeth of Erditse, half-man, half-lion, he was the deity of hunters. These rapid hunts where men ran to hunt game from the slopes offered a reward that many coveted. It was a time of restless initiation where those who were becoming real men fell apart.fronted with a formidable relief and extremely agile animals. Nb: old customary divinity, she gave the word "address" in French, the warlike ardor and the dentition appear very marked in the study, not concerning the wolf or the bear I deduce that it is indeed the lion of the mountains. It's old. Ergé. Some mountains take the forms of eternity. This was the case with the mountains of the goddess Ergé who gave them her name. His tree was that of becoming and involvement. She was a goddess from above. She was the one who led the accomplishments and in this she had a personal relationship with each personality. It was said that his action was one of limits and unlimited, a giver of order. It was seen in the formation of hedges, mouths and ravines. The future of each depended on Ergé who was a mother to the Gauls. She instructed, she had the work prepared and gave the courses to be taken. She was one of the goddesses who lead heroes to their goals. She organized the expanses as much as the war campaigns by her advice. As defensive as he was attacking, Ergé the mountain nymph was inflexible, she would stop at nothing, it was she who imposed her territorial limits. She was erecting what had to be done forever, a deity of cultural eternity as well. Nb: and yes, Ergé was a goddess of the organism, an organizer of thought or a very well organized orderer. Moreover, obviously this family of French words which describes the organization of work, ideas or fights belongs to him. "Erigo", in the Gallic primo-language designates the limitation and the unlimited, which is where something must become. From "Éri", the perimeter and "Go" the activity. Erimos. Erimos was a demigod, son of a doe and Adamos, from his birth, we noticed that he was constantly looking at the heavens and that his feet never touched the ground without flying away. He walked around without ever paying attention to where he was going and his mother always had to keep an eye on him. This maternal cover prevented her from being an integral part of one group or another. He continued to wander, carefree, his nose in the air, admiring the colored lights. One day he met the Eridobno, the black eagle, a female too. The latter carried him into the sky to show him the purity of the air and the spirits above at night. Erimos asked the divine eagle never to bring him down to earth again because that was out of place, he did not understand the middle world, that of the earth of men. Instantly, the Eagle transformed him into air, water and light, Erimos projected Erasinos. And Erasinos was a little rainbow that everyone could see from the four corners of the middle world, this time Erimos put his two feet down on the ground during the day. The innocent lived from that moment in the realm of pure hearts, those who, all luminous as they are, are incapable of wickedness without ever being able to hide from the evil that pursues them, without any cowardice either. Beings who are nevertheless well above the common lot, because the imagination guides their path. They are the real innocents who cannot notice whether or not evil is in the world around them, their heads constantly in the clouds. Humans sometimes take them for fools, when they are often the wisest. Nb: "Érimos" means "pure heart", it is our Gallic Hermés. It seems that the Gallic name for the rainbow is indeed "Erasinos". Eriu. Also called "wind of rain" was a god of watering that one could invoke. He was a peasant divinity affiliated with mass labor. Its rapid action on the shoots was seen with the lengthening of the stems. It was a sign from Teutates who provided for offspring. Linked to crops and reserves, Eriu was a heavenly deity who also provided offerings and gifts. A very verbose god. Nb: it is a question of work and religion mixed together, therefore of songs. Errecura. Errecura was a divinity of a spirituality closer to the vates and druids themselves. He was a sacred shepherd if you will, a freed leader of the crowd in the sense that his tribes were considered free. Errecura brought people together in so-called autonomous groups because they had a leader who guaranteed their spirituality. They were not barbarians and this god included the troops with a paternalistic look, everything he looked at belonged to his philosophy. Also called Eyricura, the wind of freedom. Note: these are groups considered free, Errecura was a master liberator. Relationship with the deer, an animal only affiliated with the group leader druids. A primordial druid? How much wind was there in Gallic mythology, the wind of freedom, the unifying wind, the vent of anger ... etc? Erriape. God of mountain honesty, Erriapos forced men to accept themselves. He was a deity of freedom of thought, unforced, who lived in the vast Pyrenean areas that did not belong to anyone. These slopes covered with branches where no one could cheat, inspired travelers who passed by. Erriapos covered the valleys with his shades, leaving there the beneficent spirit of those he was protecting. Erriape was also a god of the secrets of the world, the hunters made him offerings to gain access to his territories. NB: the term "Eri" does not designate the eagle in particular but a hunting ground. It is about travel west and headlands. Perhaps a connection with the setting sun and the evening shadows. Erudinos: steward of the eagle, responsible for managing and giving the land to crops. Esculapi. Esculapi is another name given to Cuculãtos, the god who guards the medicine stick. He was a companion of water and its miracles of health. His statuette was taken to votive festivals to attract his charities. Esculapi was a god of the will affiliated with fish and singing fishermen. A god of good food and banquets that rekindled physical ardor. It is also said of him that he possessed the necessary knowledge for Bélenos on recipes, diseases, and medicinal plants. His staff was hazelnut wood which grew on the edges of sacred streams. Nb: it is a Greco-Gallic divinity, I include it in the list because it is an evolution of Cuculãtos and that this title of Esculapi is linked to the cult of the singing waters. It seems that it is he who holds the pillar of the medicine of the scientists. Etiona: goddess of numerous meadows. Etnosos. The conquering horsemen wore winged helmets, they honored the lark goddess of travels. The Gauls made many ships of conquest and we had seen them as far as Cyprus and much further. These are the ones we nicknamed the Etnosos, the birds of passage. It was a first title, the recognition of what had been the Gallic armies and their navy. They were visitors most of the time, that is to say that they traveled without stopping while the women owned the land and remained in the territory of the Gauls. These Etnosos had made a reputation for themselves as "father educators", they took civilization to the East by sea routes. They were famous builders and fervent religious it seems. Nb: confirmed, the Etnosos have a primary relationship with a Gallic sea people. The military aspect appears fairly certain in the study. There existed a people of the sea in the Mediterranean and the Atlantic around -3000 but those in the know apparently do not want to be too interested in it, would that call into question the Indo-European theory? Etullilia. Among the Helvetians, vast meadows where not many trees grew covered the gentle mountains. This is where there was a goddess from above named Etullilia. Its symbol was a yellow asterism that could be seen from afar. It was said to be the stone of fertility in the cold mountains. His name was "wius", the mountain star. Wherever one saw the asterism, the plants grew happily, numerous, and the Helvetians lived in peace in the midst of the softness of these straws. It is perhaps this goddess who named the many tribes of the mountain pastures. Where the meadows were rich and numerous. There is a flower that says you are the most similar to the character of Etullilia that we also called Etuwilia, it is the edelweiss. It means "the yellow asterism of fertile lands", that's roughly it. Nb: our ancestors knew China, this word "wius" is also found there with the same kind of meaning: "wuche", the yellow asterism. I searched for this stone for a long time and ended up finding it, which gives the letter "w" to my symbolism. Etunia. The work went on, nobody wasting their time when they did it for some causes. The Gauls were getting organized, all taken to their business, life provided for their needs as whole beings. Beings that creation had endowed with a curious sense of comparison. They were conscientious and conscience is the daughter of knowledge. In the regions further north, a tribe had erected a cult for a goddess that everyone envied, the cult of Etunia, also known as Eduina or still with them: Areduina. This tribe of the current Ardennes loved above all the mountains that nothing came to corrupt. The very great complexity of the valiant landscapes which were covered with purple in the fall. Moreover, Étunia was also called "the red-haired goddess", the blushing moon which makes plants grow alive in the night. The gardens of freedom that nothing couldit hampered so much they were prolix in their entangled forms. In Ireland she called herself Eithne, Eden. It is in these landscapes full of grace that a very special people was born. Étunia was a magnificent goddess, the mother of all artists. It is said that from his union with Lugus was born a long time ago a child of freedom that a black monster tried to devour. I think I remember this to be the one later named Merlin, the Wizard. But that's another story, let's come back to this goddess who gave her name to the autumn, whose colors all men sought, the one that kindly inflamed their hearts. To be continued. Exalbiorix: god of exaltation, furious passions and the song of waterfalls. Excingios. The Gauls were also the sons of Ana, they considered themselves to be individuals among the human populations. We have heard about divine fighters through historical sources and also through chariot graves. Those who wore the winged helmet were of royal descent, unparalleled and unique. They were "outside the group", they fought for themselves and had to be exceptional in the places of conflict, it was they who had been nicknamed the "Excingios", the warriors of the sky. They whose history tells that they advanced alone in combat, demonstrating their unparalleled courage, like birds of prey returned from the skies which tirelessly attacked several enemies at the same time. Nb: "exo" is a root of the peculiarity, it is the Gallic knights, particularly well trained equites who attacked their enemies. It's a title. Exomna: goddess of naivety, prudence and courage. Expercennios. Expercennios was a divinity of thermal waters, those of Luchon. An old custom is to go and purify yourself in these warm and pure mountain waters. It was a distant cauldron affiliated with a very old goddess of the interior of the mountain: "cennia" also called "Canouna", the very old one who had nicknamed the blind man. Expercennios was the tutelary god of the place where men lived. Its name meant: "Cennia's unique cauldron". Nb: "exo": particularity; "pario": the cauldron (hot water); "Cennia": goddess of the dark caves, this deity appears elsewhere in the Gallic language, very very old reference. Fagus. The term "fagots" comes from this god of the beech, Fagus was the god of the peasants who harvested the fruits of this tree, his wood was used to make masks and fighting sticks, he was nicknamed "the decisive" in relation to the weight of its heavy decisions, of comparison with its branches. This god of efficiency was compared to a hill like so many other sacred trees. In the Pyrenees it had to do with the largest planet in Gallic cosmology. Fagus was also pronounced "Pagus", the one who was born in the country, the native of the Gauls. Nb: apparently, Jupiter has a direct relationship with Lugus, while Mercury is rather associated with Bélenos and Tanaris with Mars. Felvennis. The "Felvennis" were descendants of ancient chiefs, there were strong ties to a happy past. The reincarnated leaders were Felvennis, coming from ancient times. They were happy, spell-protected commanders who had walked the very slow and dusty paths of death. They were seen as honest, not perverted. They were glowing thanks to Ana's will and certainly feasting at the table of the gods. Nb: the relationship between Ana and the great goddess seems more and more clear. The Felvennis acceded to the wishes of the reincarnated chiefs. All the themes in "is" where "es" end seem to refer to old times and reincarnation Findonnios. In the ancient Gallic religion, ancestors were gods who came down to earth in the form of animals. Findonnios was a great ancestor of the ash tree with great beauty. It was this god who made it possible to make the bonds of divine blood, those of nobility and knowledge. The descendants of Findonnios had a body considered pure and it was a god below, the passionate world. They were unique descendants of the sacred river. Nb: I redid the study several times, it is obvious that this is a body reference from the old gods. Morally speaking, humans have imitated the characters and various animal acts, so they have offspring since they are perfected animals. Fonios. There were so many stones to hand out that the goddess of certainties decided to call in a giant from the underworld. His name was Fonios, the fusional. Her hand was hard that nothing could open, her skin red and wrinkled. He lodged in the cavities that led to the passionate worlds below. Uirona, which was calledalso Urnia, gave all the stones of creation to the red guardian and the latter rolled them up with grace, he rolled them for a long time in order to soften the angles. This colorful cluster was a princely treasure. All the stones found were united, all the colors of humanity then united in a single group. This new stone was called: "Fani", the stone of mixtures. The ancestors told their stories for a long time around one of these meetings, this large heap of multicolored pudding served as a landmark. We had gone to look for him in the iron caves in the Brocéliande region. A strange region at the time when there were many mines. Gabinae Mattres: sisterhood of mother-daughter transmissions. Gamaléda. Among the know-how of antiquity, there were the harvests of sap, the sacred trees provided for the making of many different liquors. Larch, ash, and many others brought their sweet torrents. These drinks considered nectars of the gods brought one of the bounties of nature. The glistening and pure drinks were of course used as medicine and they were nicknamed "the slow spring torrents", those who were reborn knew the brilliant and pleasant juice. Nb: we are getting closer to the magic potion if I may say so, this divinity of juices and saps was established in many European localities. Gara. First of all, before the world's first morning there was only a black sun, In the middle of the night a rooster crowed very loudly, it was the Gallic rooster, the god Gara, The divine animal hitherto hidden in the night had just broken the seed, dividing the universe in two, He ate the first part and the dawn came, the colors of his plumage were given to the earth, In the morning the rainbow surrounded the rising sun, At the end of the day, right in the middle of the night, he ate the second part of the seed, and the universe died out, But soon after, the caliaco began to sing again and another morning was born. Nb: the god Gara, known as the crier god, can only be the one who incarnates in the form of the Gallic rooster. It is he who awakens the world, it is the first cry of life. I note that the colors of the colorful clothing of the Gauls may have come from this myth. Garganos. Also pronounced Garcanos, it was not a god but a creature of the reeds that bordered the celestial river. A fierce, sky-dwelling creature that growled, hissed, and screamed incessantly. It is said that there were several guarding the upper world. They were ferocious water monsters that devoured intruders. Nb: there is confusion with sirens but given the vase of Vix I think my interpretation is the best. Goddesses Garmangabi. There was a well-established custom among all the Gallic tribes, it was called the "gari", in French: the cry. This way of expressing life was shared everywhere. The Gari defined belonging, desire, we made love songs also called: the garat. A true culture of the cry of life had taken hold. The pregnant Gallic women would invoke the goddesses Garmangabi so that the newborn is animated with a great vital force and pushes the great Gari as soon as he is born. It comes a long way in the past, even today we make the child who has just been born cry out to ensure his good health. These Garmangabi goddesses were the divinities of the first breath, those of the midwives who were nicknamed: the cry-takers. The clarity and solidity of the first word presaged a good result for the Gauls. Nb: 100%, the vital cry was indeed a Gallic custom. It is found for many acts of daily life as well. I want to say that in fact, when we analyze the behavior of the French today, the Gauls have not changed much. They sing their loves loudly, they shout their rights in all legitimacy, they still cry out their life force, today as yesterday, as their ancestors did. The word "cri" in French comes from the Gallic "gari". Gavadiae Mattres: ceremony of ancient memory. Reminder of the thought of the ancestors. Gdonnios: also known as Goïdels, they are human men and women with a divine spirit. The heirs, sons and daughters of the deities, the Gauls. Gena Taribrana. The crow goddess broke the news through the clouds, she was part of the course of the great bull. Calling on men and women to beware when protecting themselves, his swollen chest provided protection to young children. She defended tooth and nail the small inhabitants of the earth. It was also from her that the large stacks of hay came in the fields, it was on these piles that she landed, crying out warnings fiercely. We called her "the ear holethe "because of his shrill cries. Nb: funny also that, it's a kind of Marianne protecting children, her swollen chest served as a breastplate, apparently it was also a moral, big eater of grain. Gerodatiae Mattres. The Mattres Gerodatiae were goddesses who inspired the final death. They were goddesses of lies and false prophecies. It is said that their trumpets sounded silence and that they followed the burial places. Their death songs brought destruction, they had come from elsewhere and found themselves at the end of the known world. The Gerodatiae Mattres announced silence and did not belong to the three worlds of passion, terrestrial and divine. They were foreigners, witches capable of evil spells. Nb: there is a correlation with the god Condatis, it is earthly death. other Geru-datiae Mattres: ceremony known as the wedding criers. Contributions and dowries for new couples? Gesahenae Mattres. "Inside their island it was raining woodpeckers and javelins." The Gesa henae Mattres were the weeping mothers, prisoners of themselves. These hostages of the winters of the soul were in mythology, originating from an island where loneliness reigned. In this place was a large swamp where all the sorrows met. Nb: these are indeed mothers of sadness, I learned through the study of the word that there existed an island called loneliness where javelins rained. It is a way of transcribing the withdrawal into oneself. Is there a drum-like rhythm that was associated with an anvil, that of feelings and a broken or crushed heart? Gianis. The Gallic peoples consulted the auguries and like many others in antiquity, these were delivered in indirect forms. Gianis was the god of omens and shouted his prophecies in long, dark diatribes. It is normally forbidden to deliver the future in a humanly understandable form, this god of diviners spoke in innuendo, in parables and hiding the direct version of his knowledge. He was a god speaking in black anger to hide a softer reality that people had to guess by translating his delusions. Gianis spoke of lineages and future harvests thanks to his knowledge induced by a trance stretched like the string of a bow. NB: this kind of indirect prophecy was recognized in all Mediterranean antiquity. It is about a god or a diviner very well known of the dark, spiritual world. It is "the one who announces the youth, the future". Certain connection with Giarinos. Giarinos. Giarinos was a god of many lineages, it was said that he was a prisoner of the winters and that on the first day of spring he uttered a cry of rebirth which allowed him to extricate himself from the frozen lands. It was he who protected the seeds during the cold months. Giarinos was bearded and in his hair grew roots. He was a god of the liberation of beings and of the beneficent rivers which watered the banks by depositing a precious humus there. This son of the primal sun kept one of the noble secrets of life. NB: a bearded man who wakes up in the first heat of the sun, he is a divinity of the earth and of the plants that grow back. Maybe a title about another god or a long haired animal? Gisacos. Every Gallic weapon was a gift from the gods and all had their tutelary deity. Gisacos the happy was the god below who had given the javelins and spears to the Gallic peoples. He was very strong physically, and his silver-tipped spear sought its target, waving in the sky. He had six javelins that turned the earth when he got stuck in the earth's soil. Gisacos used to welcome people and make donations and make flawless choices. Nb: this is one of the parts of the sacred armor. The silver point is compared to the ploughshare in the study. Goben. There was a time when humans needed an example of purity, Adamos brought them the fires of creation and envy, but the tribes still lacked a part of civilization to properly claim it. Lugus begot the pure Goben and sent him to earth. Goben was a special god, he was the god of truth and accuracy, a seeker and a hunter. Its material was iron. He was also the god of minerals, it was said that he saw far and that no particle of truth escaped him, just like particles of metal. Thus, thanks to Gobenos, men forged solid, incorruptible tools and made the most purified of products.The first was an iron fork that allowed people to defend themselves and work in the fields, the second was a plow that turned the earth to make it. appear his treasures, the third wasa peak which allowed to dig the stone and find the precious metals there. Goben had the art of making things appear true, statuaries made of the purest metals were dedicated to him. Nb: unfairly confused with Ucuetis the shaping blacksmith, Goben, known as Gabenos, is really the god of the purity of minerals above all. He is a god of choice. We find him affiliated with volkanus-Adamos, god of the fires of creation, and with Ucuetis the god-forming of metals, it is therefore the latter the blacksmith. Goben is also represented fighting naked or dressed in very pure clothing, as well as a shield, symbol of strength. He was a Gallic god, we find the root in several words. Among the Vikings according to the accent it is Goibniū. It appears that Gabenos is the smith of iron, Ucuetis that of bronze and therefore Adamos would possibly be that of tin. Gobroïgo. Gobroïgo was a goat-god, his horns adorned the entrances to certain forts because it is certainly there that the herds were kept safe from predators. It was "the god with the fork", a peasant divinity who nevertheless had its importance in the war equipment. Rather revered in the mountainous regions, Gobroïgo was known everywhere for his strength and his earthly grip, he was a god of insolence and vital force. Nb: it seems that some war equipment came from peasant uses. There may be a connection with the drum heads and the catchy rhythms. Govanon. Govanon was a nymph and some rivers were named after her. In these translucent waters there were mostly bleaks, this abundance of life was also a manna of food that was brought back to the villages. This aquatic fairy of prosperity was at the origin of fishing villages. Nb: not much info but it can only be a divinity of fishing and the harvest of aquatic plants. Not to be confused with Goben. Graïos. Graïos was enormous, he was a giant whose beard dragged on the ground and whose belly sprawled out of its bracas. His way went beyond the trumpets of war and his invocations were heard everywhere in the great regions. He was very strong and we called him the gray sun. He was the god of heavy stones and hard sands which were used in certain trades. The avalanches were due to his actions. god of germinations? Nb: all right, he was a giant of the heaviness of stones and mountains with sandy torrents. Grannos. The Mattres returned each year to provide all their care to the Gallic peoples, they passed through the Pyrenees on the territory of the Volques tectosages. It is on the side of the Pic du Gard that they laid an egg of love. An eternal egg that gave birth to a well-known god. It was Grannos, the one who predicted offspring and seedlings. It is said that he had a magic bow, and that all the ears of wheat or barley which left the ground, were in fact arrows which the Gallic cupid drew in the ground. And each arrow became a shoot. The tips of these came from the shell that gave birth to Grannos, a rose quartz shell with inclusion, a crane egg. He was called Grannos, burning him because it was he who dragged the hearts of all into loving delights. Those affected by Garanus, Grannos, were becoming enterprising to the point of effrontery. He was the son of the cranes which gave their names to the Garonne. A river full of these pink quartzs. Thanks to their offspring, abundance reigned even in the territory of the tolosates. Chemistry operated everywhere. The stone of certainty of Grannos is that of the guarantee of a future, it is the stone of love today, before it was that of the first loves, the seed which ignites the hearts. The mountain where it grows is located in the south of France, its tree is an ash tree which gives pink seeds. It was said of Grannos that he was the god of the great luminous vision because he was the one who granted the wishes of future happiness. He saw what no one else knew about the future. Nb: Grannos is also known under the names of "Garanus", "Giarinnus". With this myth there I think I am 100% of reconciliation. The peak of Gard was called "Garra". A French word comes from the Gallic: "the guarantor". "The grain" too. Stone of certainty: "Gara", foresight. If it is sometimes associated with Bélénos, it is because the doctors are also very far-sighted. Graselos. Graselos was one of the most Gallic gods, an ancestor. He was a god of stillness and eternity who was embodied in translucent colored stones. The god who kept the fire in the mountain huts. He was a god of peace and quiet. We thank him for having preserved the goods from the fury of the elements. He was of great value and he was a god from below, a devotee. NOTb: the study denotes the good spirit of Graselos, linked to the mountain and to the dwellings, it is possible that it was a divinity of love. This Gallic mythology is much older than some say. The French word "fat" seems to come from the Gallic "graselos". Grinunmi: god serving clothes of beauty, garish of colors. Kind of divinity of beautiful costumes or dresses. Griselicae Mattres. They were nymphs or rather creatures of the type of gorgonians but the Griselicae Mattres came from the kingdom of Andouna, the rotten waters of destructive passion. They were the nïskae of the storm, their eyes flashing lightning and their waves causing flooding. The crooked old matrons were casting evil spells and the screaming words came from the chattering waters in some places as they haunted particular sites. Where one found felled trees, torn stones and decimated armies, had passed the Griselicae nymphs, witches. Nb: they are kinds of "furious mothers", fantasized creatures who howled with the wind and hailstorms during thunderstorms. Habetrot. Habetrot was a guardian god of civilization and of certain potters. Protecting and building the hygiene of homes and foods. He belonged to the mid-earth world eternally. He was a divinity of the richness of the dishes, of the clarity of the consumable waters. Habetrot was a god of delicacy and forbidden fragility because he was a resistant. There were so-called medicinal beliefs around his cult. Nb: the birch has a relation with Habetrot, I suppose that it is ash which preserves hygiene of the houses or wood of healthy construction of house. Hafgani. Also pronounced "Augani", it was a deity of the family serfs. These serfs did not always have the status of slave and that is why he had a dedicated god. They were not part of the family they were feeding and had a special status. That of carriers under the yoke but originating in the place where they lived they were the landless. Coming from a low caste but associated with the clan. Nb: unless it is about animals but I do not believe, this god was indeed that of the serfs of family. Those who fed the others, however, there is no mention of slavery in the theme, it was to be a "contract" between castes. Halarmados. The most senior equities honored the god Alardos and it is according to certain rites that they were deemed worthy or not to be part of this brotherhood of arms because it was one. Halarmados resided in clearings belonging to these riders, he was the god of their own justice. We know little about the customs and traditions of this corporation, but we do know that they were educated imbued with nobility. In the sky of the goddess of travels was an island belonging to this divine justice. Nb: it is a question of a divine island in the sky and of sweetness, of numerous harvests, of a clearing. This god must be the representative of a judgment of the righteousness which ascend to the heavens? Harauso. Each place is possessed by its divine spirit among the Gauls, especially when it takes on a grandiose appearance. Harauso had his palaces in frontal landscapes, he was called the rebellious god because of a familiar humor, he returned to people the traces given. It was a spirit of the wind and freedom, a symbol in some well-known places. It was said that it was a relative who offered certain bulges of the air their echoes. This facetious god was that of the great echoes which repeat themselves like a long trace. We thought that his animal must be very big and very strong, like a bear or an auroch which returned their sounds through the ancestral walls. Nb: it is a god of the mountains who has to do with the swelling of the wind, the prayers and therefore a natural song, freedom and a great force of impression, it is a symbol of the place, and therefore I I deduced that it was a god of echoes, there is a certain force of will. Harmogius. If the rising sun belonged to the dead and to rebirth, the western sun was synonymous with stability. Harmogius was an old friend of the Gauls, he kept the direction of the West where they could acquire peace and settle. On this side there was a land of welcome and protection, it was said in the traveling clans. The Atlantic cliffs kept memories of ancient times through Harmogius, where the sun set men could sleep. Nb: if I am not mistaken it was a reference to a very old people of the sea. Located in a place recognized for the safety of its inhabitants. Not a lot of elements but it is worth the blow to deepen the subject of this god there. We will see with the recfinal oupements, when I would compare all the deities with all the titles and the subjects relating to the functions. If the rising sun belonged to the dead and to rebirth, the western sun was synonymous with stability. Harmogius was an old friend of the Gauls, he kept the direction of the West where they could acquire peace and settle. On this side there was a land of welcome and protection, it was said in the traveling clans. The Atlantic cliffs kept memories of ancient times through Harmogius, where the sun set men could sleep. Nb: if I am not mistaken it was a reference to a very old people of the sea. Located in a place recognized for the safety of its inhabitants. Not a lot of elements but it is worth the blow to deepen the subject of this god there. We will see with the final cross-checks, when I compare all the deities with all the titles and subjects relating to the functions. Heliocmoun. Some places were reserved for what was called "fermentation" at the time, in truth it was the act of interior preparation, the learning of spirituality. Heliocmoun had his own clearing and in it was a flat stone. She was a goddess of learning for women, where they would acquire a higher level and where they received Maniaces, the torc of scholars. The place shone with its sapience, the rapidity and efficiency of mind gave the sons lessons. A place full of sweetness where we sent the little ones. In the clearing of Heliocmoun they became priests, druidesses or defenders of fortresses. Nb: it seems that the flat stone in question is a dolmen, otherwise the theme is clearly marked by education and the wealth of knowledge. Henwae Mattres. Henwae in some areas was pronounced "Awnen", the Enwae Mattres were the mothers of fulfillment. In ancient Gallicia we knew the island of Ons, and the term "Auni" was used a lot by the various Gallic tribes to designate a creation or a rebirth. The Henwae was compared to a winding path of desire, wind and water. We heard about the druidic egg through the fossil sea urchin and in fact, this was what the ancient Henwae represented, the birth of something uniquely dedicated to spirituality, without any physical considerations. People who were born in this way became master ancestors, ancestors. The path of Henwae was that of access to a higher level of thought, of the desire to become and to be fulfilled. It was an interior resurrection with the mission of bringing about the continuation of a non-terrestrial life. Nb: it is a solitary path in the study, not physical and considered as an orphan. It can only be the achievement of a "non-human" state, by which I mean: different. And there is obviously a question of spirituality coming from the ancestors, namely reincarnation. Is there a notion of distraction that appears in the study? Henwae, Auni, Anauo: awen. Herauscorritsh. We knew him from the British coasts to Narbonne, Herauscorritsh also called the living river was a young sailor and fisherman. The myth would have it that this demigod sailed to the other side of the western world, thanks to a strong wind which was then associated with him. He had gone to the old caves behind the moving ocean, a place where the night sun was known to sleep. His tiny, leather-covered boat quivered over the quivering seas to the inner world. Nb: fairly clear theme, the quivering and curly waters, the West, the wind and the sun associated with a carucos, the fishermen's leather boat. The sartorial aspect and the colors of the tramont. This boat and its occupant appear in the bas reliefs. Hercunia. There had been migrations and no one remembered where the first tribe had come from. We still speak today of a god Ercunios, forgotten, a priori it would be an Oceanian god. It is quite possible that it is the one that the Greeks called Okeanos. There was a sanctuary surrounded by the mountain in a place where a tribe called "the men of the oak" lived, a people who had the reputation of showing their nobility and loyalty. It is about the word of Kernunos, the cracking of branches in a place shaken by earthquakes. It is said that these Hercuniates came from the West, from its ocean, and that they were descendants of the oak god. Their forest was called Hercunia, we made a parallel with the ocean because it stretched out of sight for hundreds of kilometers, its foliage gave the impression of being waves when the wind made the branches dance. Nb: there is indeed an old story in this direction, all the overlaps bring us back to it, the sacred forestHercunia, the mountain where at least a sanctuary in it where well that surrounds it, the Ercunios tree, the Okeanos ocean and the worship of the waters, a tribe of the oak ... etc. it seems older than the Greek civilization which speaks of the "Argonauts" while one speaks of a Gallic tribe of the "Ercuniates". Kernunos, Ercunios, Okéanos, Chronos are ultimately just the same personality. And this famous mountain sanctuary is found in Europe. Herne. Herne was the god of the west and of the harvests of life in general, that is, the one who gathered souls when the sun was setting. It was the one who welcomed the deceased to discuss his previous life and give him access to the Aidubno. The fields watered after the harvests belonged to him and he reigned over the end of the seasons and he brought the freedom of the end of work. Nb: related to Jupiter-Lugus, it was the deity of entire and finished works. Perhaps an additional connection with the first Mattres known as animal death and the very old first name "Erine" which translates as "peace". Histria. Histria was a goddess of religious odes who brought the ultimate wheel of the year. On each side of this wheel there was a bright part and another dark. It was displayed at the borders because it indicated the beginning and the end of all knowledge. Histria the Fast was a divinity of wisdom and its impassable limits. When we crossed it we would leave the world, at the end of all the known territories of Gallic civilization. Nb: goddess of cross-border travel, it is the deity of the "off limits" who clearly gave her name to Austria, a neighboring country, and to the French word "extreme". Horolat. Where the sun was setting there was the god of rest, sleep and good advice. Horolat resided in the mountainous west. He was a great ancestor who embodied the advice of the old. Those who rest in the reserve, behind the tormented world of men, a kind of god of wisdom who slips a few words into people's ears. We have seen him live in quiet places such as meadows or marshes. We wore a kind of bracelet for the god to bring his word, a lucky charm that ensured a certain nobility of soul, knowledge, wisdom. It was said that he guarded the borders with the world above, an old man represented him, he was also a messenger. Nb: a god of wisdom of the mountains but above all of quiet places that allow you to take a step back from important decisions. A god of calm, coolness and wisdom. Ïaé. In the beginning was iae, iae begot Mantula, Mantula begot Gallia. Ïaé was a grandmother, she gave her fluid to the earth, she was the first great deity of the Gallic territories. The great mother goddess, consort of all the women who followed. It was also called The grandmother, the old one, the one who generates what is. Mantula left the house of Hiaë to visit the earth, she learned where all things were. She bequeaths all her knowledge to Gallia along with all the land. But Gallia remembered iae, and she taught men where their blood and spirit came from, by performing iae, the ceremony of menmanhiae. Nb: from what I have, Hiaë where ïaé is a very old Gallic deity, it goes back at least 5000 years. It is perhaps she who is represented in a small sculpture of a pregnant woman having been made at the beginning of known times. Mantula appears first in the Gallic language and then elsewhere, it physically represents the colorful paths of the soul of a place. To dig. Gallia is Gaia, the land, the mother country, the first homeland which begot the rest. Gallic culture is much older than Greek culture. In fact, the Druids deconsell writing so as not to soil and corrupt their true roots, Western European, antediluvian. They didn't want to mix up the words of their old sacred tongue. I could be wrong but not on everything. Past and confused in French Like the "hiers", Hiaë in fact designates "the grandmother". The least we can say is that it is old in the ancient spirit. Ialonus. Ialonus. Ialonus was of a happy nature, one that cannot be ignored because he was the god of those who loved women, and that is saying little. Its territories and its meetings were held in the sacred glades at the time of love. The deer people represented him gracefully, the slender forms, the perfect and lustrous furs welcomed in the year the sacred moment of wild love. Ialonus lived in the light of glades and entangled bodies. The games and the challenges did not scare him, he shouted in the face of the world how good his enjoyment was. He was the god of the exultation of bodies, of placesWealthy places where we gathered in numbers to ... love each other in the physical and spiritual world. In the light of these sacred glades, the young males danced, sang and challenged each other to plead to the females. NB: he was a bit like the god of nightclubs at the time. It must most likely be a romantic encounter ceremony celebrated at a certain time of the year. I notice that there was a myth speaking of the sacred glade where the divine animals evolved in the light, I come across it very often. Ianuaria. Time passed, work continued, the Gauls built. And the youth were having fun. Ianuaria was a daughter of Epona, perched on a red horse, she was walked in full view to show that the succession was assured. The adored youth strove to gather around music that swelled hearts. Among the Veneti, but also in the Gold Coast among the Mandubians and the Tricasses, we saw a real cult of the one who represented the sweetness of happy and festive days undulating to the sounds of the goddess, those very ones which brought together adolescents. The nobility of Gallic culture was embodied in their common songs. Ianuaria's flute enchanted the spirits on majestic shales which carried within them the stone of plenitude. A red agate. So the stone veins perpetuated the blood of those who had always lived there. In this country of Armorica which means: "calm people", one found polished stone on the southern beaches warmed by the hot, smooth and slippery wind which announces the gift of summer. Thus the groups reformed to enter the year in good harmony. Nb: Ianu: "the youth", Aria: "the purity of the air". The stone named "Anao": the fullness also known as the stone of accuracy. Ianuaris. Ianuaris. Also called Ianuaria. Ianuaria, also known as the goddess of childbirth, gave the spark of life to her broods. She dwelt in the great swamps of creation, and of the stars of the world above. It was the brooding nymph, a protector who brought her novelties to term before seeing them germinate on the middle earth. This luminous divinity gave birth to the present moment following its celestial ripening. She lived in a stellar island it seems, a secret place that she jealously protected. Goddess of the unique moment and of the river of life, raised in the roots of the ash tree, she dispensed her justice and gave birth and reborn those she deemed worthy of it. He was a divinity from within. NB: a planet or a star. Iboïta. The peasants cultivated very large quantities of wheat and the mills had work. Iboïta was the god who represented this work of crushing, he was embodied in the hub. He was seen as a comrade who was of constant service, he prepared flour and made human installations a perpetual world. The Iboïta hub kept the hut upright and it came from the world above because it protected the activity in question. Affiliated with time which turns on itself, it inscribed its paw in the stone. Nb: Birch, the quantity, the crushed and mixed foods appear in the study. He was seen as a permanent helper. Perhaps this is a title called Smertullos because I noticed that the Gauls themselves were named with titles and very rarely with a common name pre-registered. It is their destiny which made men bear such and such a name. Ibosos. Ibosos lived not far from his river, he used to come and go carrying the basin which was used to take the water. This god belonged to a very demanded profession, that of water carriers. His movements full of vivacity had aroused a ritual as his activity was useful to breeding, we called it "the kiss of water", referring to the gesture of plucking clear water on the surface. He was the master of the river. Nb: apparently his stick was an extension of himself, his finger. He is a servant god. Icauna. Icauna was one of the nymphs of the earth, she was called "the river of the reefs" a combative deity that one found in many rivers. This water wolf was in the fast currents full of rocks and floating trunk, it was a clawing nymph feared by sailors and swimmers. You had to ask her permission before crossing her domain. NB: the rocks belonged to him. Icaunae Mattres Icaunae masters. Women also traveled, like men they learned throughout life's journey. It is these travelers who returned to their homes, told the stories of the great river. Thus they educated the Cubs with the tales of the stories they had lived in an elsewhere unknown to the members of the tribe. Kinds of female philosophers, educated byr their mothers and grandmothers, they themselves transmitted oral transmission to children. Talkative like the magpies who knew the world from above, they knew the history and geography of the Gallic lands. The names of the places and the names of the rulers they had visited. They knew the stones, the roads and the rivers, recognized the fields and their owners. The distances too, how many grains it takes to get somewhere, how many reeds it takes to get there and back. But only one master was chosen for each generation. She was invested with important secrets about the size of the world, how many stars the great reeds had sown. NB: quite clearly there is a connection with geography and celestial knowledge. Icauvellona. Icauvellauna. Among the Gallic queens we refer to one of them in particular, it was Icauvellauna, the incarnate goddess. It is said that indeed, this ancient queen founded one of the Gallic dynasties, that she imposed herself by combat first by showing a lot of intelligence. Commander of one of the armies of the saplings, she was considered an extraordinary clairvoyant because her prophecies were so exact. She had been nicknamed: the honest queen, so true were her words. Above all, the sovereign wanted to improve herself, her civilization and her people. In his time many inventions were born, such as the farmers' plow or the light sword of the infantry. Since that time, it is said that she was invested with a supernatural force, that she was in reality the reincarnation of an old and ancient divinity. NB: a reincarnate, decked out with a strong concept of clairvoyance. Icotiae Mattres. Everything had its divine place in the Gallic world, and many animals were entitled to their share of religion. They were part of a magical world. The Icotiae Mattres were the mothers ...... of the wild duck people, they were fairies. Each species had its own vital microcosm, and by the river was the realm of these birds. The Icotiae Mattres pecked at the grass, waded in the water singing, formed a circle while chatting, and even on certain days provoked duck battles. Gallic mythology was very much inspired by nature, ducklings were compared to children who had fun making a noise on rainy days. Nb: I thought it was the Mattres of the rowers but given the place it was the mothers of the duck tribe. Certainly from a tale, it gives us a good idea of how Gallic poetry was forged over millennia, admiring the real world. Each family group had its Matters. Idenicae Mattres. The Gauls at the time were called "Gdoniis" on the mainland and "" goïdel "on the Welsh territory. They were rooted thanks to the Idenicae Mattres, the goddesses of the establishment. It was about the magic of the mothers where during a ceremony, the Banuas prepared the entire pot, a use of the old cult of the waters, that is to say the divine right to live and settle in free land, to free themselves. This ceremony took place some special days and the women of the brown and noble earth provoked the forces of the world of passions to protect the humans thanks to the citadel of the sorceresses. NB: this is indeed the magic of the Banuas, an invocation of forces from below to free people and allow them to have divine authorization. There is a citadel story of women's magic that appears in the theme. An underground or hidden citadel? On the bas-reliefs representing Nantosuelta she wears ... a pot. Idiatte. Idiatte was recognized as a great divinity of the mountains of Occitania. He was the god of a place forged in the rough rocks. A natural castle where you could settle down without fear. It was also a border town with the world on the other side of the Pyrenees and therefore a guardian. This god pretended on all the surrounding mountains, the place served as a meeting for the same type of mountain people who shared the same way of life. It was possible to sit under the benevolent gaze of Idiatte, and apart from the usual occupations, the god in question offered another, he was a deity of gold diggers. So this is what the giant jealously guarded, a treasure of gold and silver, colored stones, which was used to make jewelry. Before becoming a god, he had been a demiurge, a spiritual leader who imposed a leading thought, that of immoral and passionate values which were to remain indefinitely in the world below without any hope of elevation. Idiatte was a man before becoming a god of incompressible passions, that of the fascination for jewelry. NB: extremely probable according to the study. Idiattis. Idiattis. Idiattis had taken his name from that of one of his ancestors, Idiatte, the god of golden idols. He did not have the same passions as the latter, Îdiattis was a chief of an earthly tribe, living in Bitu. He often prayed to the gods as he pressed men, of divine family he was all the same a superman, from the oldest European lines, a native, a true native. Exuberant since his youth that he never really left, he too marked his time by modernizing a number of old traditions. This eager and eager leader was seen and heard by all, he represented a divine lineage, that of those who always do better and surpass themselves. He was married and also had concubines. This name of Idiattis was an honored title, belonging to one of the noblest households. NB: undoubtedly the terrestrial character linked to the underground god of gold. This means that there is a third in the Albios, much more focused on the brilliance of a spirituality. (Woman or man). Ilemberris. Ilemberris. In each clearing was its king, this is what the story of Ilemberris told. And as with every sacred clearing, the regent in question was a deer crowned with its imposing antlers. The deer had many subjects whose swirling around the central tree augured for the events of the day. His nickname "Elm Hand" came from the fact that he held his world in check, and his belligerents knew in advance that it would not be easy to dethrone the big male. He was the archetype of the father and the commanding adult, reserving all powers over life in the glade. Elemberris had many children, and he was a loving patriarch. The god in question was more interested in the hips of women than in the good nobility of his court. He was a good father but a little too fickle, there were as one might expect a large number of half-sisters and half-brothers in this tribe, who of course had inherited the passion for change. 'Elemberris. Many of them set out on unexplored paths, outside of his parental influence, and they settled in the four directions. NB: always the stories of the sacred clearing, and always the stories of the deer tribe. Very important in Gallic mythology, animism played a preponderant role there, it is obvious. Again it must be a title given to Adamos, the white stag. Ilixo. Ilixo. The giant Ilixo was noticed by his waist size, the big eater swallowed all day long dishes whose refinement and research would have caused hunger in anyone immediately. This very big gourmand demonstrated his sweets with great pomp, the images, the fantastic smells bewitched everyone, no one remained insensitive to the charms of the giant in this past. He was also a fine cook who lived in the world of passions, an exceptional preparer. It is said that he hunted his preys by hand, without needing to use a weapon, his strength was so immense. He frightened the children because they were told about a giant wandering in the undergrowth, a fantastic being who was constantly hungry. It was especially wild game that interested him, he could swallow a whole family of rabbits in a few minutes. It was also said that despite everything, it was he too who protected the large herds, and even that he raised and protected wild animals such as deer. NB: a 100% giant but from the world below Ilhumno Gala. Ilhumno gala. The ancient peoples bequeathed us many things and in particular several symbols. Ilhumno gala was one of these symbols, that of the crowned stag, the Gallic stag. Proof that the crowns known later have a very ancient ancestry. This mythical animal, one of the most important among us, has a presence and a manly behavior without being a slaughterer. The deer is a procreative manager and respectful of his world. Few fights, even fierce, end badly for the wrestlers of the sacred glade, an additional proof of civility. The deer's head crowned with its large branches is one of the signs of cultural recognition among us. The Gauls were experts in woodworking and I imagine how magnificent a woodblock print like this can be. The Gallic deer represented the behavioral nobility of the Pyrenean side. NB: In pre-Roman times, animism had disappeared in favor of cults in the human image. Except among the Gauls, this means that they were the custodians of a culture several thousand years old, surely 3000 years old or maybe more, before your land. It is necessary to integrate the fact that each tribal group had an animal representative of this groupe. The wild boar, the deer, the duck, the wolves ... all these animals served as emblems according to the inhabited regions. Ilûnus. Ilûnus The coasts also had their divinities, embodiments of the spirit released in each place. Ilûnus was a sea god, the one called "of the many wills of water", he lived in places where the navy of the time had its habits. Trader, fisherman, builder, he was a god of the multitude, with many nourishing riches. There was a cultural rapprochement, in particular with the fishermen who asked him for his favors. Because Îlûnus was the one who brought together schools of fish on the Mediterranean coasts but also in certain freshwater courses. Male divinity of the waters, this name was that of a genius who organized certain works, fishing, the construction of ports and boats, the conservation, salting and smoking of food. NB: compared to Hercules, Ilûnus is the prototype of the strength of tireless working sailors. Ilurberixos. Ilurberixos Another sea god, but on the Atlantic side this time. Known in the Basque countries, on the Landes coast and further north, Ilurberixos showed everyone the liveliness that surrounded it. God of wildlife in general and the bracing air of the coast, he was a bearer of good news who restored health through his winds laden with sea iodine. The sea salt, the foam of the waves announced his arrival. With magical powers attributed only to medicine, he knew the power of heather scents, but he was also a good guardian of the palisades of civilization. It seems that this name was also carried by an Aquitaine king protecting his borders well there is an old story which speaks of the king with the branched hand and the tanned skin, a true force of nature. NB: a former king deified, that is to say passed to the pantheon. There is indeed a notion of skin colored by the sun in the study. Iluro. Iluro was a prince of the rain, of the fluttering clouds which spread over plains and mountains bare of vegetation. This brilliant god of the air reigned in places often unusual, because modest in their expression. It was also called the discreet because its silent flight brought peace of the soul. He was a good god who accompanied travelers and benevolent strangers, a nurturer of the air, a damp scent that helped seed the surrounding hills. Note: the relationship with clouds of flying elements is quite well marked in the study. He was certainly a cloudy mountain deity. There is a link with the rain, the dust, the clouds of birds perhaps and the light which reflects there. The multitude of stars too. He is a god of simplicity and majesty. The transhumance ??? May be. Ilurgorri. In the sacred glade the tree of the world moved the Ferris wheel of time forward. At times the tribe gathered in a circle in communion with the spirit of the giant. The wind sometimes invited itself by whistling its moving tunes between the branches, it was called Ilurgorri, the whistling carried people in an undulating dance, and all followed the circle drawn in this cleared place. Nb: Ilurgorri means in primo-language "spirit flying in the air activated by the cry", I deduced that it was about a whistle causing a dance. "Iluro" is dedicated to the sweetness of the air, "gorri", to Garra the crier god. So it is the god of amorous sweets embodied in a noise, a dance or a song. Imona. Imona Imona and Demtissie were born from the same mother, in the same place and above all at the same time. These twin brother and sister were considered inseparable so their complementarity was absolute. One had received a body while the other had received his soul. And it seems, these two could exchange roles while keeping their body, one being up and the other was at sunset. Their complicity was endless, without they really resembling each other, when one spoke, the other listened, and if their group was missing something, there was always the possibility of compensating. So, when the boy was laughing, Imona contained his sadness, and if she was getting prickly, he preferred to silence his feelings. NB: the complementarity and diversity of roles shared in family circles. This is another consideration, a little different, on family relations between twins (female-male). Inciona. Inciona As many Inciona was a nurturer goddess, she was known to bring her manes to a northern fortress. The character in question regulated the flow of food when crossing the Rhine, a main road passed through the place and a large population of merchants and other pElders had to stop there to spend the night. The fortress engaged its war tanks on the road and imposed a toll on passing travelers. The relative security of the place maintained health and morale in an area where packs of looters were used to. To arrive whole and cross the region without incident, the Dunon was a necessary step. It is in this fort that Inciona received the offerings and that she brought her creative waters. NB: Another sacred mother affiliated with a precise and guarded territory. The places served as a refuge for travelers and as a pilgrimage for religious. This is how the network of Gallic territories worked, each tribe had its own religious organization but it looked like the others. The goddess reigned on the side of the Luxembourg-Germany border. A high place of passage and surely toll. Intarabus. Intarabus Intarabus was the tutelary god of the fraternities of work, that is to say the one who brought together the wisdom necessary for work, often fields. He was in charge of supplying an island where priors gathered. This "brother of the spirit" maintained the ways of doing things, the contributions and the annual novelties. A seasonal god who led the youth on the religious paths of understanding and sharing. He was the one who made friendships in the group over what appears to have been an annual procession to the Holy Island. We often speak of "porridge eaters", a food made from cereals which was the food base for a group of entirely vegetarian religious. NB: I confirm that vegetarian groups did exist, reclusive in certain places but also traveling pilgrims. This often appears in my cross-checks and Intarabus is not the only deity in relation to this kind of use. Issamos. Issamos The group of the four divine horsemen was a way of expressing the deification of an illustrious personage. One of these four horsemen was named Issamos, the battler who was to embody the sacrifice of the warrior. He was the ultimate demonstration rider. He had a chariot built only from bones and imposed on all his death sieges. Death rider on the march, it was he who dictated what had to be and what would happen. It belonged to the second half of the Gallic year, for the period of Samos when the living dined with the dead. NB: it must have been this rider at the origin of the Halloween party, his name means "the will to share with death", the one who brought into the non-physical, dark period of spirituality. Another relationship with the isle and the bones Iscitus. Iscitus Iscitus was one of those who had sworn alliance with the waters of life, fervent by devotees, he was a great representative of the cult. He took care of the cult enclosure and the offerings to the great divinity of heaven. Astrologer and astronomer, he was one of the priors of the new moon. Vegetarian too because the druids revered life more than anything and did not kill in his congregation. He had taken an oath to serve heaven and died very old. Its name therefore served as a reference to designate the pious men who maintained the places belonging to the gods. NB: druid or vate of a vegetarian fraternity. Ivaros. Ivaros The Gauls were pragmatic and did not ask too much of Heaven to live happily. Ivaros was a steward. It is he who embodying righteousness was appointed to guard the divine treasures. Ivaros held the secrets of the immortality of the present, he received the offerings and sent them to the gods. Ivaros embodied all the trust in the world, protector, margin and generous, he did not hesitate to be vigilant in the stories in which one or the other of the protagonists lied to acquire goods, services or even honors. He had the strength and the righteousness of the auroch and advanced without being able to stop his walk. Ivaros was one of the gods of fulfillment and embodied truth. His energy helped those who had to be reincarnated because he was a soul ferryman in the great river of time, a hairy guardian with thorny moods also who did not fulfill all wishes. NB: this is a big theme, it is about fulfillment, energy, passage and ... incarnation. Affiliated with the Secrets of Ovios. Iviacos. Iviacos Iviacos the Younger was of an old and noble Gallic lineage. He was called the young because he had the character of the rebelliousness attributed to young men who asserted themselves outside of parental ties. This one was one of the grandsons of Lugus and he had inherited a great hunger for life. He was always the first to wake up, and we often heard about him everywhere he went, his out of control dynamism had it.makes a god of adventurers and discoverers. It is said that he had the children of independence. His loyalty was not lacking to anyone and he was regularly called out. NB: it embodies the independence and freedom of thinkers and adventurers. Apparently affiliated with the spiritual side, he was not a land military and conqueror. It is associated with a plant and therefore inhabitant of the middle world, can be a reference to a song ??? An inventor??? Jiamos and Ianos. Jiamos and Ianos were orphans who did not belong to the same tribes. However, they had the same consort. Jiamos resembled his family whom he loved madly, they said he was constantly breaking up, a way of belonging to himself. While Ianos kept dissenting and wanting to leave. He was an inconstant and a dissociator. Yet one day a man came to look for them to take them to the sacred mountain and they met each other squinting. Jiamos the sociable does not recognize his brother Ianos the unstable. The first looked at the familiar landscapes while the second, insatiable, wanted at all costs to go and see their depths. Later, great honors were done in Jiamos and a circle was drawn which left and returned to the same place at each winter solstice. While Ianos left never to go back, if he left any memories, nothing of himself came back except for the bits of what he had broken. Nb: very important, Jiamos was called Iammos in Gallic antiquity, Gemini, a demigod who defines twinning and stability. Its symbol is that of two animals (Aurochs of Stonehenge) where two faces that look at each other. Before it referred to the concept of belonging. At least 5,000 years old. The word used in French is: "never", which defines the stillness of winter. The month of Gemini, Giamos, is in the bright period of spring. Which makes me say that the Gallic calendar began with the luminous period, that is to say that the first calendar, that of Stonehenge and the two heads of aurochs which was to begin at the winter solstice is the oldest. There was a second one said of Belénos which began for the spring equinox. Then the Celts began theirs at the time of Samain, that is to say at the winter equinox. Ianos is very different, he points to the youngster who diverges and moves away from his base, does not stay in place, who never goes back. Its symbol is that of the two faces that do not look at each other, we have found sculptures. The two were then confused in history while in the Gallic era they were well identified. There is even an inscription that speaks of the "giemini ianuaris", the different twins. Kasses. There were villages, roads and towns now. And these places claimed their territories in complete freedom, protected by the equities. Each of them enacted their own laws through the will of the Kass goddesses. It was in the towns, at the center of Gallic civilization that were held the assemblies of women who declared the laws of the place. Because this central part, beyond the will of housewives, belonged entirely to the matriarchy. They were called the goddesses of the oak, those who braid the will of the place. These goddesses had the elegance of their headdresses as an emblem. It is an oak bird which hissed while exchanging its arguments with its congeners, maybe the lark. The decisions were made for the place by the goddesses Kass and all had to respect them, it was the laws of brass, firm, without any corruption. Nb: this is something that we already knew, that is to say that the town centers were on the one hand independent, but also that they were subject to matriarchy. "Kasses", where "Casses", means "the will of the place", the law. More precisely embodied by the letter "K". Kernos. Humans came and went, but they found their lives hard and wanted to invent things that would soothe their ailments. One of them decided to ask the noble bull where was the center of the world, the place where earth, water and air were created, lata, ana and aria. "You will find the creator's lair easily because it is in the mountain that we see the farthest on the horizon. You will have to find the entrance and withdraw inside" said the bull to him. Kernos took a first path and looked for a long time on the horizon for the famous mountain. He couldn't find her. He saw him again and asked Donn the same question. "You could walk all your life on this mountain without ever seeing it, find the entrance and inside you will see the mountain" the bull taught him again. Kernos went on his way and searched for days and days for the entrance to the sacred mountain, and he did not find it. But he noticed at the bend of a road two large twin ponds and remembered them. He came back once from pread to the village to ask Donnotarvos one last question. "I did not find the entrance but I noticed two large ponds whose sources must be in their funds" he explained. "In the eyes of the stone is someone you know who will show you the way, know that only you Kernos can find what you are looking for," said the god of spirits. Kernos still didn't understand but he was tired and went to rest. He had a dream and in it he saw a big tree growing in the mountain, it was a hollow tree and in places on its bark were colored gems. When he woke up he was smiling, he had learned where was the entrance to this tree which looked like a mountain. Often thereafter, he retired to the sacred mountain which now bore his name. Kantae Niskae Mattres. Kantae niskae masters The nymphs inhabiting the great swamps of creation sang of the gods and heroes. These were the role of the kantae niskae masters, to each tribe its role, its god and its particular song. Thus they sang in groups composing the circle of eternity of the stars. They too, who decided the present and who led the ships in promising directions. The song of the reed was heard shrill through the ruling winds. This took place in the month of cantlos and the outfitters ordered the gatherings in the moonlight. These are the goddesses of the skies who brought the novelty and the good future, it is their songs which took the men on the verbose ways defined by signs, in the sky of the nemetons. NB: always the matriarchal society which appears through the deification of the feminine cult. The niskae are the nymphs of the sky, and each represents where a star lives from what I have already found. Kernunos. Kernunos The god who has one eye open and one eye closed opens the doors of creation and human memory through time. On some post-Druidic sculptures we see him going to hide in the great forest, where the branches of the spirit cross and support each other. He is eminently the god of spiritual and physical balance, the master of history. Modern Druids compare him to the sun because he is the virile and procreative embodiment of time, it is his physical and animal side, the deer. It also embodies the holding of the memory of what was through the bull, the area that has just ended. He is the holder of the torc of scholars and of history, he too who is embodied by the mature druids in the center of the clearing, of the old circle of megalithic stones. Kernunos who masters the ancient serpent of primary instinct and the unfolding of events surrounding it. On some sculptures, we see him distributing grains between the shadow and the light, between the white deer and the black bull. Kernunos represents a human and celestial tree, a spirit which is revealed with the Gallic calendar. It is the manna of time and of the spirit, great knowledge. What seems to be grains are in fact a little bigger, the horns of kernunos represent the branches of the oak, sacred, or the great beech, also sacred, at the same time as the antlers of the great king deer (the great sage) . On sculptures after the Druidic period, it is a ram which represents the luminous and bodily part of the god. From the well-known white deer representing creativity, to the white ram simply representing physical life. In the first case, the facing bull embodies the memory of the bull's threshing floor, in the second (ram) the bull simply embodies death. This is why it is found carved above the old Christian cemeteries. Nb: 100%. He is the oldest known and recognized deity on the planet, 12,000 years old, the true beginnings of modern human civilization. With the 2021 results, I can say that Kernunos does not represent the sun, it is a completely terrestrial god, big relation with the magnetism, the menhirs would be horns of Kernunos. In relation to animals, to wild life, it has followed different evolutions according to the times. Deer-bull = vital creativity and memory (ancient Druidism) Aries-Taurus = physical life and remembrance of the dead. (Pre-Christian) Korrigénatos. Korrigenatos Like the Breton korrigans, the Gallic korrigenatos are creatures living in the woods, in very special places. They are sacred and fiery guardians of the place where kings grow up, where they are brought up and imbued with ancestral wisdom. They were also called: the kings of mossy stones, that is to say the ancient stones arranged in circles. These creatures are the craftsmen of the "son of the crowned circle". This mysterious place is the limit between the world of men and that of the gods. A place whereslow the wisdom of the heron and the fear of the unknown. It is said that they are the ones who erected the stone circles, that they are always in large company to move the cart carrying the manna forbidden to humans. They have been compared to the youth of the deep forest creatures. It is also said that they can be faithful companions who accompany champions and heroes, all covered with branches and moss who never hesitate to drink a little too much beer. NB: very clearly the study shows that these creatures have links with stone circles and the learning of royalty. They are like the guardians of the crown. It piccole a lot in these bushes there. From "kers" and "genatos" Kerionos. Kerionos Kerionos has always been a part of the western sky, his home was in a constellation that appeared during the time of the summer harvest. He was a lord of the wheat, whom we prayed and to whom we dedicated this particular moment. It is said that the cry of certain birds that fly high in the sky called for harvests, and Kerionos was one of them. He lived in the sacred ash tree during the day, by the great river. Protective and generous, he covered the houses with his thatch, this is how he prepared for winter. He knew the eagle, the crane, and the great deer in the stars around him. He was young, not very tall, and very serious about his schedule. He owned a boat said to be with which he crossed the sky. NB: undoubtedly one of the Gallic constellations. Lugus. They say ... that life was born with him. It is also said that it is he who created all things in the world of light, that our earthly history, our earthly time, is told to us by Lug. It is said ... that once, when the land of Etunia was attacked by a limitless and bloodthirsty creature, he incarnated on earth and defended it. They say ... it's the best and worst of gods. That we are all his descendants. Lugus, represents the light, he is the son of Kernunos, the sun. He is nicknamed: "Lug the Long Spear" and he carries a brazen sword. The myth goes that if the god who came down to earth does not find a way to love, he could destroy all that is. He was the sun of the Gallic pantheon, the best known of all. We recognize it seems to its brilliant mystery, nobody can look it in the face without taking the risk of stopping to live. Yes, one person, only one person could look him in the face .... one of the faces of innocence. Obscurantism designates him as the clever creator of passionate hells, the luminous recognizes him as the one who grows the grenadilla. Those who fight against its principle are dehumanized, machines will never know the rainbow, the power to imagine. Lugus the luminous, is the difference between living and inanimate matter. As you can see here, the first of the twins carries a lyre, a symbol of the creative artists. It is a late representation of Lugus. The second twin is Donn's, symbolic of the interiorized dark period of spirituality. Lugus has three faces, it could be The past-present-future but this one belongs to Donn's. It could also and rather be the three powers of civilization, the artists (scientists included) - the army - agriculture, this corresponds well enough to his profile as a polythechnician. It could also be Ethos-pathos-logos, the three principles of persuasion. For me, these three human faces are: -the birth -the youth -maturity But more certainly these are the three faces of what we are ourselves, that is to say: -our animality -our humanity -our divine part There we actually join the philosophical manes (mannes) of the druids. Lugus is creative of historical time in general, of the arts of life in the luminous world. These are therefore birth, youth and maturity through his animality, his central human side and his divine maturity, these are three thiers of humanity that he defines on the physical and spiritual level. Nb: how do we know that it is Lugus that we represented with three faces? Quite simply because on a sculpted bas relief, the god with three faces is represented with a lyre at his side, it is the instrument of the sacred artists. On it, both sides are embodied by the ram, animal of Belenos, vitality and on the other side the famous Gallic rooster, principle of colorful creativity and victory. If it was about Kernunos, it is a bull which would have been on the right of the image. The vitality of the herdsmen (ram) and the victory over the dark night (crowing rooster) together belong only to the world of physical light: it is indeed the Gallic god Lugus, it is the only one who combines these two parts. . On this one, the two sides are embodied by the ram, animal of the Belenos, the sawbedridden, and on the other side the famous Gallic rooster, principle of colorful creativity and victory. If it was about Kernunos, it is a bull which would have been on the right of the image. The vitality of the herdsmen (ram) and the victory over the dark night (crowing rooster) together belong only to the world of physical light: it is indeed the Gallic god Lugus, it is the only one who combines these two parts. . On this vase, the three-sided face has two horns that I hadn't noticed from the start. These are not deer antlers that would have been represented otherwise. Or it is a question of the beginning of growth and then it would be in connection with the beginning of the year. Or a Lugus linked to the youth of Kernunos. There should be seven faces carved around the vase normally. The beard and the hair seem to imitate clouds: These three faces are in the Albios. Diurnal. Lagodos. Among the Gauls, death does not exist, the vital substance flows out of the body to be reborn in another form. Among certain mountainous tribes, we remember Lagodos, an old man who cultivated himself all his life. When the flame left its body, a strange glow rose to climb the rocky slopes one last time. She almost reached the top of the mountain, the world of the gods above, and it was there that a plant called a lagoon, a veratre, grew. In the landas, the damp peatlands where divine thought welcomed those who had risen up. From that time on, all the old sages were called "Lagodos" and the druidesses "Lagussa", those who rise with the peaks. It was said of them that they were the only ones because they were always the only ones to settle there. These mountain peats were considered sacred grounds where humans leave their mark. The myth says that it is in this humus that the great spirits subsist which will be nourished forever. Nb: "Lagodos" can be translated as "the wings of the great inner nobility" and "Lagussa" the wings of the great will. Lãmat. The magic had established itself in certain places of the Gallic territory. On the territory Lémovice, a mountain in particular exacerbated the thoughts, one calls this place "the mountains of blond". Many creatures lived there, since the dawn of time, the Druids had made these mountains a point of pilgrimage. It is said there that lived a giant named Lãmat, the one who shelters. These surroundings were known because gold was found in abundance coming down from the aggregate. We still talk about the creature Mandrake that takes shelter in these places, giant megaliths protect it. These famous megaliths are made of a granite that turns into huge gold nuggets some days at sunset. This stone of certainty is called "Lãma", shelters it or even "the fame". It is the stone of Lemovices. It is in this mountain that our ancestors had chosen to erect many dolmens and menhirs, meaning that they were from the people of standing rocks. The sight of the rocks of Lãma immobilized their enemies, it was also called "the sharp one" because she cut the masses in two with a single blow with the edge of the left hand, she was clumsy, then she took them in her right hand . And then she amused herself by placing them on top of each other to admire her treasure when the western sun shone on it. We owe him a very beautiful giant mushroom. Nb: there are still holes, parallels and double meanings in the knowledge of the Gallic language, in fact they used the parable a lot and that poses some ethimological problems. It is thanks to these shortcomings that I rest the bases of an abstract or parabolic thought of the past. It is not easy but it is "playable". This makes it possible to find the basis of ancient myths. What I am transcribing is not at all risky. "Lãma" has to do with shelter, fame, taking. It must be the stone of certainty called assurance. His tree was an elm and his flower an aconite, that fits well. Lehunnos and Alamahé. Lehunnos and Alamahé Among the Auscans and the Rêmes we believed in the world above as that of peace. A place where divine thought could not be disturbed. It is on a quiet height, in the town called Laon nowadays, that those in the north cultivated. A bright and healthy place where the god Lehunnos had placed his stone. A solid sandstone that we called "Lehum", the stone of tranquility. Lehunnos had also deposited his stone with the Auscs, the Landes beaches offered calm, light and serenity, it was called the happy coast. It is there, in peace, that we asked ourselves questions about the realities of the world, it was a place that predisposed to deep thoughts. This famous god, who was confused with Lugus, had a twin sister named Alamahé. She settled further south-east of the territoriess Gallic. The calm of its waters provided the necessary atmosphere for travelers to rest. Alamahé was also nicknamed "the luminous one", the one who rests the mind. NB: this stone is that of tranquility, the one that allows you to take a step back from complicated things and to rise above the infernal rantings of the world below. It would be a pebble of sandstone with holes. Latis. Latis Latis was first of all an earthling from the vast country who took the first path. It was before dawn and he didn't really know in which direction he was going until after all the light had shed. He was a patriarch of his tribe whom he took along through the highways of the land of sapling. At that time, we put our bundle down according to the seasons in places of wintering or moments of pasture. They all made a very long way and like every year, they returned to their camp known as "of the luminous period". It was at this time of the year that we organized a big reunion party, a festival marking the beginning of the year which was to shape the rest of the event in a good light. It was the time of hot moods when it seemed like the peat was being burned, and Latis gave his name to a unit of measurement of time in the great swamp of creation. This is how he passed to the divinity, his name now designating a warm and festive moment. NB: the study shows a unit of time and a progression, certainly annual or biennial. It's like a migration. May be a moment represented by the appearance of a specific star. Lagos. Lagos Lagos was a history leader, a bard who recalled old mythical stories through times when folk dances moved the circles. It is said that in his tomb was buried an urn which contained all the old memories of the foundation of the world. He was consecrated as a great character who had taken the oath of Lugus, a lightning flashed and his name was inscribed on a slab of eternity then we forgot where the urn containing the secrets of the world had been buried. Young, Lagos was of a playful, prickly, teasing, rebellious character and of a warm nature, he naturally became a well-known bard. He came from the old country, that of our true ancestors and had learned the magical rhythms. NB: this is the relationship between Lugus and bardism, there must be a specific lyre to find in this tale. Lahe. Lahe Lahe was the name given to a doe, it is the definition of the loving and protective grandmother who made the journey of the ancestors. The Damos of the sacred glade were embodied in animals, Lahe was a caring mother who raised many gods in their animal form. It seems that she was the second companion of Adamos and that she remained for a long time on earth in the splendors of the original paradise, from the place where it all began. She was one of those listening and caring mothers who facilitated connections. The time in the clearing passed slowly, the gestations and the apprenticeships only took on more splendor and brilliance. In this comfortable atmosphere, Lahe prepared herself for future times. NB: a very ancient primordial divinity. At that time humans revered the natural world around them. Report with words like grandfather, age..etc. Larroson. Larroson Larroson was a leading man endowed with a beautiful intelligence, he created one of the founding lineage of the Gauls. He did not acquire on the earth and it was she who gave him his will, later and after many conquests he became a known king who left his mark in history, his emblem was an apiary. He was a leader who made the riches of his kingdom grow, he was a farmer but also a warrior, like many people at that time. He was deified under a warlike mark and stood in a prestigious position for a long time. He was a former conqueror whose stories were told to warm the hearts of the tribe. He was also called "the very righteous", the one who does not cheat. NB: another hero who had passed to the divinity, in the end, all the characters who were to set the example were kept in the common memory. Larroson had a reputation of apparently knight and rigorous manager, this reference to bees is no accident. Leherennus. Leherennus Speechless Leherennos stood on the border of the western waters. It was about an old sage living in the mountain. Someone discreet who knew a lot about the Gallic territories. If you wanted to consult him, you first had to find the place where he had his lodging. A happy place where time slipped slowly, no one knows how old the old man was but he was said to be very very old. Leherennus was born before this mountain possibly and the cave which serves as hishome is as old as the world. If he was found, the old man was moving like a talking mill that was difficult to stop. He knew the fullness of age but retained a stormy character. The noble-spoken Leherennus knew many words and expressions, he spoke with ease for hours without ever tiring his audience. He knew what was deepest and most futile in existence. He was related to everyone, he too was considered a great ancestor. NB: a mountain sage who knows the limits of the world. And which expresses itself within all the limits of human understanding, the archetype of experience and of the scholar philosopher. Relationship with what is bluntly called an "old fox". A strategic advisor. Lacavos. Lacavus was a deity coming from ancient, animist cults, which still existed in Gallic times. He is a god or rather a creature of the night. Lightning fast, Lacavus is a cunning hunter who hides in the shadows, he often operates in moonlight and comes out from under his stone during full moons. It inhabits damp and closed places such as ponds and sacred lakes. He is armed with a short spear but doesn't dislike body-to-body fighting, strangling his victims. It was said that it was ... An undead because it came out of a grave or a hole coming directly from the other world ... it is the archetype of the horrors of the killing during the combat . A sort of gorgon. NB: it has a relationship between the hunting wolf, the mouse that nibbles everything and the fish. This acute relationship with the underside of the stones, the holes and the water designates Lacavus as an animal god, very clearly he is the god of eels. The eel was one of the sacred animals among the Gauls. Eels are necrophagous animals as everyone knows, they eat corpses. It is therefore a sacred but horrific monster. It is a fighting creature whose name was found in the attic of the arenas of Nîmes, she lived there in the dark with the condemned. Lãmat. Lâmat Lâmat was a staff of justice belonging to Lugus. Made of the wood of the immortal elm, he decided what should be stingy or generous. He had been carved from an elm with gnarled wood, he was a faithful companion who always supported the one who led him. The one who took the stick entered a phase of initiation where love and death came together. This staff was a distinctive sign, a guarantee of the identity of the one accompanying it. This traveller's staff belonged only to the Druids of Lugus, those who walked across the country to learn new things over and over again. NB: the "torc" was emblematic of Kernunos' apprenticeship, the elm staff was held by Lug's disciples. It is very probable. (Which means that Donn proposed a third symbol, the horned helmet). Laha. Laha Laha was a good mother, she who built a solid nest for her young. She had raised Belenos and made him a beautiful young god. He wore Laha's blue jay as a sign of belonging to the powers above. Laha knew my distances and hidden places in the primary forest, she came from the emerald garden, she had always existed. There was something special about the shimmer of his feathers, something sacred to the vast ones. Laha said they knew how to count and adjust tree branches and first principles as well as possible. It was with this that she protected the little ones and gave them a good future and good health. NB: to compare "Lahe" and "ihae", it is about a primordial goddess of the emerald garden and the sacred glade, it appears all the time. Lanonwalos. Lanonwalos God of full enjoyment and contented youth, Lanonwalos is the one who enjoys life to the fullest. Associated with velar and its yellow color, it is a very important bardic god, borrowing from the poetry of the unconscious, it is really a representative of the fullness of souls, of good spirits. It is the inspirer who generates youth, his power is internal. He gives shine to the mantle of princes, stands in the circle of chiefs. Inspirer of good feelings, he is a happy drille who plays his music in happy moments. He possessed great power because having his place with the sovereigns, he guided their decisions in the best possible spirit. NB: Associated with power and the ruling center, he is a sacred bard. Relationship with Lanon. Larroso. Larosso Also called Laros, he was the tutelary god of a place that was offered to men. A traveler coming from afar asked the god Larroso for his help, the latter offered him a branch and said this to him: "this branch is that of a tree of justice, you will have to plant it in a place where the wind and the dust are on you. emmwill come. ”The word was firm, and the ears heard. The man and his family followed the wind and came to an unknown place where the natural elements calmed down. It is there that the guide planted the branch, between the dawn and the tramont. There was a virgin territory protected by high borders. It is this ancestor who installed a village, began plowing and raising animals. There, too, a clearing was installed where the Druids told the story and honored Larroso, the great ancestor who enlightened them and led them to this peaceful place. NB: the theme is quite provided and therefore I deduce that Laros was a god of the establishment very honored in these territories, very old too. The history of the branch which replanted must restore the tree of laws, a justice and therefore a civilization seems to me to correspond fairly precisely with other myths. See also Larroson. Latobius. Latobius Said Latobius the ardent was considered as one who upheld the rights of ancestors. He was an obese character with a strong character, like the steel of the ax which accompanied him at all times. God of the passionate world, he was born from the gray and muddy waters rising from the earth, emerging in the great swamp of creation. Latobius enforced the ancient laws of which he was the guarantor. He was present all the time, from dawn to sunset, he had become a scholar knowing earthly matter and its future. This primal god who came from the world below established the crops of wheat and the fatty pastures. He brought fortune and sustainability. The big ax figure waged war whenever he had the chance. Latobius had many sons and daughters who resembled him, always ready to enforce the old laws, eager for work and war as for the best meals. NB: primal and voluntary god, the animality remains very present in the character. Lauena. Lauena Goddess said to the burning wound, Lauena was one of the bathing killer nymphs who roamed the waters during the day. She was a ferryman of the great river who judged who was worthy to cross to the spirit world or not. Lauena offered a duel to candidates who wanted to know the secrets of female magic, it was called the forbidden beauty. She was a hunter who did not forgive haphazard looks. This guardian was leading the souls of the deserving towards a full and happy continuity if only those there had the good idea to make an offering to her but also not to look her in the face. His divine animal possessed an oversized sense of smell. NB: I did not find which animal it was, but there is a link with shiny shapes and a good sense of smell. It would be a kind of female magistrate at the gates of the kingdom of the dead ??? Watch out for diurnal nymphs. Laucos. Laucos Laucos was a magician in charge of helping the fighters. He had learned the magic of Lugus and could strike his punches very far. He fought against evil forces and the shadows of the ii. He was making a big fire to clean up a place spiritually. It was also he who had large white stones used for prayers in selected places along the paths. He was a "changer" who fought against parasites. He knew the magic of clear pools of water and lakes and had a vision that could discern objects placed far away. He was accompanied by three sorceress sisters too, who begged the daylight to stay longer to light the paths. NB: White magic and clairvoyance. He is the god of a group of magicians from the north who seem to have passed on their wisdom from father to son. This history of transmission comes through very clearly in the study. Perhaps a kinship with "locos" for a question of exacerbated demonstrativeness. Lavictos. Lavictos Lavictos was one of the walkers who was going across the country. These pilgrims went from place to place following religious festivities. He was one of the vegetarians who went through the paths of the world without touching the meat, a damos, a nice guy. He was one of the leaders of the old religion of the waters, those pilgrims who were nicknamed "the fish" who constantly walked through the waters of time. He knew the stars well and knew that everything floated in the universe of the great stellar swamp. He followed my route of harvests and festivals therefore to participate in the harvests. He knew how to use plants like heather and moss to wash away sorrows. NB: related to the old water cult, it was like a religious leader. Relationship with plants therefore medicine. A Vates? Lavaratos. Lavaratos He was called the "road crier", Lavaratos moved his world forward with the force of his belching.ons. He was one of the bards accompanying the travelers. Short cape and hood, he enraged without stopping the length of the ways, telling who better to tell stories of epic fights to those who wanted to put up with him. Lavaratos was a dwarf with a strong presence, eloquent, the little fellow shouted his anger wherever he went. Small as he was, he was taken as a model for his admirable responsibilities. NB: a little bit temperamental bard. A singer of fights and struggles in a way. Leheren Leheren Leheren was a goddess who came from the setting sun, from the world below, she lived in a mountain, like a swampy island in the west of the Gallic territories. A place forbidden to men. She was red as a vixen and had wings that carried her above the waves. Wings full of a soft down that made absolutely no noise heard by ordinary people. A material that was used to design the diaper of newborns. This goddess of the dark night protected the surroundings during births. NB: a good fairy, red, who protected the descendants. Different from Leherennus in the study except for the red color of March. Maybe the female equivalent of a warrior. There is a story of an offering of fur or red down ??? Maybe to the one who then becomes Leherennus? Lenos. Lenos God of war excesses, the vague-eyed Lenos was a brave warrior but a little mad. He embodied the unconsciousness of those who rush into deadly battles, volunteering and ignorance of danger made him confuse him with a deity of naivety. Military god par excellence, he was considered the god of survival after death. Undoubtedly one of those who welcomed the deceased with great celebrations at the gates of the beyond. Lenos was a bloody character. NB: god or mythical warrior in relation to the releases, excesses and sacrifices of war. Naivety or abnegation, can even be generosity of the blows, seen under a festive and disproportionate aspect. Leucetio Leucetio (leu-ketio) Many mythical characters have been associated with one-off events during the year. It is the case of Leucetio, son of Leu (Lugus) if one can say, Leucetio meant: "the light of Cutios", ie a character incarnating the specific luminosity of the month of Cutios. In opposition with another moment called "Torocutios", the shadow of Cutios. At this precise time of the year, it was a question of making a discourse full of erudition, recounting adventures, digging into reflection, showing malignity and pragmatism. The light of Lugus and the spiritual shadow of Donn is surely one of the precise points which defined the Gallic cult. And certainly the opportunity to oppose and fight the two dragons. Stories of cloaks, swords and spears where the light debates with the shadow in an in-depth reflection on apparently warlike acts. NB: it is very important, the light evokes feelings to humans according to the different periods of the year, the shadow too. There may have been other ceremonial speeches and history concerning the other months, depending on the amplitude, the height of the sun in the sky. Which means, that there were "moon and star speeches" in the nocturnal nemetons. Discourse-river-light subject. Letinno. Letinno The cry was associated with birth, establishment and divinity, Letinno the gray habitat on the land of the Nîmes, part of the Gauls, he installed a colony there. It was a king who also passed to the divinity, thus acceding to the ways of reincarnation, an immortal. He knew the other side of the world, and became a missionary. It was he himself who made his own way, taking in hand his destiny, his sword and his winged helmet. It was an equestrian and like all those there, he traveled like a bird, easily, quickly. It is in the light of the south that he traced the bridge, a very Gallic symbol which indicated the accomplishment of a mission and the installation on a new earth. His prowess was sung and he entered the sacred glade of the nemetons, his death provoked emotion, an emulation that made him famous for good. It was said that his ardor and his passion never stopped, and that he still lived in the ether, seeking his way until his next return to the earth of men. NB: the celebration of a conquering hero passed to the divinity, the emulator aspect clearly appears in the study. And he would have become a god who was thanked for his kindness. There is apparently a trace in Galatia, a merchant? Lerina. Lerina Goddess of the alder groves, Lerina was a divinity affiliated with medicine. We called him of his wishes when we needed a return of strength, more "peps". Consideredlike an earthly princess who looked after people, Lerina the dancer was part of a group of potent and respected women, a good magician. She too, like all Gallic mothers, had a definite and inviolable territory, an implantation of divine justice which engendered stability. She gave certain gifts to those who prayed to her, divinity of the worship of the waters, she decided the destinies. Lerina is still embodied on the earth of men in the dancing buds at the top of the Alder. Like all mothers, Lerina represented an entire territory. NB: a master who gives super good results, physical-moral, magical gifts, a good aura. Terrestrial and divine incarnation associated with a medicinal plant, it is very normal. Leu-citica. Leucitica (Leu-citica) Leu-citica is still an event, it is obviously the name of a goddess of light from Lugus who founded a branch of Gallic civilization in Cisalpine. In the moor, the light was projected to reveal certain plants. It was the establishment of a citica, a primordial law. The myth enshrined this place where, apparently, a lake nymph had taken up residence. The projected light fell like a spear and the ground shook. It is there, in this now luminous place that a tribe of our compatriots settled. A place that became warm and livable among the stones. NB: are the stones considered as belonging to the other world, dark of spirituality ?? Relationship with the megaliths and Lugus. Leu-citica actually seems to indicate a moment when light makes a place habitable at the same time as a nymph. Leu-cimalacos Leucimalacos (leu-cimalacos) Leucimalacos is a special god who also embodies a very special moment in life in general. Affiliated with Lugus, like all relations with luminosity, he embodies the moment when the light falls. It is a time of slowness, brutality and weakness. Deity of exhausted old age, Leucimalacos is the god of those who move slowly towards their last moment. A god of the old boar. It has to do with the blood, the evening light and the last praises of the tramont. He is a somewhat lazy sleeper who saves himself. Deity known as "slow sap", people who delay, tranquility and rest. NB: fair enough, it may have been a moment of dedicated celebration for the older ones. Expressing the laws of old age. Leu-sdrinos. Leusdrinos (Leu-sdrinos) Another of Lugus' laws emanating from a special moment. There seems to be a connection with the winter solstice, the porticoes and the stone circles. These stone circles welcomed the speeches of priests, druids but also nobility. The course meeting in the circle surrounded by the population. Leusdrinos was the moment when the story of a conquest, the bloodshed and the drunkenness of time was told. It was about time, a star falling to the ground, the great oak grove. From the opening of an ark and then from the anger of valiant battalions, anger, condemnation, and shed sweat. NB: I have the impression that it is about a divinity evoking the victory of Lugus against a dusii which one knows today under the name of "Balor". It is the moment when the duration of the light of the days is the lowest and when, a victory ardently desired, the light takes precedence over the darkness. Leu-sdrinos was a so-called resurrection ceremony. other Leus-drino: God Lugus, phase known as the open light and the softness of the red leaves of the oak. Autumn with its exuberant colors. Lhyr. Lhyr (lir) The rooster fought for a long time against the night and its cry of victory resounded from the west. A man named Lhyr walked forward, leaving everything behind. Son of the goddess of the same name, he was called without daring to name him "the one who comes". He left his mark on last night and will still leave his symbol on the night to come. He has always reigned over his territories and will live at ease in these regions because he protects the future of the Gallic tribes. NB: theme designed on the journey of the rooster and the fight to overcome the night. Lhyr seems to have been a messenger, the one who gives the first word of the day and the last. Liber. Liber Also called "the goddess of a hundred mouths", Liber was the deity of physical profusion and natural eloquence. It has been compared with a hydra but also with the female hawk which is constantly expressed by flying over the land of men. It tells the oldest story in the world, its tail tells the adoration for infinity, the complicated but necessary profusion, the excesses of life, the welcome surprises. It gives the fruits of drunkenness and love. She was my goddess of large quantities but above all of abuse. It was she who was doingthe connections while forgetting the separations. This famous tail that she drags behind her is the representation of an endless sequence. NB: very old deity, it is also the goddess who gave her name to "freedom". This name, deified, belongs to the Gallic language and its roots for a long time, which was transmitted to other civilizations which have led it a little astray so to speak and which have made it the representation of their personal freedom, established by the weapons, forgetting that of others. With us it is compared with the hawk because it is a bird with an inextinguishable appetite. Litavis Litavis. It is a title conquering and manly in its form. It is about youth and travel, conquest and establishment at the same time as a notion of discovery and learning. Litavis denotes the will to expand territorially, the primary ambition. It is also a title associated with festivals of the year and therefore different gods. It is about installation, ardor, creativity and lands conquered from obscurity. It is found associated with the worship aspect as well as the warrior aspect. It is an idea of satiated, nurturing envy. There is something punctuated and celebrated in the sense that it is systematically a title dedicated to vital action on a uniquely physical world. Important for all that is of a "winning" action or of a prolix act in outlets. NB: there again there is an opposition between Celtism and the Gallic current. With us, Litavis is either a masculine qualifier, or a plural without a gendered gender, it is a title. In its thirst for cultural conquest, modern Celtic mythology has borrowed somewhat awkwardly from continental Gallic worship. The two currents are ideologically close, there are things in common, but they remain different. Gallic pragmatism clearly makes the difference with the dreamy aspect of Celtism. Livius. Livius Divinity of floors prepared for reception, solid constructions and masteries. Livius is also a temporal god, said of good beginnings. Associated with clarity and cleanliness, it embodies the idea of "cradle", of protective and warm calm. Livius or Livios, was a chatterbox if one may say so, that is to say that he facilitated agreements. He was clearly a great ancestor of the lower world, passionate and instinctive. Livius endorses the feeling of solidity and ease. NB: as a preparer of welcoming grounds, he was one of the divinities of protection and the good entourage, modernizing by bringing his help. Perhaps it was still a human passed to the active deity. The relationship with the soil of the houses and its preparation is obvious, a question of general cleanliness. Livicus Livicus was a kind of god of accountants, of quantities. It was compared to the wind of the Tramontana, to the current of the Pyrenean torrents and to large lakes. Nicknamed "the clawed hand", Livicus had the reputation of being stingy, of an uncommon avarice, he always brought back everything he found in never getting rid of anything. He was a god of the night world, a seasonless. He was small and his age made him lean forward. He had carried so many bags in his house all his life that his back never straightened. However, despite his bad reputation, he was called upon to keep his savings, so that the distances did not seem too long and that stability was maintained in the houses. Nb: a god of accountants, number of stones, coins, grains, water, weight, he counted everything, even the many births in some houses. Lucellos. A god of the fishermen of the lakes, he had built his palace at the bottom of one of them. He was almost a giant and we could see him from a great distance, perched on his promontory above the waves. He was born of the clan of freshwater fishermen, knew the cooking of these dishes by heart, the eggs, the livers, the flesh were prepared on a large flat stone before serving as a meal. Lucellos carried a spear with him, an arpoon, and a bird always accompanied him waiting for the moment when he would inevitably receive his food. He is nicknamed "the king fish", quick as lightning he speared the prey from his rock. Nb: there is a story of lake, struggle and fishing that comes out of the study. Known in England, and France. Lucettos. During certain phases of the moon, Lucettos descended on the plains, he came from the world above and he was a proud and noble hero. He was invoked during the nemetiales, periods of the year when the priestesses of the nemeton sang long odes to the glory of the times. Lucettos, the brilliant came to earth to dispense his great generosity. Where he spent the night, the fruits ripened, the plants sprouted from the earth and sweet-scented mushrooms sprouted from the humus of the countryside. Weinvoked Lucettos and his magic to found a little more the good omens of the year. He was a kind of nurturing and wild genius. Nb: another nourishing divinity, in connection with the rapid growth of plants during certain moons this time. Lucos. God from below, Lucos is the one who rules the parasites that no one can really get rid of. Mice, wood-eating insects, wolves and chicken-stealing foxes, such were the animals with an unquenchable appetite that roamed the nights with Lucos. He was a lame god, who did a lot of damage and drove people mad who, working the day, were tiring to repair the damage and lack of food caused by the dusii. He was a thief and he was also quarrelsome, the noises of the night could be heard by the thousands where Lucos had passed, and the next day the damage was counted by the hundreds in the farms and around the barns, in all the places where he had. conducted his raids. Nb: very bad thing that Lucos but the study allows to raise once again the relationship with animist cults. It is an evil spirit. Luchta. Luchta Where Lugota Luchta was a little girl born from the Stone Circle during the ice season. His pupils were a deep black and nothing could be read in his eyes. Sometimes she could be heard begging the spell to take her out of the circle because she came from the circle and could not leave it. We could see her floating above the frozen stones when she began to dance. This place was famous for and nobody dared to cross the stones because it seems you could get lost in an instant. It was in the middle of the woods, in a place where no one knew where he was. Nb: story of a little girl, "ghostly" or "different" in a pure place protected from the outside world. Luxovios. Also said in French: "the judgment of Ovios", the justice of the isf. Luxovios is also embodied by a one-legged, this because justice rests on a single plinth, a single foot. The berries of the ise were used to concoct a powerful and lethal poison, with the stones of its berries. Luxovios was the one who performed his duty by inflicting penalties, sometimes mortal penalties. It is the archetype of the executioner. He too had taken the oath, sworn fidelity, promising not to fail, it was a deity of the human world, the "Bitu". And it was only there that he did his work. It was he who chose the dates, places and ways of delivering justice, especially military justice. Because there was in addition and differently the justice of women and druids. Luxovios led to the edge of the tomb, he took charge of the travel of the condemned. Despite his grim reputation, the executioner belonged to the world of light, he was necessary and ultimately protected the future of societies. He imposed three punishments said to be: He inflicted the first sentence on himself, taking on himself the burden of the facts that had been judged. He inflicted the second sentence on the condemned, mortal, at the cruel moment of the punishment. He was inflicting the third sentence on all those who later thought they were committing the unforgivable act. In Gallic times, the sentences and the penalties imposed were made public, and perhaps it was compulsory to attend the punishments. Note: the righteousness of the îf, which is considered an immortal tree, was normally accomplished by military authorities. We know that the Equites were responsible for this, I do not think that there existed at that old time armed men belonging to civil society. Luxsa. Luxsa, goddess who made the link between kings and heaven, it is she who endorses the oaths made to the gods. Luxsa was first of all a special moment, a ceremony. It was the time when the druids and women of matriarchal power gave their power of judgment to the new king and demonstrated his worth. It was the part of the patriarchate which was dedicated to certain tasks, for border management or even the popular mass. Luxsa was the demonstration of human and divine power bestowed together. It was the ceremony of the fisherman, the sparkling lake under the stars and stone basins. A ceremony of the word given and kept, of truth and commitment. A moment of subjugation also because when the new king gave his word, all bowed before him by pledging allegiance to him. It took place in the courtyard of the heavenly palace. Nb: a ceremony of divine commitment and recognized by all. It is I think well, that of the crowning and of a divine judgment at the same time. We find this with the Merovingians. Be careful, it was not always blood ties that allowed the coronation, it was a judgment on merit. To what had been clearly demonstrated ins skills. Magos. Knowledge had to be transmitted, Ogmios ordered the ranks but did not have all the knowledge of magic stones. One day, a man named Magos set out to collect all the knowledge in the world, for that he needed the stones of Uirona. He walked for a long time and visited all the Gallic countries. Went to the tribal chiefs to discuss with them each of the certainties of which they had become the guardians. Several years passed and he managed to bring together the beauty of all the stones that supported Gaul. He returned to his point of departure and he founded a school where they taught the truth about the elements and the origin of the Gallic knowledge, ancestral, preserved by the tribes. When he died, Magos demanded that he be buried under the pile of stones at Uirona. He had learned a lot, had become a magician or more exactly a mage. He reincarnated on numerous occasions through his descendants. His knowledge came back to him in memory thanks to the game of transmission of the spirit of the stones which was kept by his family. Nb: "Magos" is a word which designates the accumulation of a good, of a knowledge or of a family perenniality, it is thus that many descendants were also called "magus". The word also designates the alliance of community things, a market where we exchange for example. Arrived in French as "le mage", a term which is not of Indo-European origin either. It's as old as the first tumulus. Maponos. Families were forming, offspring was an important thing. This was to represent fathers and sons, because yes a part of Gallic civilization was patriarchal, patriarchal but subject to a great mother goddess. It was thanks to her that the sons took over from their fathers. In fact, she had given birth to a god who had to act in this direction, he represented filiation, the resemblance of the spirit, of the profession or of the body. It was Maponos, the boy with the angelic face. It was he who took the roads already marked out, who spoke in the same way as his ancestors. NB: we knew that Maponos was a child-god, he is often associated with Esus the volunteer. In the primo-language: "Ma": twinning-resemblance, "Épo": family coverage, "Éno": the genre, "Bones": from Esos, the will. Which gives us roughly a primary interpretation like this: Maponos = "The desire for family resemblance". Marcos and Darcos. Kernos lived a long time he had a big heart and he had two twin sons whom he called Marcos and Darcos. They had grown up together and nothing could separate them. The father had invented agriculture and his sons worked in the fields next to the roads. Despite their great difference in character, the two brothers agreed to do nothing separately because a common misfortune had struck them. To one nature had given good sight but no feet to move forward and the other was given blindness and two legs to run fast. Which was annoying because when Marcos sowed a grain, Darcos trampled the growing plant. So even when working in pairs, only half of the sowing yielded a harvest. People who knew them had nicknamed them in passing: "Hey! Here are Marcos and Darcos, the weeds of the fields and the wheat". Matos and Abala. King Matos had been sleeping in his cave for a long time when the air enriched with the flavors of spring came to wake him. Heavy by nature, he got up awkwardly to see what the day had in store for him. At the entrance to his cave reigned an odoriferous maelstrom which titillated his nostrils, he suddenly remembered that he had not eaten anything for days, maybe even months. This abrupt man rushed towards the green exterior with the firm intention of finding where the happiness that filled the air came from, it was like the sweetness of a song. He did not have to look very far, on the edges of the path, strange trees seemed to speak to him. Getting closer to his badly licked bear walk, a shining spark caught his eye, that's where he met Abala, a goddess of feminine beauty. His curves immediately made him want, the body of the latter shone silky reflections. Approaching, therefore, he asked the question that burned his lips: "By the gods, who are you young woman?" The goddess smiled again and affirmed without blinking that she was the deity that awakens stubborn souls. That she came from heaven and that the time had come for him to learn what the tree of knowledge had in store for him in the future. Matos growled: "I'm hungry, I've never been so hungry as today!". "-that's right," the personified beauty whispered, and that hunger will come back to you often now that you've met me. What you see is only what you think about it inside you. My curves, my ctheirs are just a taste of what to expect. Some say that gluttony is a curse, but you are made to embody the fruits of my young Gallic beauty " Matos threw himself on her. Immediately the goddess was transformed into a new fruit, of those which you humans call the apple. The fellow took the fruit in his big hands and bit into it. His vision filled with colors, his senses transported him with ease and he was no longer aware of where he was ... He woke up later at the foot of the apple tree, the goddess was gone, the man looked around sadly. He suddenly realized that the ground was littered with Abala's bounties. Apples, there were apples all around him. His lips straightened in front of this divine mane, he smiled eagerly. When night fell, he returned to his solitary cave and thought of the divine banquet that had been offered to him. Subsequently, Matos often returned to the place of his first love, and he saw the goddess once or twice. During a discussion, she taught him that he should never eat all the apples that were offered to him, it was at the risk of never seeing her again. He stuck to this wise advice for years, but one day gluttony took over and he bit into all the fruit he found. Since that date, Matos the greedy was unhappy to no longer find the sacred apple tree ... he never returned to his lair, no longer knowing where his happiness could well be. From this date when he met Abala, he decided to give his name to this day of the year, it was the last day of the month of Cantlos, the 29th precisely. Moritasgus. There were the gods above and the gods below. The first gave the spirits while the second possessed more carnal powers. Moritasgus in particular was renowned, he was brought offerings because he came from the bowels of the earth, from the world of passions and acceded to certain wishes, especially love ones. They brought her fingers, phallus, breasts and pelvis. He was called "the one who penetrates everything" because even the dark powers did not stop him. He could move silently, run in the darkest nights at breakneck speed and enter hearts. In Alise, a fountain coming from one of its burrows was reputed to bring fertility and the virtues of sexuality. People were bathing in the wills of the digger god. A Senon chief had even taken his name, Moritasgus, the sea badger, implying "the lover of women" or "the great lover". He was the god of carnal invocations, the one who could penetrate the heart of the earth, that of women. Of these passions, it seems that some Gauls did not deprive themselves of them. He was the god of the mines of rejoicing, of warm layers, that of the pleasures of sexuality. Besides, Sirona the goddess of fantasies was never very far from Moritasgus. Damona too. Of all the offerings, they brought him in particular brass eyes, to attract the gaze of the other. A powerful god if there is one, because the one who provokes love controls a part of the world. Nb: I confirm, with us the god of sexual pleasures is not a pig but a badger. You can throw your bunnies in the trash. Another thing, homosexuality has always existed, among the offerings discovered there is one related to it. Like it or not, there was no anger among the Gauls about this kind of practice. It was a free way of thinking. Everyone did what they wanted. Mabon. Mabon nicknamed the little sun was the god of radiant childhoods. Mabon belonged to the woman, to Ana's body, to the dark world of internalized spirituality. He was a little god very devoted to the goddess, full of health, bursting with jovial moods and bringing light to people's lives. He helped the peasants with the harvests and had fun making the highest stacks of hay. Mabon accompanied the sellers to the markets and brought good luck during the exchanges. He was a divine child, a child of love. Nb: a radiant little god but who belongs to the only spiritual world. A star in the night. Three Machae. Machae (the 3 magae) In the month of Anagantio we counted what was going to be used during sowing. The three Machae were twin sisters who shared the youth. It is also the latter which gave it to young men during a festival called luminous and masculine beauty. The three deities chose which of the young men of the tribe would represent the canons of male beauty. A sort of competition in which rules were imposed of course, limits not to be exceeded. Honor was paid to the powerful muscles which should work the plots ofplowing. The purpose of this ceremony was to attract light to the fields. NB: a very Gallic definition of what the Greeks call "patiences". It is about judgment, grace and looks and reservations. Looks like an ancient beauty pageant, more focused on agriculture than fashion. We just have to make a calendar of "wheat hairs". Magalos. Magalos Magalos was a very honorary title since it was attributed to the princes of wisdom. It designates glory in general, honors, and greatness, nobility of spirit. It is still attributed to places in which a great wealth of diversity spread, in particular market places and exchanges. It was attributed to name fields with large yields, so Magalos was a title given to a certain physical wealth, for people with many servants, for doctors and druids. All that deserved to be respected above all the rest. Large areas also bore this title. NB: an evolution of the word magos which indicates an accumulation of wonders but with a recognition of the richness pecu the area, from there highlighting an easy person, a place or a character. Nothing to do with megalomania. Magiorix. Magiorix Magiorix was a title given to the god of commerce, a god having been one of the ancestors who came to earth, one of the old kings who were praised in the nemetons. He had lived at the very beginning of the area of the Auroch (bull) which came after that of the bear. Many odes and poems spoke of him, of his memory, of what he had left and what he had taken. We talked about his will imposed everywhere, his brand. He had ruled the surrounding territories in a divine way and few wars ensued. He amassed a great fortune, but his real treasure was to be found elsewhere, away from prying eyes. He was a mage and among his possessions was a unique item of value beyond imagination. An object which, however, when one had never heard of it, did not immediately attract attention. Something that had belonged to one of the sacred animals. Nb: commerce and poetry, mercury and appolon, wealth easily accumulated in peace because the king trade among the Gauls was that of Bélénos and Cucullãtos, that of medicinal herbs and various offerings to the god of physicians. We paid for health, sometimes very expensive. Magazine. Shop Magus was an outstanding manager, it was he who took care of the mage's easements, even all the land visible on the horizon. It was he who decided on memberships, servitudes, possessions and bargaining. He lived in the land of men, in the midst of the world, he was a young man full of will. With a lot of ambition, he worked hard to cultivate the fields, always with the aim of having more of them the following year. It is this desire to stack up, to earn more and more in order to grow richer again and again that made its reputation. The quality and seriousness of his work were recognized everywhere. Nb: the ambition of young people eager for recognition translated into a divine story but down to earth, pragmatic. Bondage to a mage and his declared magic on a membership basis. It is not an apology for the freedom to think, quite the contrary. It is achievement through alienation from a higher divine force, not human. Maglomatonios. Maglomatonios Maglomatonios was what we call today an Epicurean, but this god was a thousand times more profiteer, was a thousand times more greedy, more joyful and more suited to the various intoxications that life offered in those times. He was the prince of beautiful furs, fragrant honeys, fresh ale and cheerful atmospheres. His only path was that of his personal palace in which no pleasure was ignored. His reserves were barely the best barley, sunny wheat, fodder was never lacking in his stables full of horses. He knew how to appreciate everything from the delights of the harvests to the songs of the peasants who celebrated him. And of course he loved women, almost more than he even if he had only had this attraction there for life. He loved children too, was very dear to them, and had many descendants. Nb: divinity of pleasure, all the attractions and interest. It is a title belonging to another god, on the side of the Artionis I would say. Magusanus. Magusanus It was said of the god Ogmios, he embodied the Magusanus, the favorable dream. Ogmios spoke by stringing words one after another, he represented political power and royalty. The royal sun that made you think and dream of better days. He provoked smiles and good humor, linked people togetherble in a cordial understanding. The Magusanus knew how to accomplish the most important deeds at the Gallic state level. He had the strength to heal the evils that caused wars, he was an elder, a god who had seen many things and who knew how to behave in any occasion. When Magusanus ruled at its time of year, people slept well. Nb: title of Ogmios therefore which has a lot of link with royalty in general. (Professor, politics, royalty) Maiabasae. Mayabasae These masters recognized this from afar, they were the ones who made the fashions but above all, it was they who wore the headdresses of nobility and grace. These mothers of feminine beauty were born from the beautiful neighborhoods of nobility if I dare say. They came from the west, maybe from Brittany, with beautiful baskets and beautiful headdresses, their bodies molded in beautiful clothes, it was said that they were well "bundled". All equal to each other because they looked alike. We admired their curves because they were mothers on earth. Nb: quite that, the canons of Gallic feminine beauty nacquired very feminine consideration on their dress but also on their social status of which that of mother was the most respected. Mallo. Mallo Mallos also says but it is a lie because Mallo is the cantor of the involuntary. There are fat people who are very lively, however, but Mallos was not so disposed. There are people who are fat but move gracefully, but not Mallos who preferred to sweat. There are people who are indolent because they rest, but not Mallos who made laziness a lifestyle. There are people who are gentle and pleasant because of their bubbly moods, but not Mallos who was a honeyed and characterless god. There are people who despite their simple manners walk through all doors being welcome, but not Mallos who was way too rude. There are princes who maintain their image to remain whole in the esteem of the people, but not Mallos who made one think of a wave withered by lack of maintenance. And yet we sometimes praised him, because what he represented, everyone would have loved, had dreamed of owning from time to time. There are people who are physically ugly but who have the beauty of the soul, but not Mallos who was decidedly only a profit-making vermin and envied because he alone had freed himself from everything. Nb: god of laziness and letting go. It did exist. Maniacos. Maniacos This is the real title dedicated to the torc, which I know in the form "neman-iacos". In the texts there is named a ceremony called Nemna liyumi, or litanis, it defines the establishment of a year. This golden circle. Opened on two figures formerly of aurochs, today should be represented with two figures of Aquarius since we are entering the area of Aquarius. Those who wear the necklace of scholars were educated by the Druids. They are those who think in the realm of spirituality before having a purely physical reflection. They are normally calm and thoughtful people. This necklace should only be worn by people who speak Gaulish normally because they are the ones who know the history of this people, the old laws, the sanctuary places. They are the ones who tell the story of the sky and the goddess, who sang the odes and who were the most respected. Considered natural leaders. It was also they who knew the beauties of the ancient language, of the spirit of the ancestors. Nb: there is a story of solar plexus below ??? Apparently they were the ones who were promised reincarnation. Masuciacus. Masuciacus was a great doctor, he knew the evil of repeated epidemics and knew how to quarantine incurable patients and dangerous for others. Go to divinity because he displayed unfailing judgment and expertise. He had become a god from below, educating by the irrepressible feeling the conduct of the people. He embodied the innate and instinctive reactions of rejection to what appeared to be a serious epidemic disease. He was an eternal divinity, anchored in genes who warned of the dangers of certain aspects such as cankers and redness, leprosy, plague and other infectious diseases owed their eradication to this god. Nb: I think that we should look for ancient methods of fighting against infections. He's kind of a hooded guard, a caregiver. Masuciacus is a title. Maïrae Mattres. Maïrae It is a title dedicated to mothers who honor Mori. They are therefore priestesses of the sea and the waters of heaven. They are the ones that give an old human feeling that has to do with the sea and its luminosities. These are the mothers of sadness. EThey belong to the goddess and mourn the missing. The sea is seen as the places of lost sailors, fathers, husbands and sons who go missing. It is because of this that the sea, the water is often compared to the sky of the gods. And the stars are its landmarks, the bitters, memories. It is a belief that dates back to about three thousand years before our site, coming from an old seafaring people. These Maïrae masters define belonging to the Gallic tribe. From their stories come the agitated, moving and sometimes deadly tales of the great rides which nourished the glory of a very old people. Nb: known in the north and in present-day Portugal, they are maritime masters, life and death adventurers and heroes who have passed on earth and have joined the secret of divine heaven. This is where the mythical story of seahorses and travelers who reached the sky crossing the seas of the west comes from. Because on the horizon, where the sun sets, the ocean and the great river of the sky merge. Hence the myth of the centaur horsemen who leap across the sky. Math-matowni Math-matowni Among the Gauls, math-matowni denoted a fat mother who, with an overwhelming gait, seemed to dance on the roads. She was often heard screaming louder than men, and in addition to her giant size, she knocked down the warriors who would have liked to bar his way. Because she was a war matron, a fat woman who mowed the wheat faster than all the men put together. Throwing each other aside, this divinity passed in front of everyone to crush the opponents of his people. Nb: another woman (among the Gauls it is a woman) warrior who defends her homeland. Archetype of the angry matron according to the study. Materna. Materna The inspiring mother of the paths, the great goddess who gave birth to the word of the universe. Enclosure of history and life, destinies in the great river of time. Matrae The Matrae are the keepers of the secrets of the goddess, they are gorgons who brood and protect the other part of the world. See Vic crater, they are two, the two female parts, like the two twins, two antagonistic and irreconcilable visions of creation, life and death. Matae Like the Matrae, they are two fabulous monsters who name the immortal. They know the name of the goddess and her love. They are the ones who establish his earthly powers without measures. Beware of the unlucky and clumsy because the Matae masters impose the gaze of their divine mistress. Masanae. Masanae The Masanae masters were super-nurses, they were the ones who prepared the delicacies of life. These were women on the move who accompanied other young women in their education. They also had a role of protection, guardians of virginity and of purity in general. They were dedicated to the preparations of whey and cheeses that should not be corrupted. Nb: There is a story of drunkenness and cohabitation apparently. Either way, it was about protection and preparation. Would it be a specialized sorority? Matunos. Matunos There was a place and a time for everything, and also for morning awakenings. A story between the bear and the pony happened at dawn, one woke up quietly looking at the sky while the starving teddy bear on a night without eating looked at him with envy. The speech of the bear cub, called Matunos, the gourmand, was awkward at the start of the day as always. He asked the pony where his food was and if he wanted to share it. And the pony replied, admiring the lights, that its morning food was in heaven's promises. The bear cub did not believe it and went around the haystack to look for something to be satisfied. The pony then said to him: "what you are eagerly trying to gobble up to start the day, I do not touch it while waiting for the day to establish". But a few years later, we were forced to realize that if the pony hadn't grown up, the bear had grown tall, full of vigor and envy. Since then, to make children grow up, we tell them the story of the greedy bear cub and the pony. Nb: parable of greedy youth and the dreamy, detached cerebrality. We must be quite close to the old tale. Characteristic phoneme between the Gallic "Matunos", greedy, and the French term "morning", of the one who comes in the morning, denoting the desire to live physically and to eat in order to grow, this corresponds to the morning desire. There must have been another parable comparing the Gallic house, the cottage, and the haystack which appears in certain myths Matuicos. Matuicos In the morning we beat the straw to remove itgrains were a rule of life. Matuicos obeyed mothers, he was a well educated person, he was quick and efficient, strong as a bear. He move on the roads between farms to help make the harvests. Vigorous, eager to be useful, he sang while working in the fields. He was a "regulator", a seasonal worker. He moved with good sense, there he was needed and where he was well fed. Her body was healthy, like the good spirit that inhabited it. Nb: always a relationship with the bear, food, physical and agricultural work. It is the physical strength which is put forward at the same time as the obligation to participate in a work to nourish oneself. Of the need to have rules of life. Maximia. Maximia In the depths of the night finds the abode of a very old goddess, on the far edge of the world, after the last ride, Maxima takes the soul towards a very particular nemeton. There the goddess is taking care, watering her guests with the best milk, keeping them in a drunkenness much deeper than acceptable. In the bosom of the foster mother there is only contentment, and whoever comes into her circle never turns back. Nb: very ancient divinity of absolute and Irreversible contentment. Reflection on the best and the worst. The wild sow, female of the sacred boar and mother of wild boar no doubt, appears. She is a great nurturing goddess who had to be sculpted with several pairs of breasts. Medba. Medba Medba of the lower world lived in opulence. Coming from the world of passions, it provoked uncontrolled reactions. Jealousy, the intoxication of the senses, anger in general, it triggered all ardor beyond limits. The fusional behavior, the definitive memberships, Medba promised the best to the ambitious in a completely abnormal way, fulfilling all their desires and more still. Whoever walked on his land of absolutism kept his feet a little burnt. Hearts were beating like a hammer on an anvil, the dark power of Medba bewitched bodies and minds by inducing too much wealth, inhuman, uncontrollable. Yet we still gave her gifts and offerings, because we needed her during the feasts on the middle world. Nb: divinity of heightened passions, not always a bad thing. We could honor both worlds (passion and mastery) among the Gauls Mediotautehae. Mediotautehae In this world of environment and inconstancy, heroes were celebrated to appease the fury of the god of war. Those who were entitled to their stone mound, their burial mound, those who had shown their valor and their heart to the cruel works of battle. Wolves were celebrated and the vanquished were often sacrificed. It was the law of tautehae masters, the law of blood, flames and ruthless spikes. The mediotautéhae was an event where prisoners of war were killed under the colors of the sacred. NB: it was a common practice in antiquity, it still happens in our time, under the aegis of the sacred and divine fury. It was a special ceremony therefore related to a special time of the year. Meduna. Meduna Meduna lived in the land of little ponies (or little horses) in the world of humans. There was a sacred enclosure there with a garden of comfort. The intoxicating place belonged to a goddess of loves and amorous judgments. It was to her that offerings of mead were made, to her also that the well-watered evenings were dedicated, when we sang love. In this well-kept park, we maintained our desires vigorously by dint of songs. Everything in the place was favorable to it, but one of the paths led directly into the Anderos and its destructive passions. Meduna was a goddess of the heart all in passion in the world of human dreams but a very demanding mistress who did not forgive anything on reflection. Nb: clear relationship with Edunia and the primordial garden, the meetings and the feeling of love highlighted. It is very Gallic. To be included in the quests of the absolute with the other gods of passion. Meduna Meduna lived in the land of little ponies (or little horses) in the world of humans. There was a sacred enclosure there with a garden of comfort. The intoxicating place belonged to a goddess of loves and amorous judgments. It was to her that we made offerings of mead, to her also that were dedicated the well-watered evenings, when we sang love. In this well-kept park, we maintained our desires vigorously by dint of songs. Everything in the place was favorable, but one of the paths led directly into the Anderos and its destructive passions. Meduna was a passionate heart goddess in the world of human dreams but unot very demanding mistress who forgave nothing on reflection. Nb: clear relationship with Edunia and the primordial garden, the meetings and the feeling of love highlighted. It is very Gallic. To be included in the quests of the absolute with the other gods of passion. Menman-dutae. Menman-dutae There was a group of Mattres that we had nicknamed the menman-dutae, of a silent sorority integrating the girls given to the goddess. They spent their lives studying, talking about religion, and caring for memories. Once enthroned, they were prepared to establish prophecies, prayers and offerings. They would have the decisions, all offered to the service of the palaces. Their intelligence opened endless doors, they never made a decision for others because they were advice. Nb: priestesses wearing the neman-iacos, leading an existence between heaven and earth. Deities of the "doors". Melovius. Melovius Melovius belonged to the World of Light, he was the blond hair of some Europeans, was six feet tall. He was a well-trained and obedient soldier in everything. He was usually slow and a little lazy, had a sweet character like larch syrup. The familiar figure of the blond giant had been perpetuated through his descendants and their path was that of their ancestors. They served their clan well, it had been established for millennia. Yet Melovius and his descendants had remained in the memories of the nemeton as a terrible soldier, a very great destroyer who sows ruin and desolation. It is said that he was the victim of a bewitchment at these times. He had the life force of Aries and rushed headlong into the fray. Nb: From military servility to the uncontrollable outburst of arms. A reflection on the human and his killer instinct born. A theme quite provided in this ancient period, it seems that he was a god. There were various racial types established according to the Gallic territories. Blondes, redheads, browns, ..etc. Mediocraros. Mediocraros According to the months which passed the myths displayed their judgments. In the midst of all the Gallic world there is the Mattres, chiefs in villages and towns, they too cost caught in the torments of the middle world. These women of the center knew like any human the pangs of inconstancy, in the intoxication of time. And there was a time in the year when we celebrated the era of women, a time called the mediocraros, the time of anger, the storm. Nb: it is about anger and judgment in the study. Dedicated to a particular time, a deity of monstrous anger provoked by women. Meldios. Meldios Meldios was a deity of the inner mountain world. He was simple and intelligent but never finished in anything. He was systematic, a cold Cartesian and determined in his thoughts. Pragmatic above all, Meldios calculated everything with the coldness of his usual character. He had no mercy, no consideration for those who did not belong to his clan. Yet he was faithful in everything and always did what he had to do without ever forgetting anything, inevitably. His spirit was eternal like the ice of the Alps, coming from a place where one never hesitated to advance against all odds if necessary, to fight out of habit, to organize oneself constantly. Nb: It is the deified side of Melovius. The character of hot ice. It seems to point to a place. Midir. Midir Laughing Midir lived in the middle world long before men appeared. He was one of the great ancestors and he lived with one of the primordial mothers. He had a period dedicated to him later because he was a generous mage. He spoke incessantly twisted and through each other, judging the people, the seasons and the stones. When the birds spread their songful chatter in the bushes, ringing out from all corners of the earth, Midir was said to be awake. What he loved above all was mead and birdsong. Nb: an example of gossip mixed with divine judgment. The drunkenness described is that of the fluctuating interpretation of time on the human world, a place where nothing is stable and definitive. Mogetos. Mogetus Mogetus was a great mage, he stored in his memory most of the knowledge of the Gallic world. Mogontia Mogontia is a title given to great magicians, scholars. Mogontionae The Mogontionae Mattres was a group of mother magicians who were also called the Mattres of Ana, of water magic. Nb: Ana therefore had a very clear relationship with the magic of women. Magounos Magounos was the genius, the spirit that settled on the granbusy places where diversified markets spread over large areas. Moltinos. Moltinos God of shepherds, Moltinos is embodied in Aries on earth. It is a parable about tribal leaders and religious leaders. Coming from animism, he developed the instinctive senses of grouping, mutual aid and protection that were later attributed to the guides of spirituality. He is an ancient god of virility, bodily liveliness, almost distrust of the natural order of things. Moltinos was known for his composure, strength and fighting instincts. Nb: Moltinos says in French "the sheep", which in Gallic times did not allow itself to be sheared too easily. It was considered in some places as a sacred wild animal. Moccus. Moccus Moccus was an old chieftain who used the Golden Boar as his ensign. His word was very respected because he brought good luck, we say. He embodied a god who returned to earth to provide care to those who still honored him. He had servants in his house, serfs on his land, and servants looking after his horse. He was called upon to provide his surety during business because he never lied. His tribe became rich, the prolific fields yielded their harvests systematically every year, gathering precious commodities. Moccus during his last ride was carried away by his weight and he never stopped since that remote time to leave his mark in the sky. Nb: maybe it is one of the four horsemen, the one who wears the headdress with the boar on the vase of Gundestrup? Beware of the very marked antagonism in the study with the Celtic culture. Morigana. Morigana Morigana means "the young Mori" but can also be translated as "the mother who reigns over the waters", "the youth of the sea". She is a very ancient goddess of the cult of the waters. Apparently she embodies the unknown, the fog, the secret and the simple truth when she gives it. It was a mistress of the destinies of which we took up the myth in the history of King Arthur, designating the light to him and Morigana designating the dark aspect normally belonging to the cult of Mattres and black virgins. It is a completely religious deity, of the human world who embodies the youth of spirituality. That is to say the entry into the dark and internalized world of thought, a place where the mind remains young even when the body ages. Nb: known especially in Brittany and among the Welsh where we found inscriptions of his name. Mori. Mori As her name suggests, the goddess Mori represents the sea and ocean of the west, where all waters end and begin. She is a goddess of passage and contact with the sky. It is especially the feelings of sadness and melancholy that are his mark but not only these since it seems that the processions led on the path of the Pyrenean dolmens to present-day Portugal were dedicated to him. Through a cult of life and death which surely took its foundations thanks to the myths of sailors who disappeared at sea, on the horizon. Mori is the Mattres of healings on the dolmenic paths but it is that of the passage into the world above, of bodily death at the end of the path, can a deity capable of pardoning the sick convicts. Nb: relationship with death, the sea and the sky, it is a very old European cult. One of the immortal black virgins of remembrance, of patience too. His plant appears to be amaranth. If I'm not mistaken, she gave birth to a son named "Amorgen", the sad man. It is possible that this last story was not written until around the year 1000. Nabelcus. Nabelcus Nabelcus was the commander of a mighty Fort, seated on top of a hill that climbed to the sky. He made the connection with the great god of war. Nabelcus embodied the installation of the soldiers somewhere. These garrisons installed villages around their positions which provided supplies and therefore installed light, human civilization. There was a dead tree at the top of the hill, it was with its wood that the solid walls were built. The powerful fort of Nabelcus was dazzling white, its new installation caused fear among the barbarian packs coming from the East. It was a good thing because peace settled. A divine purity spread around the white fort. Nb: God warrior or commander of Dunon who facilitated the installation of civilization. Auspicious. Nantosuelta. Nantosuelta One could call it "the will of the ground", Nantosuelta is a divinity from below, she is present in the primordial clearing. It is a nymph of matrix water, water present in the soil and which allows plants to live. From the passionate world, Nantosuelta represents love in the couple and in the gaulois is the feminine deity of marriages. We find her represented with a pitcher next to her companion with the hammer, the big heart of the groom who beats for his beautiful. Resulting from the cult of the matrix waters, it is the magic of the woman which nourishes, which waters the creation, which provokes it. Nb: different representations exist, always it is a water carrier and always it is sculpted with its companion. Nantos. Among the Namnetes, recklessness came to young people when a god came out of Atlantean waters. On beaches battered by the westerly wind, Nantos came in immense and cheerful tides. The rowdy forced his way without the solid entrenchments of imposed morality. His communicative laughter hurtled down the slopes like torrents that jostled everything. Mingling with uncertain affairs, its flows mingled certainties in impenetrable knots with the seriousness of diligent people. Nantos didn't care, living in immediacy. His eternal youth was not lacking when lost souls wanted to invade this territory at the end of autumn. He kept coming back to the charge, mockingly, even mocking the sadness that rose from the world below. Nantos the laughing, the one who upsets the established order, did not hesitate to join in the battles either, mocking those who opposite wanted to impose their unfair laws. And yet its lightness had no fault, even death trembled before the waves of this monkey king. Its presence was most often announced by seabirds, the silly seagulls named Ernaes invaded the land, lifting the souls of those who had lost hope. Nantos feared nothing and no one, he hung around ceaselessly at the gates of the other world trying to enter there, to go and play some forbidden pranks. Nb: Nantos also had to have a namesake like "Nertos" inland. His stone, "Nantos" designating fearlessness is a dark blue, that of the Atlantic, his animal seems to be the Mocking Jay. The Ernaes are the ancestors of the Greek Erynies. Naria. Naria Naria the Grim Reaper was a very responsive warrior, she embodied unpredictable novelty. He was a sort of vigilante, his emblem was a fighting crow. From this group we know that they engaged throughout their life without failing, it protected certain territories. These women remained virgin all their existence and never had children. Deified, Naria fulfilled a vital role, the terrible warrior could say one, mow down a whole troop like the corn. NB: we are getting closer to the myth of the Amazons, who have a clear connection with the crow among the Gallic. Maybe a connection with the Greek "nereids", wavelets with the big unpredictable wave, trace of the cult of the waters, but beware the Gallic and Greek cults are somewhat antagonistic. Narbo. Narbo He was an osmotic god, he had a relationship with the sea that he was constantly looking at, as in a manner of exchange. He was also a great ancestor, that is to say a man who came to the divine side. Grandfather Narbo had traveled a lot, he had fought often and for different camps. He was a sailor, a shore-based fisherman and an outstanding swimmer. Its element was the sea, it lavished its virtues on it, gave it its breath, made its body vigorous. Nb: Always a god who embodies a special way of life, a profession and an environment, penetrating the imagination of neophytes. Nataë Mattres. Nataë Mattres The Nataë Mattres evolved in the dark and inner world. They offered a high protection for the newborns because they were the godmothers, the aunts of the tribe. The Nataë were living fairies of the other world who fulfilled the wishes, they were an integral part of the Gallic family and a statuette of one of these masters was kept there in all the houses. They made the links with the other clans. Enchanting the world above, they had no physical passions, which made them a little envious of humans, their power was dedicated to the protection of young people, streams that had to clear. They instilled certain skills and ways of being. They behaved like good friends to facilitate exchanges. Nb: It seems that there is a connection with the big bear. Nechtan. Nechtan From the world above, Nechtan had also taken the oath of the poppy, the flower of Lugus. A righteous man, he cultivated the sacred circle of a nemeton to make it fertile ground. When he arrived on the wooded places, there was nothing but fallow land and bewitchment. A prisoner of the abnobae, they forced him to pass the plow through their brambles. He was the first to do this and he spent several nights turning over the nearest land. A girl from the deep woods came to himaddress a message, his wish would be granted if he spent the next cycle praying to the gods. This is how Nechtan settled down on this land, was declared king and made it a place of song. Nb: big theme so it is a very old character, who would have brought heaven and earth closer together. No trace of battle or weapons in the study. From what I have been able to learn with the other deified, it seems that whoever installs a nemeton for the first time on a land becomes its main hero or the monarch. Like a messenger of the gods whose flower would be the poppy. Namae-ves Nemae-ves (Also called Némaeues). At the beginning of the year the Mothers of the tribe celebrated the new stars of the year which appeared in the depths of the sky. Thus on the spiritual tree appeared new branches, these nymphs inherited the old laws which were to represent them in the world of the living. At this time of the year the famous odes were sung and passed on to the next generations. And it is there that appeared that which one called "the ninth horseman", the new man. Nb: transmission to the breasts of the woods sanctuary, the new masters were accepted at that time. Nemausos. On the lands of Nantes, at the very beginning there was only brush, infested with poisonous snakes, this place offered nothing good to the tribes of passages. No cultures seemed to want to stand upright there. However, in the middle of it flowed a cool river and a large oak tree offered a little respite to weary and hungry travelers. A woman, a powerful seer asked the gods to bring history, the great ancient serpent which traced the roads and installed the cities in its knots. On the first morning of the following spring, a newborn was found abandoned at the foot of the big tree, a bird sang a playful tune nearby. The song lasted four nights and three days. Which greatly intrigued people. The woman named him Nemausos. She raised him in those arid lands, and he grew tough. In adolescence his abilities amazed even more. The mania of this kid like no other was to face the biggest and most lively snakes. Become a man, Nemausos decided to eradicate the evil spirits of this territory where only he could live in peace. He ran for ten nights and nine days through the land covered with thorn bushes. Seeking evil beings, catching all the snakes in the place. He stuffed them into a bag which he took to a great hole which led to the worlds below, and he threw the bag into the abyss of perdition. The plain thus sanitized, he could offer it to her who had raised him. The place became a sanctuary where the gods below could not return. In his honor this place around the tree was called: "Németon", the place of celebration. Nemausos was the first king of the place, he was considered the envoy of the gods from above. The bird sang its praises for a long time, and humans celebrated it even longer after the death of the first hero. At night especially, in the sacred circle, their story was told in fantastic odes. Nb: Nemausos, also called Nemaxat means: "the divine will". Nemo: the cover of the sky, Esos: volunteering. Its stone is "Nemax": celebrity. The word that has come down to us in French is "renown", from "Némos", the sky. If I'm not mistaken, Nemausos is the constellation Perseus among the Greeks. Neman-Iacos. At the beginning, in the dawn of time there was a great Auroch, I think it was he who was called Iamos. He awoke at the beginning of a cycle of sun and with a stroke of the paw made the spark burst forth, This blacksmith uncovered the ball of the sun and called out the universe, From this imprint spread the first word, The strength of his character lived thirty years, His wish was granted and the horns of the white stag grew around the world tree, The law of the divine animal was the first that triggered the cycles, A Druid named Iacos watched the stars move under the impact, From there comes the nobility of knowledge, The rules of Iacos were modeled on his race, It was he who shaped the Nema-Iacos, Through his history he gave him the power to regulate the lives of men, At the end of his reign, which lasted a Gallic century, the auroch tapped the stone a second time, He ordered the nocturnal stars, They remembered the strength of his speech, Since then, whoever wears the Neman-iacos wears the badge of universal law, The sign that surrounds the first heat and the first birth. Nb: what we call Torc today was called "Neman-Iacos", it is the necklace of power. It designates the beginning and the end of the universe, of time, but also and above all of the law of the ancestors. The term "Maniaces" rendered by the Greeks is a bit wrong. Lhe Neman-Iacos is like a crown in Gallic antiquity, the divine sign of one who is educated and who gives the law, the rules of life. It is the badge of the ancient druids, eminently. This reference to the auroch comes from the fact that around the Stonehenge shrine is buried a gigantic Neman-Iacos in the outer moat, surrounding the will of time, of the Kernunos calendar installed in the circles. "Iacos" means good word, firmness too. It is said that Diviciacos sacrificed two white bulls linked by the horns, it is the symbol of the torc. All good. Nemed. Nemed There was a place called Nemed, an island where the heroes met. This island was a precise moment, belonging to the great cycle, where men came to dance, in the roundness of the nemeton. This place where famous warriors congregated is deep in the sacred groves, where branches meet and blood flows to choose which one should stay. NB: Always the legend of the ninth horseman, we see it printed on certain sculptures and in certain tombs. Arverne myth surely. Nemetialae Mattres. Nemetialae mattres The Nemetialae mattres were the mothers who supplied the nemeton, that is to say those who had to take care of the physical supplies in the place. They had an earthly existence and had no doubt a role in the perenniality, keepers of secrets and the organization of sacred glades. Nb: Very likely, very physical existence. Nemetona. Nemetona Nemetona was the archetype of the inhabitant nymph and messenger of the sky. We could also call it Neptuna because it is indeed the stellar mermaid par excellence. It was she who revived heroes in the great river of heaven. She too who sings the divine songs and odes which made the heart of Gallic civilization beat. A great heavenly mother. Nb: all dedicated to nemetons and glorious songs. Nervinaé. The world turned, the cycles recognized, on certain dates the gods sent their messengers, the Nervinaés. Among the Noricii and the Nitiobriges a cult was celebrated at the outposts of the stars to welcome them. It was the nymphs who arrived by crossing the celestial vault, they always passed at the same time of the year to come to see Gallia, which you also call Galatea in Greece. In this cosmic stream which took them away, there is a very specific stone called "certainty of constancies". A stone with episodic reflections which only appeared on one side, a shiny lamella which belonged to the torrents of altitudes and disappeared while descending lower, that of mica. The Nervinaés came to give men a very beautiful present from the mountain universe, constancy, which was used to calculate the duration of all that saw normally. It was added to the spirits cauldron to give it its solidity. That of rhythm. These shooting stars were sent from the constellation of masters which you now call "perseus". It is that of duration. It seems to me that a sport called running was practiced in their honor along the protective walls which support the clear skies and whose rocks are made of this dark mica. We call this stone "Nervi", constancy, which gives the firmness of the night. These nymphs are said to inhabit only small pools of clear water hidden by large rocks in the mountain. Nb: it seems that the "Perseids" named "Percernes", the sagacity by the invaders were the "Nervinaés" in the Gallic tribes. Nymphs messengers of the gods in the celestial oceans. We find their traces everywhere even in the Ligurian territories, Nerviens ... etc. They are therefore a myth generally accepted by all. The star at the center of the constellation is called Nérius. Niskae Mattres. Niskae masters Tell the mother nymphs of the spirit. The basins found in France and Italy but also further north of Europe were used to consult the messages of the Niskae. Each star of the sky was a nymph in the great river of the sky but one could only as a human discuss directly with the sky. Thus the priestesses and the officiants of the cult learned to consult the gods by being inspired by the deep reflection of the stars in the basins of the original purity. These sirens inhabiting calm water bodies then inspired a future and a thought for the Gallic tomorrows. Nb: 100%. These basins can be found all over Western Europe, an old memory of the cult of the waters of life. Noninos. Noninos Noninos was a very unruly little god, he came and went between heaven and earth. Normally he stayed quietly in the Sacred Ash World but a few slides to the river nhe did not displease him, he was born out of heavenly waters. He was naive and an unconscious protected from the gods, his somewhat whimsical character made him disobedient. He was invoked that he appeared at will, never listening to anyone's orders. Yet in his good days he could render great service and help water the fields. Sometimes a little dry he was delayed. Noninos was the little god of sudden showers and surprise droughts. NB: one of the gods of rain and good weather, Noninos is very versatile and most often appears where he is not expected. Nerius. Nerius Nerius moving around set the tone and the inspiration. In the great hidden swamp, where creation showed all its glimmers, the sacred flutist played an instrument made from a reed in the sky. Nerius played the seven sounds with happiness. He lived in the other world in a part around ours. Sometimes agitated and other times deadly, his music moved the tribal world, he had been one of the great ancestors and as such he still had his place among the living. He knew the secrets of the circles and the seven sounds that could be played at the same time. NB: a mythical musician who breathes the different dances of life. Nercihenae Mattres. Nercihenae Mattres They were grandmothers recognized for their know-how, their rigor and the strength of their rules. Women kept the flame of creation in the midst of families. The Nercihenae Mattres kept him busy. They knew how to light a fire, how to warm everyone up. They were the ones who helped to create family homes, to build houses according to certain uses peculiar to the Gauls. Allowing the body to warm up and regain vitality. These Mattres knew how to organize a household, to give it all the virtues. NB: Matters dedicated to the creation of residential homes and care for people. Maybe a kind of Gallic hospital because it is about the waters and the great Swamp. It would then be a sisterhood of caregivers. Neton. Neton It was the story of a lost love and a betrayed hope, just become a man Neton known a very beautiful woman, of his age, they had everything to please each other and to get along. A unique love ensued, one that we never deny. The young woman died or was kidnapped by the hand of her enemies who took advantage of a timely absence of the soldier. Neton was deeply angry with himself for not being able to protect her and he promised Heaven to find her. He found his enemies and challenged them to a duel. In the troop, many died under the raging blows and seeing this the others fled to hide at the other end of the earth. Neton found them one by one and he killed them all, tearing off the limbs of some of them. Some say that the dragon inhabited it, the magic gave it considerable strength. It is said, still trembling, that during the fighting, the inhuman and enraged cries of man-turned-god could be heard several tens of kilometers around and made the hairs of wild animals bristle. It was happening here, on our land. When his revenge was accomplished, Neton went up the stream where he had met him to its source to join his beautiful. It is in the other world that they united forever. NB: probable tale, a man overwhelmed by the loss of his only love sets out to repair the bad luck. The divine wills of love on the march. A couple of young lovers passed to the divinity. A moralistic story of wisdom which says that only love deserves to receive the forces of the dragon but that it remains unacceptable humanly, in the physical world Nobelius. Nobelius Nobelius was a druid who taught the arts of medicine. He had many heirs to his subject. He showed his family what he himself had learned from his ancestors. How to make a fortifying drink that restores youth, how and when to go to bathe in the primordial waters of the great marsh to get the novelty. How to quench unquenchable thirsts and approach a form of wisdom. How to behave well in society by learning the lessons of the îf. NB: doctor of body care and good behavior, Nobelius has a strong relationship with general hygiene in the study. Nodens. Nodens Nodens lived in the land of men, the Bitu. He was a kind of historian who compiled the memories of those who had passed to the divinity. As a living vessel, Nodens had to memorize the many odes recounting the lives of the Gallic heroes who had lived on the earth. Of those who would later have to reincarnate. So he compiled the lives in what was called the noble stone. So that these elders continue to live in the present moment, ina living body waiting to be reborn after their long journey. So he kept them alive in inland waters bathed in passion and envy. It is thanks to these ancestors and the example of their journey that justice and balance were highlighted in the fortified mountains. Nodens was one of those who had been appointed to keep the instinct, the gains bequeathed by those who were honored. NB: this is one of the greatest mysteries in Gallic history, the officiants were chosen for their memory. We kept the spirit of the ancients alive through the memory of their life learned by heart by another living body, the noble stone is the stone of living memory. It was one of the ways to recognize reincarnations. The concept of a fortified enclosure appears well in the study and it was surely an annual ceremony. Noï. The practices of worship were somewhat the same, the ways of doing, thinking and believing were shared between tribes and clans. The old cult of the waters of light had existed for thousands of years, we had dug basins in the granite, cleared the magical ponds, learned to respect the rivers full of fish as processionary roads. Noï was the god of basins and recipients of divine water. It contained the good omens allowed access to the starry sky. This receptacle of the stars was celebrated in great festivals bringing together all the Gallic world. Each moment was unique, each person, each animal, all the plants had their moment and their place in the basin. Nb: Noï was a moment of divine moments and astrological studies. OGMIOS Ogmios Ogmios is present in the art of stone carving, he is a main god. He is represented by an old man covered with a lion's skin who has the distinction of having people chained by the ears that follow him, this chain seems to start from his tongue. Ogmios is the representation of old age which has proven its worth and its experience by killing a lion which is a symbol of birth, people listen to his speeches helplessly, chained by the ears. It is therefore the divinity that we listen to unconditionally, the one who enacts the laws to be respected thanks to his experience and everyone follows the course to be taken from which the stories of the old man follow. The god of ancient Gallic lawmakers and old experienced warriors. The Gauls were well known for their verve and long speeches. The epitaphs found say that Ogmios represents "eloquence in the face of the sun". The eloquence that cannot be refuted, that of experience, but in ancient symbology it means: the birth of eloquence. Learning. The Gallic god of strength. You might think that the Gallic god of strength was Tanaris, but it was Ogmios. Strength among the Gallic people is first of all that of character, which is what makes Ogmios the old man eloquent. The people chained by the ears represent those who listen to him and follow him, carried away by his strong words and his simple way of speaking. Onuava. People traveled of course and among them was a race that was unlike any other. These Gauls there had an adventurous temperament. They lived almost constantly on the water. And many lost across the meandering islands and into oceans with no cliffs to guard them. This is how a goddess, perhaps the mother of mothers, landed on the bow of a sinking ship. It was Onuava, the morning star. On the sides of his head had grown a pair of wings, a symbol of divine and educated spirits. Thanks to her, the sailors who had had a bad night made it home this time. She had appeared like that, early in the morning and some evenings she came back to show the direction. In fact, Onuava constantly shuttled between land and ocean. Sailors quickly worshiped him and carved his effigy at the head of their boats. Nb: indeed, Onuava is indeed the morning star as many others have guessed. But this planet that is Venus, the morning star, does not have the same meaning as the Greco-Roman Venus. Here again it is Gallic pragmatism which gives it its foundation. From "Anao": righteousness and "Ivis": the path of life. Ovios. On the north west of the Gallic coast was a people of many tribes. He gathered the Eburovices, the Lexovians, the Viducasdes, the Esuvians and the Oveliocasses around the same god, undoubtedly the first god of the place, he was called Ovios the Eternal. He was the god of eternity, he showed himself in the form of an island. Extremely resistant wood littered the banks of the Ouve, appearing in the form of various and scattered bones which had been deposited everywhere. This god of the dead gave gifts totribes which made bows of it, poison but which also served to visit the world of the dead and to come back from it when using its fumes. The gate of the hidden world was at the sources of the river of the isf. This god was also called Luxovios, the one who uses the isf. A dangerous god who could raise the dead, a god in the priors used the bones. NB: here again the Indo-European current advocated by the Judeo-Christians has clearly contributed to erasing all traces of our ancestors. Thus we have expressly confused "Ovios" the îf with "hear" the sheep, the Greek-Roman inscriptions deliberately confuse the "U" and the "V" to add complications to the search for our old European origins. It really is a systematic will to harm to the primo-European culture that has been deployed. They tried to make our millennial civilization disappear with things from elsewhere. This word "ovios" has all the same a French descent: "os". Its stone names "Ovi". There was a Gallic sheep god who bore the root of his name: "Moltinus" not "Hearing". Obios Obios Ghostly deity of the isf, Obios embodies the dead. The dead bodies of ancestors, the branches of the isle bleached by time resemble human remains. He was a bit of a zombie god with gnarled growths. The territory of Obios was nicknamed "the river of fear". Nb: houuuoouuuuuuuu. To compare with Ovios, see Gallic mythology part 1. May be related to polio and rheumatism. Oïwi: god of the evolution of descendants, he provokes desire and choice. One of the great ancestors. Olelensis. Olelensis Olelensis was the title of a divinity of the second life or more exactly of the transmission of this one. First Vate, he had a role of repeater. Very educated, his solidity was proven, he was a high dignitary in the tree structure of Gallic society. This high-ranking official was responsible for carrying out his speeches and spreading the word. He was a priest responsible for giving the right directions, to facilitate the life of the tribe by avoiding pitfalls. It was he who initiated the debates for the Druids and who served as a model. He who had to travel to Gallic territories to assert the decisions of the great druid. NB: can also be to propagate the spirit of the ancients. The Olelensis assisted the druids at the highest level and col was considered a deity or represented her. Ollotonae Mattres. Ollotonae Mattres (Divine title) The sweetness of Olla's breath adds a little more to the manna, from the number of groupings and orders of magnitude come the thousand flavors of life. The songs of Ollotonae Mattres come from the pack of stars, each god, each goddess has his prayer, his story and his song. It is these deities of the albios, the blossoming world that shape, produce and add the words of the holm oak. All odes belong to the same group of women. They mixed the sands, you tell us, the silts coming from all directions allied in their hands to form only one, the one called "the oath", the alliance of all sources. NB: divinities from above, "weavers or knotters of souls". "Olla" seems to appear as the name of an old sacred ancestor representative of maternal gentleness. Ollogabiae Mattres The music and songs of worship forged the soul of a whole people. In the sacred tree, birds embouched their flute beaks. These special moments from which great men and women are born sculpted the vessels of the destiny of a great people. The Ollogabiae Mattres chose who should meet or separate, lavished grace on those who were to give birth to the sweetness of a breath and known destinies. NB: the songs were excessively sacred, it was one of the main ways of transmitting the light of the new creation. This famous Gallic language was to transmit life and destinies, it was a musical phrasing in its tones, an almost entirely pictorial representation of the physical world. Soft music according to the study. Ollotautae Mattres Thus was effected the advent of a very old civilization, by the sacred breath of mothers. Through these magicians came the energy necessary to grow. It is like that, thanks to the Ollotautae masters, the gentle mothers of the tribe, that the Gauls were born more and more numerous, stronger and stronger. Nb: it is still one of the great titles of Mattres. The gentle mothers of the tribe, the caring ones Olloudios, Olloudios Olloudios was a god of tireless workers who was nicknamed "the one with the sure hammer", one of the titles due to the god of families. He kept the passionate but quiet flame that lights up homes, his big heart struck every insso many reasons to love each other. It emanated from the heat of that forge there, familiar smells, welcome sounds. He was a god of education, politeness and fond memories. With him still lived the survivals of the passionate and ancestral paths, he was a fertile god who could be trusted, he always transmitted the first blood and the long litany of the names of all our ancestors. With each blow of the hammer a generation lived. Nb: it must be a title of the boyfriend of Nantosuelta I think. With a hammer and from the world below. Orcilus. Orcilus Orcilus often walked around with a tub, sometimes filled with malt, sometimes filled with grain. He was a magician god who said we had invented hail. The little scoops of ice cream were wreaking havoc and to calm him down people offered him food and beer. This one always appeared in the morning at the door with a merry band. Beware of those who gave nothing at the banquets because the pest of the fields punished them twice. The first time he sent the winds, the second he sent hail. He was a snow-haired banquet king. Rather, we saw him arrive in the fall when he came out of the forest. Nb: in relation to an animal, it is the roe deer or the fallow deer which passes to be a party animal. Orcia Orcia Goddess of storms, she is affiliated with the sacred falcon. It is said to protect a chain producing the silver tassels. The young slayer lived on an island to the west and it is there that she planted her oaks. Many champions tried to steal his treasures from him, but none came back to talk about it because only druids were allowed to enter these cultures. Nb: also called Hercula, this divinity keeps a very specific place. Same principle for orcos. Orevaios. Ovaeus He was the heir to old roads, the memory of the past and adventurous journeys. Orevaïos was a bard with calm winds, a storyteller. He remembered who was to inherit the plots of the soil and sang in the ears of the powerful. Woe to him who contradicted him because sudden squalls take him away from the earth. He was just and good, thanks to him families flourished. Nb: sort of ancient notary, relationship with the memorial bull. Would there be a relation with the French word -oreille-. Osdiavae Mattres. Osdiavae Mattres. Beware of the Osdiavae Mattres for they knew the fiery ways of vengeance. If there was no justice, these Matters filled hearts with a deadly poison drawn from the isle: spite. These divine avengers kept their verves for divine punishments and all agreed to their decisions, submitted to the last act of life. Nb: it is about furies and a forbidden path. Revenge was really part of Gallic manners Ouniorix. Ouniorix There have always been ambitious and envious people. Ouniorix was one of those, he was a king of opportunity and leisure, free as the river, he decided on all marriages and also friendships. We could hear his heart beating like a blacksmith, strong and sustained, every time he coveted the happiness of others. He gave free rein to his personal desires but often his judgment was borrowed from partiality, repairs were never appropriate. This is how his kingdom got lost in the great tide of creation and disappeared forever. Nb: probable tale, there is a story with the blacksmith god below. Would Ouniorix have been one of Gabenos' passionate sons? Panthae: master of good roads, she was asked to bring people to their destination for a reward. Percernes: Nymphs in the horns of Kernunos ervids. Report with the months of the year and the dolmens of the cranog apparently. They belong to the distant Aquarius and have come to the earth and to the cauldron of the world to do things there. Pertha: goddess of fires, she proclaimed wicked poems and knew the magic of mabinogi. Pepius: Proud Pepiusle was a great saucier of the royal kitchens, also working in the bakery. A connoisseur of the magic of maple, he never ceased to demonstrate to everyone what he knew how to do. Pomana: The charmer had many friends. Pensive heads were relaxing in his blankets. Goddess of animal love, her languor was an integral part of the great swamp of creation. Paronnos: A very rigorous warrior and sailor, he lived in the west. His experience earned him the opportunity to navigate the great river of time. Its colored veils stood out from afar like ... woven ornaments. Proximae mattres: Mothers of braids of bronzes, they indicated the places to be conquered. Pyrée: goddess of rolls and accounts, she made her torrents pyrenes who brought back precious metals. She was a horsewoman, she decided the prices of certain things. Pantos. Nantos had a brother called Pantos. If the first gorged on extraordinary laughter without being able to really calm down then, the second had inherited the other side of the cosmic balance. He could only live by enduring. They say that Pantos is the one who never stops, that he needs to feel the opposite force in order to live properly. He was a strange god who fell in love with inconstancy without being able to remain faithful to him. At the slightest problem, he would run to support the falling worlds, his existence was that of the opposite force, to live he had to experience the passionate powers. The gods above wanted to prevent him from holding the world too tightly, and one day they knocked down a huge boulder from the heavens. Pantos, too happy with this new challenge, rushed towards the peaks, grabbing the rock which was descending the slopes. He could stop him but he could not release him because he would have lost his challenge. The enormous mass maintained on the mountainside would have melted down on the world of men and then into the passionate worlds below. It is said that this rock clinging to the side of a cliff, Pantos keeps it in place even today, several thousand years later. We do not say if the god is unhappy or not, he fulfills his destiny that's all. Nb: "Pantos" does not mean "suffering", it designates endurance. Apparently he was a Gallic god. Poeninos. It is well known that the gods above carry health and those below carry tangles. Often the people who carry their burdens need to breathe fresh air and leave the mortal world to beg for some happiness on the heights. The Ligurians and the Gauls had a common god who was concerned with curing the ailments of the soul as much as those of the bodies which had come too close to the corruptive powers. His name was Poéninos, the one who gives the good life. He lived mainly on the mountains full of the purity so requested. People who came to his palace were often relieved from illnesses caused by the mire of stale water. Its sources also purified the spirits. His plant was Sapana, the red chickweed which heals the body and the mind. When they returned to the world of men, those who had had a mountain cure were transformed. In great shape, the healthy life that Poéninos had lavished on them allowed them to live fully at all times. It seems that on its territories was a stone of health which one called "Pana", the amethyst. Nb: it's all good, Poéninos was the healing god said to be full of vitality. 100%. Despite what the Roman and Christian lies say, this god is of Gallic and Ligurian origin. It is affiliated with Épona. Quartos. At the end of each stellar year came the time for an ancestor ceremony. We called it the Quatos, the festival of dead trees. This name came from a bard who had gracefully praised the end of the year, the last season. In the month of Cutios, we met in a special place, the trees of the forest had lost all their leaves, the druids had a cantalon erected and we sang in remembrance of those who had died, or at least who seemed dead, like these trees without leaves and which were to return for their next lives in the following year. A large fire was lit then a banquet followed where the guatater directed the festivities. It was a warm moment when the divine woods of the ancients reminded the clans of their existence, the feast of the elders at the last moment of the solar year. The festival of dead trees. Nb: Qutios, was also to be called Quatos, annotated on the calendar, it was the time of the feast of the ancients and the dead. From what I found, it was a question of erecting a cantalon (place of song, maybe a menhir). This feast had a relationship with the appearance of trees without leaves in winters, a relationship with the mortuary aspect no doubt and the eternity of souls. In the primo-language "Quatos" designates the will of the ancients, divine woods. It was perhaps a poetic tale of the bardic type. Quariates: the four stars which shout their light in the night did so also on the earth of the four stones belonging themselves to four Uates. Quadrivae Mattres: The mothers of sorrow, anger, repentance and regret. The mourners came after the scratches of the battles. They were also called the four deadly beauty. 100%. Quadrivilares: These stormy and dusty winds carried the warriors towards the battle. It was the winds of engagement. Randosatis. Horses were powerful animals, which made it possible to advance almost anywhere, to cross obstacles. These animals of which the Gaulsmade large farms were also used by large troops. And there was a god to embody this greatness, it was Randosatis. The wealth of his troops was enhanced by the color of these horses and their glowing blankets. The riders of Randosatis formed impeccable ranks, of long lineage announced a great mastery of the cavalry. He was the god of the trained warhorses which formed a wall while engaging in combat. These riders were able to travel a long time, they are the ones who formed the army of the Equites. The nobility of soul, the grace and the righteousness due to their education was recognized by all. Later they were called the knights. Nb: Randosatis was the god of the troops of horsemen, the group dressage which emerges from the etymological study evokes horses prepared to keep in order. Goddess Ratis. Obviously, the tribes differed mainly by their habits and productions. And a particular goddess guarded the entrance to the clan territories, she was called Ratis, the goddess of ferns. A very mysterious goddess that we have known since among the Venetians even going to the ancient Celtic territories where we called her Ritona, or still in Lutetia. His plant was the fern because it is the fern that borders the edges of the forest, so that makes it the quintessential border plant. The Gauls invoked the divinity to keep their personal land too, at least the richest. Nb: quite that, the goddess Ratis is the goddess of the doors, the borders where fords and other demarcations. This makes her a guardian. There again appears a side of the femininity of the Gallic land. On the other hand, it seems that his name has been mixed with particular colors in certain places. Rigisamus. Among the Parisii, at the very beginning of the establishment of the tribe, there was nothing, only a few superb ferns which gave their rysomes to feed the travelers who passed by. Ratis, a local genius, known as "The Root", lived there. A good genius who did not hesitate to treat ailments of the body and the soul. This place was quickly very busy because from there started the four routes of the soul, it was said, and from there we could go very far. To welcome the travelers there, the masters sent another Titan, called "Rigisamus", also said the father of the goddesses of sagacity, the percernes. The place served as a cauldron of spirits, it was called "the pario" which also means "the wall", the container. This is indeed where the roots of these famous ferns were cooked. There, too, the magical product that was called "prení" was sold in masses, the roots of poets and nobility. Rigisamus quickly became the favorite god of the inhabitants, moreover their name of "parisii" comes from this poet god also known as "parigisamus". Here one traded in the nobility of the spirit, the fortune and the grace. The first true king, the one who demonstrated all the graces of the god of poets and priors, was born in this country divided between cold and heat. The land of nourishing ferns. The cauldron in which they prepared was also called "Quariates", the jug, the skull, the reflecting vessel. The stone of certainty is called "Rigi": individuality, that which sustains. nb: "Rigi" pronounced "Risi" from "parisii" designates the person. The first form having certainly been "épisii." Pritio "of" pritio "(the publication?) designates the prayer." Samos "is the period known as of spirituality which corresponds to the gathering of the roots of the eagle fern. Hence "Rigisamus". To joke for Indo-Europeanists. : "Parisii" does not mean: "by there" This stone of certainty is called "Rigis", it is chalk of very good quality. We should find the Epona stone in the Seine, "Épo", the incubator also called "the cover" is an orange or blue stone in geode. Randosas: Dusios of thoughtless deeds, she was a deity of sacrifices and bloody promises. God of assassinations and severed heads. Revinos: divinity of identities, very demonstrative of his belonging, he did not mix with others. His secrets belonged only to his clan. (Surprising but yes, a god of identities). Ricoria: goddess of military and professional leaves in general, it was she who gave the freedom to cheer up a bit after the deity work of the organization. Rigantona: In the sky the red moon was digging its furrow, its word fording the sky and the earth, in Gaul a ruling queen firmly maintained the unity of the clan. Rihanoa: The Hydra was advancing like the magnifying waves to form the great current. Rikagambeda: This leader of conquest crisscrossed the world in search of red ruby, the rare gem was hers. Ritona: goddess of a fortress, of righteousness andpromises kept, she defended the law. She too was fording between earth and sky. Its high ramparts guarded fortune and grace. Robeos: god of prickly jellyfish, where a large perennial fish (whale? Orca?). Rocloïsiabae Mattres: mothers of the armed companies, they are the counselors and overseers incarnating of the lunar star. They attended the councils and banquet meals. Rubacascos: god of the cold rains of autumn, it is a lame man who carries a chair with two wheels. Dressed in leather, he is a slave to winter. Ruenos: river of freedom, fortune and grace. Ruth: fairy who gives her guarantee, her protection to the chiefs. Its plant is the guardian fern which protected the roofs of the houses? Rudiobos: red horse of young and bloody characters. Ulmaire of surprises). Rudianos: god of offerings for horse races. (Red Ulmar). Sabariiinã: guardian of the freedom of the river, knew the secrets of the ivy. Saucona: mantle of daylight, this cape was donated by the great ancients. Magic of the conquering day, brings its benefits, victory and strength. Sagona: old name of the druid saie, tunic-coat or woolen cape recognizable thanks to its hood. (I must have color-coded somewhere on this tree, but where? Different between men and women, different sun and moonlight). Saranicos: sickle of druids, harvests, festivities and birthdays. It indicates the new moon. Where when the moon's smile begins to grow at night. Loving symbolism. Found on coins. Saxanos. We knew the blessings of the gods, but to acquire even more knowledge, we should not hesitate to seek their advice. Of all the trades that were born to counter the gods of need, there was that of warrior. The Gauls were known to have no fear. Yet other peoples had become their enemies and they too were courageous. In order to make simple peasants into formidable warriors, young people were sent for training to the world below. In contact with creatures most unfit for peace. In the quarries where the precious metals were found lived a god of arms named Saxanos the founder. Those who went down there went there to receive the gifts of the god of the fencing masters. Several years passed before the men sent were seen again. The training was hard, exhausting, but the tendrons returned with bodies of iron and copper mixed together. "This is where we look, this is where we collect, this is where we make the metals of war. It is also here that we forge the soul and the heart of the terrible Gallic warriors "announced at the entrance of these mines. Saxanos brought the harshness and brilliance of rage as much as the experience of wielding weapons of which he was the undisputed master. Whoever had undergone lessons was sure to become famous soldiers. Warfare became a profession and the instructors were sure of their recruits when they sent them to the surface. Saxanos was a god from below, his passions made him a master of war, his students bathed in the waters of excellence. Nb: obviously Saxanos was above all a god of professional warriors but it seems that he was the god of excellence by learning for other trades. You can put "Terminator" in the trash. Segos: old scholar, watching over the earth like a falcon star. He was a bright, very orderly seeker. Segomo: god designating friendships and the color of cape-coats. Watching over diseases and bad spells, he was a watchman. Nicknamed half-smile, he was a purveyor of gatherings. Segeta: ambassador of the sun with a visible and recognized coat. In the crucible of the day he indicated the chiefs. Sediammos: god of torch processions, he went around sacred sites. He maintained the softness and kindness of the places he protected. Selenagae Mattres: Mothers with torches, with faces painted white. They welcomed the combatants. Guardians of the ground their gaze shone like the stars. Seïxcomnia Leuridicae Mattres: servants of the summer gods, mountain healers. This sorority collected medicinal plants from the rocks. Senunae Mattres: Mothers of good humor and deep dreams. They also kept the property of the elders. Were practicing auspiciousness and continuity of days. Serapis: apparently god of birthdays, god of good feelings and the race of sister stars. Relationship to love. Sex-arbor: women's wheel, female tree, roads? Sequana. Between the Alps and the Vosges, there is a territory where s'establishes a tough tribe. They worshiped a deity called "Séquana", a goddess of harsh waters who reigned over the Saône. These men were battlers, they were called "Séquanes", those of the vigorous stone, "Ségo" was a certainty. Endlessly, the warriors clashed with other peoples. They lived in a harsh country, they were heavy and powerful in every battle. We could see them surging down from the surrounding mountains, furiously decided. Their capital was called "Vésontio". The Saône at that time was called "Souconna", the Séquana river. Sinquatis: god of the day with two faces, his words shone like silverware. He was a big eater and his coat looked like a plant: the besaiguë. Wealth of the spiritual. Sinatis: the confidant guardian of prolix loves was a magician guardian of generations, his bewitching song made generations grow. Sianos: we invoke the genius of sleep Sianos to ask him for advice. Silphe: luminous god of seeds and buds, the disciples honored him for his exemplary conduct. The stars of Silphes led the flock like eyes infallibly. Sirona. And men knew that the gods did not speak to them, far too high in the divine worlds. However, a woman half-goddess and half-human had acquired the science of the waters of light. She was talking with the stars. His litanic chants full of inhuman languor made people dream. It was called Sirona who provokes dreams. His enchantments were powerful, his astral prayers must have captivated like a torrent carrying the past with them. From these late moments, the inner journey initiated his stories. The snakes were let loose, coming out of the heart of the world. Black silky reptiles that honored mourning where inhuman passions abounded. Nostalgia led to sharp resilience, Sirona inspired men, cut the ties of the past. The sisters celebrated her and her predominant powers over desires. Sticking their magic through their bodies, spreading an intoxicating scent among the viviscous Bituriges tribes. Nb: From what I found, Sirona was a sorceress celebrated by sororities. Its stone is charcoal: "languor", its name "Siros" evoked the stone of lived dreams, fantasy. I didn't believe it at first and yet Sirona is an ancestor of mermaids, everything fits. Smertullos. Agriculture required strict rules, the god Smertullos was there to order their morals. He was a warrior god, a defender of the world above. Smertullos was a god of crops, pledges of acquired knowledge and of the morality of working the fields. He was invoked at the end of summer, during the harvest for his wisdom, the harvest accounts made him one of the main gods. He was also the one who kept 1/3 of the harvests in the shelter to be able to replant the year after. He was the god of agricultural fervors. It was he also who kept men from their temptations, preventing them from grabbing what did not belong to them, thus, they were wary of the ancient serpent, the morality of Smertullos repelled the feverish passions which could have been catastrophic. for barns. Nb: it's ok, in the primo-language Smertullos defines the morality of working with the environment. It is an energy because it is also a god of fervors. Smertatos: the warm god of summer smiled at all who asked for his graces. God of good developments. Stanna: Stanna chewing on a flower was the stela to be able to look the sun in the face. She gave the chance and found the solutions to the sequences. Stoïocos: Stoïocos the silent god guarded the citizens and brought peace. He knew the six questions of desire and sat all day long dreaming of beauties. Soïo: Title of the old sun of the ancestors, he kept the memory. Sorillius: The very old man was in good health and his year-old sickle smiled every night. We do not know if he died where when he passed his strength to another. He was too old for anyone to remember his birth. Souco: very big eater, Suco devoured everything he could all day long. The rest of the time he happily searched for something to eat. He only thought of eating from evening to morning and during the day. It is said that during his sleep he continued to devour his dreams. Subremis: he established his supremacy, this imposing posh demonstrator spoke heavy and short. He protected the yard, he crushed the grains, his colorful magic transcended his multicolored presence, he was the king of roosters. Sueta: the flattering Sueta got along to invade the spirits. She was a source goddess who traded sweetly, it is from her gentleness that many companies were born. Sulis: Sulis the fidele rode the good winds, led good lives and sowed posterity. Sulitumaros: Chief Sulitumaros led his land and his people always making the right decisions. He led the clear life as he had sworn to the gods. Sul: nicknamed Sul the honest, the true light, the clarity of mind. Sulevia: the brilliant Sulevia led men on the best path of life. Surborus: He became a keeper of the sources of consecration, the old people knew his steadfastness. Its volcanic waters belonged to a sorority. Stolocus. Stolocus was a titan well known to sportsmen, he was the god of wrestlers. Those who indulged in this game were most honored because the god of tornadoes had his palace in the stars. He could be seen arriving from afar, advancing, bending over with all his strength. His enormous force of breath provoked fervor, he was a vigilante too. When the impetuous god of cloudy winds threw his adversaries to the ground he enforced the respect due to the gods, his clear magic hollowed out the divine receptacles which received the offerings. He was also known in the form of waterspouts, he was a real fighter, imposing, who offered victory to those who were worthy of it. Nb: I must not have made a lot of mistakes, he was a god that was invoked during fights but in addition it seems that he granted love wishes. There was a lot of fervor around Stolocus the Ancient Titan. Sudecronis. The men were looking for minman, fulfillment, and some of their own entered caves to dream. That was at the beginning of time. These mounds were called "Sudecronis", which means the inner energy of kernunos. These places were covered with shivering greenery that brought them closer to the sky. It is said that this is where the god of time sleeps, in these peaceful hollows with a suave atmosphere, it is inside that the ailments of the spirit are cured. The Druids ordered the construction of the first tumuli on this model, the priors came to think about it in the shelter of the disturbing light of creativity. Kings were later buried there, in a very relative spiritual eternity. Places of inner peace then turned into places of eternal peace. NB: there again there was a big mistake in the interpretation of the Indo-Europeanists, "Minman" means: accomplishment. Not "thought" which is a term used everywhere. "Su" designates the energy, "sude" the interior energy, "cronis", the time of the spirit, where the spirit of the time as you wish, it is about Kernunos. This name of "Kernunos" was transformed into "crâne" in French. It is indeed the place of thought. Another info, "Krich" in Gaulish is "wasteland" in French. Sucellos. In the universe, the spirit of Cernunos was renewed now, divided into two twins, Lugh the creative and Donn the memory. On earth, a being was born and this one had not found the woman who was to renew him, to give him immortality once adult. He searched for a long time for what he lacked without knowing what it was, his footsteps supported him in rhythm and he liked only that. We know that the gods gave it a place because its rhythm was pleasant to them. They gave him a jar filled with eternity liquid and a big mallet whose strokes resembled heartbeats. He was told that if he had not found his way on his own, it was because he was missing half of himself. That he would meet her sooner or later and that he should never stop hitting the rhythm of the sacred vessel filled with vital liquid. Sutugios. The gods are crowned, praised, prayed and respected everywhere in Gaul. Each landscape has its own because the pagus and its wide horizons are their palace on earth. In the high mountains of the Pyrenees, there was a god Sutugios who was nicknamed "the crowned warrior". The highest peaks were covered with the crown of the sun every evening and every morning, it was the expression of Sutugios. He who gives the word of the mountains. This warrior god, all haloed with light, had his poets all over the Pyrenees. Nb: of "Su": light energy, "Togi": peaks and "bones": volunteering. This god certainly embodied the volunteering of those who climb to the top, it was an honorary title. A god of visionary leaders. Sylvanos. In the woods, people got lost. The Druids forbade the Gauls to venture too far into the forests because it happened all too often that young people disappeared. It was then that a god appeared in the middle of the path of a sinking child in the form of a squirrel. It was Sylvanos, the god of branches, he wore a stone called "Silva" which looks like a bud, it is found in the streams above Lutetia. In the land of the Sylvanects. This so-called stoneof fidelity, preserves the descendants and unravel the intertwined spirits. It is said that each tribe had one, it always made it possible to find its way and thus, to return to its starting point, it is that of sincere roads. This god Sylvanos protected filiations, he designated membership, and the continuation of the vital path of the one who honored him. The roads where the divinity appeared looked very much like firmly anchored branches. I think I remember that it was he who gave the idea to our ancestors to decorate a tree with all the stones of certainty on the day of the feast that you call "Christmas", a tree decorated with all the colors of the rainbow. in sky. It happened in the early morning, it had rained all night and when the first ray of sun touched the tree in question, the drops which hung everywhere at the end of its branches, kissed with all the colors of creation. Nb: "Sylvanos" was pronounced "Filvanos" and "Silva": "Filva". These are the joys of the Gallic language, an ancient dialect. Tailtiu: God of the high quiet plains, he brought peace to those who entered his lands. God of the good living, he loved women very much. His animal and emblem was a bird posed on a deserted land. Taranis-Tanaris There is a misunderstanding about Tanaris, says Taranis. Thor said too. Christian acculturation has transcribed old Celtic-Germanic legends by inducing (voluntarily?) Several errors. "Donar" has been confused with "Tanar", but this famous Donar is actually Odin, not Thor. He is the Donnotarvos, the bull god, while Taranis is constantly affiliated with the wolf. (For those who are interested, Thor's famous hammer, which only he can lift, truly represents: Nordic cultural memory, which only the son of this culture can bear) Tanaris is nicknamed: thunder. He is also called Taranis the god of the strength of the bull, because he belongs to the kingdom of Odin, the spiritual part of the calendar. He is a fighting god who came to us from the mountains of the Massif Central and the Cevennes, (he is also known in the Carpathians, the Tatris mountains and the Tyras river) He is the alternative personality to the god Lug his brother (Tanaris is Donn's warlike expression, which is why he is sometimes found holding one of the two wheels of the chariot of time). Tanaris is a deity summoned in battles, the speed of lightning, crippling thunder and sweeping downpours are his "hallmark". Morgana, the goddess of mists may be the wife of the god of dark clouds. His character is skittish. The shadows of death accompany him, clearly he is the defender of spirituality and memory. If Lug is a lush creator, Tanaris acts by destroying what stands in the way. He is the archetype of the avenger with the reputation of an omnipotent sorcerer. It is eminently the divinity who is charged with defending the divine and spiritual realm of Donn. Its animals are the growling wolf, the raven with black wings, the water serpent in furies. The falcon, singi, is perhaps the most representative animal of Tanaris, it also has the spiritual strength of the black bull. Soldurio. All societies have their warriors, even Buddhists. It is hardly compatible with the expression of a peaceful Druidism, but it would be to hide the face and to open the throat to ignore the dangers of the human world. Peace protects itself or disappears. Knowing how to defend yourself is a natural act. The god of the raging elements, master of the andabata is Tanaris. They themselves are human ghosts, soldurion. His reputation precedes him, his action is certain, nothing escapes him. Taranucus: The terrible beauty of thunderstorms belonging to him, Taranucus brought with it novelty and surprise. He wore the magic torc, sitting on a high rock he enacted the laws of lightning for thirty years, the first Gallic century. Tamesis: He was called the bad Tamesis because he had the strength of three horsemen despite his devouring leprosy. Beware who crossed his big ax. Tangos. Morality often only applies because the spirit of the leaders dictates it. There was a fairly firm chief who demarcated his house with large, straight pikes. Locals said the Tangos laws were the straightest, longest, and most just of all. These pikes made of a very hard wood were called togi, we would call them "principles today, those which protect good houses." Later, one of his descendants named Tegonius demonstrated the law of his ancestor Tangos in the form of the straight trunks that lined his house. There was also someone to say that those who wore a tidy, skilfully arranged hairstyle were those who made the law, who showed righteousness to the few.ples. Then, certain stems, well carried, took this name of uprightness, it ended up also giving it to the roofs of straight houses. Tangos, by the firmness and the uprightness of his pikes had passed in the memory of his descendants as the one who first demonstrated the habit of nobility of spirit, the principles of life. He stood for loyalty too, everything that was tidy. Nb: "Tangos" indeed designates the righteousness of a spade, of the one who makes a clear choice. "tannos" is the name of a holm oak, very solid which we made spikes, "Gos" is a word passed in French under the name of "choice" (important), "Ossu" indicates the will. I do not know if Tangos had become a divinity but the use of the term is very often done in the Gallic language therefore, it was at least someone who had seen himself deified, maybe one of those who entered the world of 'up. Tauïrona: The soul ferryman knew the male oak tree and the silent bird that crosses the sky. He punished bad men by ordering them to leave the earth. Telos: From him was born the tribe of Tolisto-bugios, the warriors besides yen. Fervent democrats, full of ardor. Temusos: Temusos the gardener had organized his green temple perfectly, it had become of unparalleled beauty. Teutates: God of the heart and paternal warmth. His great qualities had kept the tribe in moral health. It is said that his heart was that of a fire bird, and sometimes the volcano demonstrated the strong effluence of his passionate feelings. (Terrestrial Kernunos). Thuecolis: the days of the spirit Thuecolis made people fall asleep or wake up. It was he who kept the blanket for the night, he was well acquainted with the poppy, coltsfoot, plants that allowed portents. Toliandossus: He was an angry summoner of fervor. An Uatis. Tourevios: The singer was heard from afar, it was said that his sacred songs pierced, were heard, even deaf ears thanks to his will. Tricoria: The goddess of the three armies in the ground, on the earth and in the sky. She reigned over the three clouds. Tridamos: He was a god of men and of the three kindnesses he indulged in: good food, the best drinks and female delicacies. Trittulus: It was one of the four Uatis, the third, the one who made fervors pierce. Trivia: A Gallic woman who forgot her misfortunes, she forgave everything. Trittia. There are places that do not resemble others, that is why certain deities settle there. Trittia was a nymph of still waters who lived at the bottom of a fertile valley. His animal form was a heather pheasant. She was very sought after because she was a goddess of perfumes, her country offered itself to the sun by dispersing thousands of aromas in the air. Her production of oils, various perfumes and her reputation as a divinity earned her to be a fertility nymph known especially by women. Among other things, she was also a sorceress belonging to the group of Kasse goddesses, and a careful because the plants of Trittia also offered their medicinal principles. It was above all her purifying perfumes that brought her reputation all over the Mediterranean, but this goddess was of Gallic and Ligurian origin. Nb: In the Gallic language, "tri", in relation to the number three, has a clear relationship with female, terrestrial fertility. It seems that "Tia" designates a perfume where a perfume oil is in the sense of smelling, impregnating, healing or rather purifying oneself. This term designates silence, which is why I associate it with perfume. The valley of Trets was undoubtedly a place of contemplation where can be of passing hermitage. The verb "to treat" in French may come from the name of the Gallic goddess. Tolosendosus There are countries more pleasant than others, and even more often the mountain dwellers cannot stand the beach. The territory of the Tolosates has always been blessed by the gods, the climate is mild, mostly pleasant. The inhabitants of these regions are said to be thinkers and poets. It was not always so, a long time ago, it was frivolity, unconsciousness and complacency that animated them. And then one day, seeing that the Tolosates would never take the path of spirituality, the great goddess of the celestial oceans got angry, slowly, gently, she sent Tolosendosus to earth. Tolosendosus, the Titan. In the distance first, on the west side, people saw a huge wave rise, something beyond imagination in its grandeur. The foam of these waves rose up to the sky and in its slow jolts, it took several hours to approach. In the evening, Taranis appeared, the storm was severe, we heard it from the Pyrenean foothills to the low plains of Garonna.The Gauls were afraid for the first time in their lives. A deluge settled on the plains, usually so calm, which lasted two hours. As evening approached, the Titan made its appearance, a thick fog covered the territory of the Tolosates. The fog is very special there. The usually rowdy people parted. They had just lost themselves in the realm of spirituality, each on their own, alone. Covered by the divine oceans, they looked for each other, no one knows how to live alone at home, they always needed each other to move. The first called in the fire: "hooohoooo where are you?" "Hoohoooo, who are you?" the others replied. And no one crossed paths. The echoes could carry far in this fog, and roll for miles and miles in all directions ... So and for the first time again, the humans sat down on the ground, and they started to really think. Walking through the physical world got nowhere on foggy days. It lasted until morning, a few hours, almost an eternity for the thinker. All this reasonable hold of Tolosendosus had taught them to ....... reason. The next day, Lugus tore the dark veils that covered the land. The light shines. But the inhabitants had changed a lot, it was no longer the behavior of morgous kids that they wore, they remained pensive. Touched by the hand of the colossus who was called "the one who demonstrates his thought", the god of fervors. During the night, thanks to all the echoes, he had taught them to sing too. And to sing well again, to sing alone, to sing together to demonstrate their fervor in this world. And then there was something else that had changed during the night, the waters had gulled and dug the ground deeply in places, from the capital Tolosa, to the westernmost plains of the Gers. And everywhere there was proof that the celestial oceans had bathed the place for hours, millions of years, overnight. Sea shells littered the ground, some fossilized, others not. The Tolosates made necklaces for themselves with these shells, it was their stone of certainty, the stone of fervor. Since then and even today, they like to think a lot over there, you will find great poets among them. This stone of certainty is called "Talos", it is said that it is with it that the druids measured the universe. Nb: Tolosendosus means "the one who shows his moving thought", he is the god of fervors (lights). The word which comes to us from this Tolosates time, is "the talent" in French, "Talo" is also a unit of time, it is the only stone which allows to measure the universe with fervor, a small shell. Toutorix: He was a chief elected by all the members of his tribe, it was he alone who maintained the uniqueness of the people. Turnos: a stormy giant high as a mountain. Tutela: It was already said that Gallic women were beautiful plants at the time. A beauty queen causing love. Ubelnae Mattres: The mothers of sacred amber knew the color of the stars. They were seers of warm waters, passionate in their brilliant demonstrations. Ukuetis: He used fire to make light and chase shadows from the undergrowth. He searched everywhere for the treasures of the earth and often fought for them. Uragon: God of deep spiritualists, of the judgment of what is beautiful or not, of bursts of color and metallic jewels. Urnia: The old healer of the sacred circles used Aidubno magic. She was an ancient shaman, a female Uatis, she had the bracelets of the heavenly worlds. Uroïcae Mattres: The mothers of purity used heather for their ceremonies but beware, in these places forbidden to men, the cat's claws could be cruel. The Uroïcae Mattres were guardians of Cateïa. Uxellos: He was a man who constantly demonstrated his desire for elevation, he ended up going to live in the sacred mountain. Uxovinus: He was a king of noble blood, recognized for his lineage. Uxacanos: the great reed, the great verbose year in everything. Uirona. The children of the forest moved according to their desires and their needs. Familiars exchanged what they could, but groups, real groups only appeared at a specific time. When Kernunos decided to descend on the Gallic country. It is a huge boar that came out of the woods, and those who lived there had the idea to organize themselves in tribal groups around the sacred animal. They also made the emblem of all the leaders of this golden boar. And Teutates gave his voice, he first united in all love with the queen of the seas, Mori, memory. His first words gave life to a princess of the spirit. Elwas called Uirona, the clear one, the one who gave shape to the spirits. Uirona gathered the Gauls many times, I think besides that it is she who gathered all the tribal groups of this time. To do this, she used a well-known magic, the magic of signs carved on pebbles. She settled with the Sénons, Sénones and became their tutelary goddess. Nb: "Uirona" in Gallic means "certainty", the Gallic symbols are glyphs which one calls: "the certainties". Which is also pronounced "Virona". There you will find things. It is found in the Yonne under the name "Icauna" which must have been pronounced in fact "Icovna", the Yonne. Its modern name is rendered in French as the word "îcone". Its fountain, of clearly Gallic origin, has eight faces, it was used to trace the letters of various nations. You will find its waters through a Christian interpretation that they took from us, in a basin where ... baptism is practiced, that is to say the moment when we give a name to someone. Still of Gallic origin. The Celtisants unduly appropriated it under the name "icovellauna". But she is not a Celtic goddess at all, she is much older. Viking can be ???? Goïdel, no doubt. "Mori" is indeed a Gallic word which designates the memory of the past, feminine side, in French, "where all waters end and reappear". Morigana. The first certainty of named "Medul", it belongs to the Meduli tribes, it is there that the middle tribe gathered, by the sea where Uirona was born. A beach where you can find curious pebbles colored with red garnet. It is located exactly in the commune of "Soulac sur Mer" in France, towards the current tip of the Medoc. But I may not have warned you, "Gaulois" and "pebbles" come from the same etymological vein, the real one. They have kept its character from elsewhere, gentle, polite, patient, hard and resistant. This first stone of eternity, a garnet, was called "Medul", middle in English, the middle. There is also an Emerald Coast, Opal Coast, Amethyst Coast, Vermeille, and more. On the Opal Coast is a stone called "calete", the hoof. The second certainty that defines advancement. And it is truly surprising to hear these thousands of pebbles colliding in the waves, making the noises of horse hooves. Besides, the tribe that lived there was called the "Calete". The name of this second stone of eternity is "Calet". Which gave its name to the city of Calais. And even today they make a lot of noise, real revelers. That hasn't changed much over time. The name of a famous cake comes from them. A third "certainty" is found on the southern beaches. Among the Salluvians, one finds on the beach known as "Plage de la Salis" a kind of pebble with a very light complexion, sunny. Light yellow. Its name is "Salis", the one we see from afar, it designates clarity. This is therefore the third certainty. On the side of the Ruteni tribe, in the river, there is another reddish stone from Uirona, it is called "Rudis". And it is she who gave its name to the city of Rodez. This is the fourth "certainty", which the Vikings called "runes". He told himself that all certainties ended up blunting, that there were always new ones to replace the old ones. Among the pictons, it is "Pécia", called the forte. We find it especially on the coast, it was used to build complicated things, it is in its form that it demonstrated what it is, the stone of form. She is beige. "Liga" is also a certainty of Uirona, it is found among Lingons to which she gave their surnames. It is called the conservation stone, and inside it are found many beautifully preserved fossils. Among the Osismes, "Osismes" means "terminal", in a place that the Bretons call "the end of the known world", on the coast where the cliffs crumble easily. We find the loess stone. A stone too soft to resist the unleashed elements which precisely gave their name to the Osisms, the ostims, the ultimate. "Ostim" in Gallic means: "the end" "Ostimio" is the Gallic word which turned into an "ultimate" French. This seventh certainty is therefore called "Ostim". A tribe of Gabales existed in the mountain south, it is there that one finds the stone of the catch. It is called "Gabal". Among the Aedui, there is a very special stone on the ancient oppidum. It is called "stone of the wivre", its pebble name was "Edui", which defines the dark aspect of spirituality, it must be the so-called stone of memory, the stone of religious secrets too. Uirona distributed the stones of certainty to all the Gallic tribes, and each one copied her name. These stones which were to bring together the tribes are at the origin of .... theGallic language. And this is a real myth that our ancestors told each other, I assure you that it is the truth. Uãtis. Time passed in the freedom of each one, but there were times when circumstances demanded the gathering of all the goodwill. The Druids had sought advice from Teutates, and he had sent them Uãtis, a demigod who served men. Uãtis had the most beautiful and the strongest voice of all creation, he was a summoner. It warmed the spirits, people would then gather in sacred circles to listen to the orders which organized the work of the day. Sometimes it was to gather the seeds and berries, the harvest. Other times it was to bring together the warriors to go to war or organize the defense of the place. Or even more simply, Uãtis called people to gather them during prayer. Whatever the priest asked, the Gauls obeyed him. This was how we organized ourselves into working groups. Uãtis, the vate, aroused the desire to ally and work together. Nb: it is exactly that, there again the Indo-European current was mistaken, "Uãtis", the vate, indicates the will of assembly. (And "ualtu" does not designate the forest where the hair, it indicates a natural grouping). It seems that Roman acculturation worked hard to make people forget the good offices of vates. I am beginning to doubt that they were priests since they were also physicians. Rather, they were collectors for whatever was needed to be done in groups, medicine being one of the most important things of the time, that made them sort of doctors of society. A tomb of Uãtis was found, it contains a kind of ancient bell, which confirms the fact that we find the term in the etimology of various meetings, the bell was used to call people to the circle. Ucuetin. Rather, Goben forged agricultural tools, known as physical tools, another god forged his interior tools, he was called UCUETIN, god of castings. It was in Alésia that he had his cult, very focused on medicine too, it was said of Ucuetin that he had the power to strengthen the body. Moreover, a number of nicely cast bronze statuettes came from his production. He was a god of hospitality and surreal sculptural effects. Elsewhere in Gaul it was also called Uecticios, Égedius and Ucuetis as well. Nb: different very close names were given to him but the trade of forge moldings and interior medicine seems to have been dedicated to him. It is a god of the fonts, of the solidity and the good behavior of the rules apparently. Uenitia. In the tribes, there were separate groups, among the druids the diviners belonged to the groups of vates, among the druidesses, those who were in charge of divinatory sciences belonged to the groups of Venitia, the princesses, daughter of the kings of the place. should not be corrupted by mixing with the popular mass and remain virgins. Affiliated in her cult to Onuava, Venitia made the omens of fate thanks to the powers of the waters. It was said that she was a priestess of spring who brings light and heat of summer. It leads actions in a direction of the future. Nb: it seems indeed that the male vates exist in the female part under the name of Vénitia, where Uenitia. And that they were the daughters of chefs. Uoretia. People traveled in Gaul as everywhere, great roads had been built, smaller ones also traced their laces through more or less inhabited regions. And then there were travel accidents when some of the travelers ventured a bit at random. It was at this time that the white lady appeared, her name was Uoretia, the helper. It was said that this fairy lived in wild places, outside the walls and that she spent her time helping travelers in danger. Its mere presence signaled a dangerous place to be careful. This messenger delimited the wild places, the limit not to be exceeded. It is also said that she was human and that she ascended to the upper world, since she returns from time to time. She was a chief's daughter and a divine resource to whom the gods gave eternal life. Nb: the name of the famous mythical white lady who warns travelers of an accident was Uoretia. It indicates the fact that it is necessary to return to the shelter. To be compared with Ueleda. Uerkalai. Ogmios was teaching humans what was right, what was good, and what should remain in their memory. During the night a large fire was lit in the training clearings, this is where the soldiers learned to behave like warriors. First, beforeall training he split the groups in two. Each having a person in front of him, seated cross-legged as shown in the ancient sculptures, they listened to the law of the soldiers. Their ears chained to the words of the god of learning. "Life is a struggle," they repeated. "Respect your enemies", "Look him in the face", "Hold your position firmly", "Never back down", "Give her fear otherwise she will kill you yourself", "Use his violence to make him fall", "Don't let the fury take you", "Impose your justice on him and you will be his master", "There is no respite for the one who still holds his weapon", Thus spoke Ogmios while enacting the law of the Uerkalai. This is why he was nicknamed "the old lion" and "the Hercules". Nb: I must not have made a lot of mistakes on this one. The Gauls were fearless and inflexible warriors. Uimbori. At all times there have been fights and wars, it was yesterday as today a way in which the gods selected those who must live and die, where they must do it. I think it was the one called Artios who inherited Uimbori's shield. Artios was a warrior like all Gallic men, but when he reached a certain age he wondered why there were so many battles. Sometimes for trivial reasons, almost without reasons. He went alone into the Forbidden Forest and entered the Glade of the Gods. In the center the giant tree reigned over the surrounding courtyard. Artios stepped forward, when the giant's shadow covered him, his eyes got used to the semi-darkness and he could see that in the hollow of the tree, a very large boar was waiting for him. Teutates knew in advance who this human was, he had observed him in many battles. He knew her courage and her valor, her temerity too. "Shut up human, men should not talk to the gods on earth, I know why you are here, and I know that the sons of the bear are not afraid of anything". He resumed after observing the calm of the human for a few moments: "You do not understand that only those who will be useful in the future of your tribes must survive the tests! I know you reckless Artios but I also know that you will be able to die in combat without having assured your descendants. That is what I would not allow, so my justice must pass. Listen to me! When you are a little over thirty years old, you will stumble upon the deadly fields. And that will be good because you have killed a lot yourself. But since you are one of those who must stay all the same, I have decided that you will come back from the dead. The shield you see there on the ground is mine, it's the Uimbori. It will protect you effectively even in the dark passage. You will cross the black world and you will be reborn in its entirety thanks to the Uimbori. May your fate be done as I said! " Artios, who could neither speak nor move in front of the sacred boar, took the shield of Teutates. On returning to his tribe he did not remember what had happened in the depths of the woods. He now had in his possession a large black and green shield. When he returned to battle the shield protected him for a long time until he was over thirty years old. Then he was killed because that was his fate. The people honored the one who had fought so hard for the defense of the tribe, he was buried with the Uimbori. And the shield continued to protect the human in the world of the dead. They say that a former king cannot really die, and that he will return someday. This is what the myth of Artios and the Uimbori reports. There was another leader who later was carried standing on the shield of the gods, I think I remember it was Brennos. Nb: From a small sculpture representing naked Teutates and the sacred shield of the tribe alone, as well as an archaeological find where in a single tomb out of hundreds, we found the remains of a man covered by a huge shield alone . Etymologically it corresponds, the archaeological substance makes it possible to make the connection. Uxouna. Of course the tribes visited each other, the roads were traced by following the brightest stars. One of them joined Burdigala in Lutèce through the Lémovices territories, at the edge of the Turones lands, and following villages located most often on the banks of the rivers where the nymphs inhabited. This is how exchanges and bartering became a mode of culture. On this famous and great road, we had installed a place of devotion to the goddess Ouxona. In Argentomarus, the city with silver reflections. Ouxona offered fame, cleanliness and health, its waters came directly from rain streams. Its stone called "Oxa", the brilliant one, it is a bluish amphibolic schist, with silvery reflections. It denotes superior quality. The merchants who passed by called it "stone of wealth"and she was the object of a small sacred ritual which consisted in wetting the stone to be honored with the reflections of the sky. Oxouna the pure made the differences and inspired confidence. The merchants often stopped at its fountain to do their devotions. NB: the blue stones with wet and smooth reflections have been very sacred at least since the installation of Stonehenge where people already came 4500 years ago to look for small pieces of bluish stones. This myth of Oxouna, also called Uxona, seems to me to have come a long way in the past. Vascos. We worked and we always wanted to do a little more, a little better with the Gauls, there was really this desire to improve everyday life. I heard about a god of the Pyrenean promontories called Vascos, where Iacos according to the accent of the people. He was a god of the summits where one wanted to climb, that of the paths of quality. His animal, for he was a god of the middle world, was a bee. And yes, it seems that the bee in the Gallic had a male name. He appeared in the spring, in large troops and led his raids, the Uaxti on the fields of heather, in fact he showed the best way to fly over the mountain traps. Vascos was a guide, the one who leads on quality paths and his honey was the best of all. He had been nicknamed the "fat", the god of fat walks. Nb: the primo language makes sense: "the desire for a quality path". Indeed he was a god of mountainous paths. The bee often shows where the best luminaries are. In French, the word "viscous" seems quite close to me. Vasso: The traveling bird knew the whole earth and had acquired a lot of knowledge. Vassio: one of the great ancestors who knew the old earth, the old world. Vassocaletos: The confidant god knew the word of kings and the rhythm of chiefs. Vatulae Mattres: The mothers of wealth and secrets of Uatic worship. (Des Uates). Vediantae Mattres: They were weavers of female youth, preparators and educators. Vellaunus: The prince of clarity, the successor designated by all, the true heir to the throne. Veïca Moricela: She was the magician of sailors and the bewitch of the undergrowth, the planks of ships. She was also called the travel thief, the gloomy shadowy mist. Verascinios: one of the great ancients who knew the infinity of time and the numerous reeds of the great swamp of creation. Verbeïa: The old source of amber shone in the night, it was the oldest star in the night skies. Vernostonnios: It was about the great poet, he knew how to read the lines of the leaves, lived in the old holm oak which traverses the sky of its branches. He spread his fine words over the world to cure its ills. An eternal. Verotutis: God of the recognition of the true Gallic tribes, loving and protective, generous with their peoples. Vesunna: A priestess who willingly served the King of Clubs. She took the form of a bird to enact her omens. Vicinnos: He was a surprising traveler, an invincible messenger of the future. The one who completed the world. Vibes: The Amber Vendor brought stability to the clans. It is said that one made the embers shine under the ashes to warm the house. Viducios: The curator in question was an official, levying grain taxes. He had an infallible billhook which took his due from Where from where we could not get the carts, impossible to get out with this one so much his land was in love. Vincius: Where Findios, the twentieth conqueror, he was called because he kept coming back to take back the lands to be invaded. It was a mania for this god to invade the same lands over and over again, returning every year with the light of summer. Vindonnios: The one who was never wrong said one, he was a brilliant diviner of the cult of light. He asked, he knew and made good omen and good fishing every time. An infallible. Vinotonus: Deity of the officers, it is he who ordered the soldurios. He spread the word of the clan. Vintios: The old prophet, recognizable among a thousand others, was a very old Uates. It was the old Uatis who were the real custodians of religious power. Viridios: Where Ueridios, gods of sparks, glimmers and generous shards of metal. He was one of the night riders, the heavenly vigilante. Virotutis: The true chosen people revolved around the tree of heaven, it was called the great river of people who recognize each other. Visontos: The submissive shadow of the King of Clubs was always there to serve him. Vitucadros: The diviner enacting the rights of the sacred willow was a pure man endowed with the beauty of the soul. His psalms were verses. Visucius: God of personifications, he incotook the flesh of living beings to express themselves. Despite everything, he was called the unique because his different appearances did not fool anyone. A god of clarity. Verocus: This peasant god was embodied in the form of numerous troops going to war, he formed a great river on the roads and his horns were called pitchforks. Vosagos: It was one of the nicknames of the king of the clubs, god of the Vosges and one of the three Gauls. Viviana: Very old Gallic name that of the fairy Viviane, of the clan of the woman and the water, she was one of the queen of the chariot, that is to say that she possessed one of the constellations of the sky. Almost in the center of the star dome. Varda vercusta: goddess of the three kingdoms of the moon. Supreme judge of time with shiny hair. The divinity with two arms, the pitchfork, who chooses which way souls go. Vagodonnaego: Dark ice of the single moment, frozen river. Veraudunus: Dunus, fort where main place of culture, nobility, medicinal knowledge. Relationship with horses and marked roads. He is a central god of modernizing knowledge of the time. Veleda. The winged helmet of the Gauls had been adorned with two lark's wings on its sides, it was the sign of the flying spirit, that of travelers. The goddess Ueleda was the daughter of Alamahé, the foster goddess. Early in the year, she disappeared from the nest to go see the grandeur of the land and the mountains, she left for several months and Gallic travelers reported having seen her on the other side of the world, thousands of kilometers away. It was said that his palace had been built by the gods, on the cliffs overlooking the lands of men. It is called "the palace of the guard", because it seems, it is the only one who cannot change places. Every year, Ueleda returns home in the form of a lark, the goddess of travelers. Nb: real name: Ueleda, (Véléda), a prophetess bore this name later. Élania, Éliane is a reconstituted word is Ueleda the goddess, the Alouette Alauda is a goddess of travelers, maybe she was the nymph of a particular tribe but it seems that all the Gallic tribes knew her. Also called "Alant-deuia". This gives him an activity of a passionate nature, of memories. The Gauls had two lives, the first took place at home and the second belonged to Alantia, it happened while traveling, on the roads or in their second homes. But there was indeed a Gallic expression which dealt with the first and the second life. This name of Alant-deuia, of alauda, and finally of Elania is found in the French "Aline, Hélène or Élodie", which also has a relation to travel. The Wyvern. No one remembers when she arrived, we just know that she comes to us from the depths of the abyss where Ogmios had chained her. We know why, the old lion has always been the only one to be insensitive to the power of the Wyvern. Those who saw it and miraculously escaped death told terrifying tales of a hideous serpent that wore a strange ruby in the middle of its forehead. One of the survivors recounted this upon returning to the village: "I was going fishing in the river, and of course, as usual, I fell asleep at the foot of a large willow tree. It was only in the evening that the ambient cold woke me up, numb I barely moved when I heard the whistle. It froze my blood. We were between dog and wolf, the night was advancing rapidly. But this whistling gifted me, I had never heard one like it, and I will never forget it! I was hidden by the shadows of the tree and no one could see me. But I! I saw it! A naked and beautiful young woman was bathing in the river, she swam languidly and jiggling back and forth a few meters from me. It could have enchanted me but I assure you that his whistles would have taken away the urge to move to a whole army of valiant soldiers! And then ... there was something that scared me even more. In the river, all around it, there were very large numbers of snakes, I have never seen so many, and beautiful sizes of course! Hundreds of reptiles of all races swirled, mingling with the song of the wyvern. After a while, I don't know how much, she walked over to the shore, across the stream. When she came out of the water I saw that her entire lower body was different, the thing had no legs and those were replaced by the body of a large reptile .. what a fear! This is where I moved, but moving around a bit I crushed some dried branches and it made noise. With a quick nod of her head she turned her gaze to me and her eyes met mine. By all the gods! What a beauty! In the middle of his forehead there was a magpierre red as a ruby and suddenly wanted to. I wanted to steal his jewel from him! Only voila, the snakes had just turned towards me too, and some were throwing themselves into the water in my direction. So I left without asking for my rest, I swear to you that never a man has run as fast as me at this moment. I heard the whistles, still horrible behind my back, she was giving them orders ... I thought I would die on the spot! And then I returned to the village, the rustling had followed me for a long time but I had escaped them. " This is what this man said. And of course no one believed it, people said he had a nightmare. It was not until the next day that armed warriors went to check if there was a monster on the side of the river .... and nothing, they found nothing .... except serpentine traces, imprints in the mud on the two banks, hundreds. On their return, one of the soldiers wore a haggard and feverish air, he certified on his honor that one of the traces left in the silt was indeed that of a snake ... huge, at least as big as a man, bigger certainly. The man-eating wyvern had been there. We do not know why, since that date the peasant who had seen the wyrm has changed a lot, he who was usually so happy showed everyone a dark and withdrawn character. Every day at night he returned to where his memories brought him back, it was as if he wanted to see her again. As if he missed her, he had aged a lot in a short time ... Nb: the Wyvern is a fairy, which has its advantages and disadvantages, Merlin was a victim. It is also called: "the great fisherwoman". Xacãnos. There were many gods and goddesses, each had its place in the universe. On the banks of certain rivers, ponds and ponds, there was a water genius named Xacãnus. He granted certain wishes but above all he brought his care and a good spirit for those who were sick. The genius lived in the strong concentrations of reeds. Some tribes worshiped him. Its seeds nourished the clans, its dance and its song engendered sweet dreams, its leaves were used to treat breathing and poisoning. Flutes were drawn from its stem and filled with wonder, its juice was used to make tasty sweet treats, in addition and to add to its natural extravagance, we made brooms with its stems and feather dusters. Xacãnos was the messenger of the gods, he was a genius of the reeds. Nb: I found its trace even very far from the territories of Gaul. Xacãnos was a genius of the waters who was embodied in the reeds, a plant very appreciated by the Gauls. He brought happiness and serenity, he was a messenger. "Cãnos" is passed in French like "the cane". Xuban Xuban was a divinity of attraction, of flirting in a way. He lived on sumptuous horizons and one finds him in many places in Gaul, under more or less evolved names. He was called the intrepid, his first quality was carried into the physical world. Its freshness was given to it by the rolling waters. It was also said that he had the grace of plants. He was a god of choice and opulence. Nb: apparently he would have a relationship with fish and the grace of women's hips, he is a god of demonstration. Yevuria. Among all the stories I have been able to trace, there is one that speaks of Eburos, the divine boar. Teutates decided to help a human by lending him his fleece, Eburia. He was a monster hunter who had to hunt down Gargos, a giant creature who frightened animals and humans for his pleasure. The warrior in question dressed in Eburia before heading into the woods to kill the monster. This garment allowed him to become invisible by belonging entirely to the forest with which he merged. This fleece was said to be that nothing could penetrate it except sunlight. Spikes, swords and other claws could not cut it. Nb: "Éburo" is a term which designates the inpenetrable fleece that some tribes wore in battle. Surely a boar skin. It has been confused with the Islet of Ovios because of its entangled foliage which is also impenetrable. We still find this name today in forms like "yèvre", "Yvrande" or older "yevuria", "Éburia". The term "Gargos" is found in the French "gargouille", where "Gargantua".